Overview
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.

| Release Date: | 04 August 2025 |
| Country: | US |
| Genre: | Horror/Supernatural, Mystery |
| Production Companies: | New Line Cinema, Subconscious, Vertigo Entertainment, BoulderLight Pictures, Domain Entertainment |
| Watched by: | 5 192 of 963 241 |
| Runtime: | 2 hours 9 minutes |
| IMDB Rating: | 7.5 of 10 229 812 |




























A hype horror film from Zack Kregger (the author of the acclaimed horror film "The Barbarian" a couple of years ago) about the mysterious disappearance of an entire school class in the dark of night has been released internationally. Guns has become a real phenomenon: with a budget of $38 million, the horror grossed $252 million.
Skating rink content
A terrible thing happened in the small town of Maybrook, Pennsylvania. The cameras recorded how at 2:17 a.m., seventeen children got out ...
P.S. And from the same director, "The Barbarian" 2022 can be watched by anyone who wants to.(and Justin Long in both cases, the director's friend?)
Besides, the grandmother didn't steal the children's youth and health in the end, what was it all about?
But it keeps you in suspense well, and it's well shot.
it was interesting to watch, I liked it)
it's a good move to show the story from the perspective of different characters
, although the ending is weak, of course
Excellent shooting, presentation, dialogues, characters. The barbarian was good, but this one is just better at everything. The new film based on rezik is in good hands. I'm waiting for more works by the director.
@VioletShiny:
Indeed, we have not yet seen a carbon monoxide porn comedy in this series of film adaptations)))
They showed the days of key figures almost minute by minute.
The film is cool, the storytelling style is interesting
I wouldn't call it straight horror.
It also has a detective and comedic component.
Well, personally, we were laughing.
I have a few questions for the villainess.
1. What was the point of flashing before the eyes of the characters. For example, in the forest in front of narik?
2. Why cut off the teacher's hair in order to kill later, instead of killing immediately ... ?
Well, I think it's because of the villainess that something was missing in this movie. It's hard to explain what exactly, but they just didn't make it.
Although the ending is cool.
A one-time movie.
@RUSik: regarding your second question, I think that the grandmother didn't shine much and she couldn't just find the killer whom she would "enchant" to kill the teacher. The boy's parents are pale, and their family and home will immediately begin to be checked even more. And then the director ran into it himself, it turns out. Well, she took advantage
I hid it just in case, because it kind of turned out to be spoilers.
The plot is interesting, intriguing, and the actors are good, but questions remain after watching.
At least the most important "What are these rituals for? What's the motive?"..
I laughed at the moment where the junkie was constantly passing out, then jumped up again and attacked the man, each time it was funnier.
The moment where the children run after the grandmother is also funny.
I don't remember anything else. I still don't understand what's what, why was it all?
Think of a movie like this for yourself. 😅
It starts, of course, everything is not clear. First, the teacher's story. Then the father of one of the missing children. Which seem to be interconnected, but somehow shaky. But with each new story, a new point of view, a new facet of the answer to the main question of the plot opens up - what happened to the children? The puzzle adds up, in other words.
Well, the outcome is quite unusual. First of all, there was even something to laugh about. Secondly, it doesn't seem to be a happy ending.
Although the main villain really reminded me of Nicolas Cage from Soul Collector.
But personally, I liked it.
Well, as we wrote above, it would be nice, on the one hand, to explain: where, how and why did all this happen in the first place? Who was this aunt really?
And on the other hand, to increase the timing even more... and a prequel would probably be superfluous here.
But the movie is well directed and shot, the actors are pleasant, the atmosphere is good. The plot was a bit disappointing.
I had enough explanation - my grandmother had certain powers and unwillingness to die, very simply and clearly. The details would ruin a certain mystery, imho; the finale is clear enough, the timing is sufficient - I see no point in describing the obvious. Well, there would have been a cult, or she would have been some kind of shaman, or there was a curse on her - well, what difference does it make in general, we have an abundance of motive and execution. The element of mysticism and slight understatement would be gone.
I liked it more than other similar horror / thriller films of this year - One whole, Bring her back from the dead, etc.
The soul collector, with whom they compared, or Two, three from the Philip brothers lose heavily - a good build-up, a strong sagging in the middle, an indistinct end. I don't even want to compare it.
I'll bet you a solid 8/10. It's creepy, well done.
What a Pennywise! All this gloomy and oppressive atmosphere went to hell because of her.
Of course, there were a few funny moments without her, but still I would like her to look a little different.
Has anyone figured out why the letter W popped up in the upper-right corner several times during the movie?
Just for once.
I just want to say that I liked the movie and it's worth watching!
The film fundamentally avoids complex metaphors, sharp social commentary and self-reflection, since in this case it was not necessary. Kregger prefers to laugh at genre cliches, destroy and violate them in every possible way. Some compare his films to Stephen King's films, others find parallels with the new wave of horror, but in my opinion, Kregger's work does not belong to either one or the other – his "Barbarian" and "Guns" stand out from the rest due to his incredible ability to create harmony in not the most harmonious genres, comedy and horror. It's one thing to come up with a parody of the horror genre, another thing is not to devalue scary moments with laughter. Kregger has everything working everywhere at once: suspense, comedy, drama, and a touch of the absurd.
Is that clearer?
Yes, these are not exactly horrors, as they claim. more of a psychological thriller detective with a vibe of urban tales and mysticism. but the hype around the film does its job, of course.
With all this, the film keeps its entire timekeeping in suspense.
The atmosphere is a thrill. I want to delve into it all without being distracted at all. there is a place for metaphors and black humor, and the very presentation of the film from different angles adds more interest.
creepy, sometimes violent, but very atmospheric.
Okay, I have to admit —
the plastic world has wonI mean, we've been spoiled. Now, in order to believe in the film, we need some kind of explanation. Like, what, none of the smart detectives thought to check the lines — where did the children run to? Or there — didn't anyone notice an alien object in the sky? Maybe they'll explain to us how the secret services have been trying to disguise themselves in modern society all along? Yes, I specifically asked questions here that have nothing to do with the film, so as not to spoil it. But the fact remains, as soon as you start asking these questions, the whole magic of the movie begins to break down. Therefore, it is better not to do this. Although the film mows down under the "smart horror", in fact it is not... No, no, no... he's good, he keeps you on your toes, every point of view is important. Who will be the next POV is unknown, what details he will put into the overall picture is unclear. And it's fun. After all, each of the characters really has their own problems here. The same jerk (spoiler, spoiler) with his "fucking spoons even in the face of unknown bullshit" is gorgeous.But at the end, when you, as already accustomed to "smart movies", expect something crazy from the ending. Like a third bottom... He's gone. The authors tell us — that's it, how do you like it? Like— that's it, conditional evil, conditionally defeated, nothing has returned to normal, problems remain, and you, dear viewer... Well, I don't know — take offense, for example. Cry there. This film has a clear and unambiguous ending (which, of course, does not prevent distributors from immediately planning a dozen sidequels, prequels and a theatrical musical).
But on the other hand, from those times when it still seemed to us, with an unspoiled serial approach, with a thorough examination of everything and everything, that John Matricks alone could stop a whole crowd of armed soldiers, there is a lot of cool stuff in this movie. The escape scene of the children is both funny and frightening. Escalating the situation, without any special demonstrations of blood and dismemberment. An unexpected denouement... yes, it becomes clear somewhere in the second half, but the more unexpected it becomes - you don't fully believe in it. Well, they can't do that on serious acne right now. In short, it worked. It's not a 10 out of 10 or an all-time masterpiece, but the movie is great, cool and funny.
4 out of 5, or 8 out of 10
But I liked the movie
The above-mentioned people either watched something else, or collectively went crazy and are now staging a Naruto run, along the way shouting "Zach Cregger," "The Barbarian is a great movie," and "Urgently go to the cinema Guns."
And now I went to read the reviews and was just blown away by people's reactions.
I have a suspicion that if they shoot a prequel (and the studio already really wants even more money and a backstory), then they will stop on the topic of strange creatures, not just witches.
But I still have a question. When the kid's grandmother and father were interrogated, no one was confused that the father was sitting like a vegetable, he couldn't say anything, and he was pale as a toadstool? Detectives should have developed their instincts and logic, but the teacher and the friend of one of the missing children turned out to have more logic and intuition. But we weren't really shown the detective part of the film, like police investigations. In general, yes, after watching it, the feelings are exactly like that - IT WASN'T ENOUGH. I would like to know what's next with the children and the boy's parents, otherwise they said a few words, and that's it.
Plus sign for the cast)
And on the topic I mentioned above, I strongly recommend reading about the story of Sylvia Likens.:
https://ru.m.wikipedia.org/wiki/%D0%A3%D0%B1%D0%B8%D0%B9%D1%81%D1%82%D0%B2%D0%BE_%D0%A1%D0%B8%D0%BB%D1%8C%D0%B2%D0%B8%D0%B8_%D0%9B%D0%B0%D0%B9%D0%BA%D0%B5%D0%BD%D1%81
And not only on Wikipedia, but to search in general. There's a two- to three-hour podcast on YouTube that covers this story very well. But he's talking about her killer, Gertrude Baniszewski.
I highly recommend studying this story and then you will rediscover the question of the reasonableness and competence of responsible people and government agencies.
Once, in a provincial American town, 17 students of the same third grade simultaneously ran away from their homes in the middle of the night, at 2:17 a.m. A month has passed since the mysterious mass disappearance, but the police have not found any leads. Some of the parents of the missing students suspect Mrs. Gandy, the teacher of the class, in which only one boy, Alex, remained - the only one who for some reason did not escape that ill-fated day. However, the investigators, having carried out operational measures, did not find evidence on which the teacher or the boy could be involved in the case. In this regard, an explosive situation is gradually brewing in the city.
Three years ago, comedian Zach Kregger flew into the horror genre with two legs, conquering the box office and critics with his comedy horror film "The Barbarian". If anything, I also wrote a review on it a couple of years ago. Then Kregger applied to join the club of the best modern horror directors. With his new project, "Guns," Kregger has finally staked out a place, and now he's unlikely to be kicked out of there.
I'll make a reservation: the "Guns" had a weaker effect on me than on professional critics who give 9-10 points. I'm out of sync with them right now. The licked Nosferatu, for example, didn't come in at all. Here, the situation is much better, but there are nuances.
Kregger has not changed himself. "Guns" is divided into six chapters. The same "Barbarian" was divided (albeit without the use of titles) into two very different halves. But "Guns" are kept in the same stylistic plane, while in "Varvara" the change of subgenre was strongly felt. Also, Cregger again does not produce a pure-blooded horror film, but a detective horror with elements of a black comedy. There are not many frightening moments here - they mostly come down to screams in the form of the sudden appearance of a local Pennywise. But the oppressive atmosphere a la Denis Villeneuve's "Captives" can be cut into slices with a knife. Kregger described his previous project as "Fincher on the ground floor, Raimi in the basement," but this time he shot "an epic horror based on Paul Thomas Anderson's "Magnolia" formula." These are the words of Kregger himself. By the way, Fincher personally helped with advice this time.
Each chapter is conducted on behalf of one of the characters. Teacher Gandy (Julie Garner) has already become a regular in the genre. I recently wrote about "Wolfman" with her) does not want to put up with false (or not?!) accusing himself and trying to figure out what really happened. Archer (Josh Brolin), the emotional father of one of the missing children (the child's name, by the way, is Matthew, that is, Matthew, and in the New Testament, verse 2:17 refers to the beating of infants on the orders of King Herod), suspects the teacher and tries to find evidence against her, but along the way makes an unexpected alliance and goes on a new trail. The viewer will also be given a look at the events through the eyes of a cop (the former teacher is played by Alden "Han Solo" Ehrenreich, who here looks like Pablo Escobar played by Wagner Moura in Narco), a school principal, a homeless drug addict (Austin Abrams played a great role - I'm waiting for him in the next Kregger project based on the Resident Evil game) and a boy Alexa. Each story begins plus or minus on the same day and shows an already known story from a new angle, complementing it. At the same time, sometimes the technique of an unreliable narrator is even used imperceptibly, but without affecting the plot, but as a pleasant little thing that better reveals the characters. Each chapter ends in an intriguing way, to put it mildly, leaving the hero in a not very comfortable position. The next one starts relatively calmly. At the same time, the cumulative effect is felt. The spectator tension does not go away and does not reset, even though the new character is just starting his journey. With every increase in the stakes, you realize that something very bad is coming. And in the end, Cregger doesn't disappoint, delivering a shared explosive climax for all the characters.
"Guns" is one of those films that leaves a pleasant aftertaste. I just want to sort it out. EVEN DESPITE SOME LOGICAL INCONSISTENCIES! You know for sure that it's multi-layered, and it won't be possible to track everything at once. By the way, Larkin Ciple, who shot the Oscar-winning "Everything Everywhere at Once," acted as the cameraman here, and in terms of pictures, "Guns" do not disappoint either in times of calm or in times of action, and he is here, yes.
On the surface, including thanks to the name, lies the topic of mass shootings, the so-called "mass shootings" in schools. The whole film is actually a metaphor for how the public copes with such terrible events, how they look for the perpetrators, how everyone shifts responsibility to each other, how everyone looks for their own ways to cope with grief, and that, in fact, such an event will be swept under the carpet as soon as possible, and even those who those who have experienced this will sooner or later get a chance to recover. In general, after the recent TV series "Transition Age" - that's the thing, yeah.
Speaking of grief. Cregger started writing "Guns" after his close friend and fellow sketch show "Urban Primates" (The Whites Kids U'know - I recommend watching, they used to play on 2x2) Trevor Moore died by accident [blue is evil!] from the balcony. The time was at 2:30 a.m., which is very close to the tragedy in the film. The chapters of the painting trace the stages of acceptance of grief: denial, anger, bargaining, depression, acceptance. There are characters who have a clear parallel, and some have more borderline states. In an interview, Brolin gave a slightly different interpretation, more individual for Kregger, but the meaning remains about the same. There was shame, loss of control, resentment, isolation, etc.
A red line through the film is the theme of addictions, both physical (here are our favorite cordyceps mushrooms with ants on TV and posters about parasites on school walls) and psychological. It's a complete mess: the teacher is an active alcoholic, the cop is a former alcoholic who has "X days without incident", the homeless man is not stupid to smoke and beat up, the father would take anger management courses, the school principal would burn in hell for gluttony (there are hints about this; by the way, an Easter egg with seven hot dogs on the sketch from the same "Urban primates"). And the perpetrator of the tragedy is dependent in every sense. Kregger is also autobiographical here - his father died of alcoholism, and young Zach had to take care of his parents who were in a deranged state. The symbols in the form of a circle and a triangle, which are found everywhere in the film (including in the credits), are generally about the Alcoholics Anonymous club, they have such a sign. In general, not only and not so much a reference to "Charmed", haha.
There was supposed to be another full-fledged chapter in the film, but it was cut due to the timing. She would have clarified a lot. I'm sorry for the loss, but not much. There are enough hints at the moment. And as George Martin used to say, "I'll never write a chapter on behalf of someone who knows too much." Or something like that. Given the phenomenal success of the film and the studio's requests to make a prequel, Kregger will probably return in a few years (after Resident Evil and, most likely, another project) and reveal the moments that were left on the cutting room floor this time. Plus, during filming, he gave the actor a choice of two explanations for why this character behaves exactly the way he does, so that he could play the role appropriately. Knowing these clues, let's just say the prospects for the development of the series are interesting. What's in the prequel, what's in the sequel.
Even the strange way kids run away from home has its own meaning. And no, it's not described by the words from the song.: "I watch anime, I'm very cool, Mom, look, I'm like Naruto." However, I also had associations with the "Attack of the Titans". Anyway, this is a reference to a photo from the Vietnam War, where the photographer captured a naked girl running, whose village had just been burned down with napalm by the noble brutes of democracy. And in general, the movements of many characters here resemble the movements of puppets (on the issue of parasites).
However, I can't say that the painting has some kind of identity crisis. She is moderately funny, moderately frightening (although I would like more of this measure specifically) and as intriguing as possible, keeping her in suspense from beginning to end. Kregger came out with a perfectly staged and played dark fairy tale in the spirit of the stories of the Brothers Grimm and other folklore plots about Hansel and Gretel, the Pied Piper of Hamelin and the like. Perhaps she relies too much on shock moments. "Guns", if you remove all the blood and guts, could be on a par with such classic works by Roald Dahl (and films based on them) as "Witches" and "Matilda", and would quite pass for a children's and teenage horror story by the campfire, if it smoothed out some corners. But it didn't turn out badly either.
P.S. If Kregger doesn't settle down with jokes, he may inadvertently make an unsuccessful adaptation of Resident Evil once again. I would not like that. I hope he can control himself and not overdo it.
Rating: 7 Thanos finger clicks out of 10
The rating is good, maybe part 2 will be filmed, and they will show how it all started, and the reason for that. Quite watchable.
Look, it's called Naruto, that's how ninjas run.
I didn't remember the trailer, but from the poster I expected it to be the Corn Kids or the Class of 1999. In fact, it's a little better mediocrity than the Soul Collector, but it's actually a copy of it. That is, there is a villain in dark makeup who is absent most of the time. There is a vague, boring, confusing narrative. And magic.
At first, I thought it was just another slowbanner, which is why it's so bad. But the last 40 minutes turned out to be watchable, because they somehow explained what was what. However, I still didn't understand what the point of all this was. In particular, why did the director vomit black goo on his xs? If the grandmother was cursed, then some kind of ritual was clearly needed. If she was restoring her health with the help of people, then she was doing it somehow wrong.
In general, the idea of returning to the classic voodoo zombies is normal, but it had to be shot differently. There is not a single frightening moment here. But there are at least two rzhachny ones. Which I mentioned at the beginning and the second, when the children ran after the grandmother. It was just hilarious. The director also forgot to tell them that they were still supposed to run like in Naruto, not any other way.
Another trash with high marks.
The "Terrifying" trilogy is bullshit for mentally ill people. The first part is completely out of bounds. Made by a person who needs to go to a specialist and get checked out. And preferably then from the institution, so that he is not released. How this can be liked is not entirely clear. There's zero meaning, zero plot. It was badly shot. The first part is actually made on the knee (well, it's understandable - no one wanted to fit into this whore). Another torture porn, which is passed off as something masterpiece by those who missed some "Faces of Death" at the time. A kindergarten with a claim to elitism among the incels. Stupid trash.
For the rest, I agree about the genre)
Guns is just a bad movie. Boring, with only one more or less interesting character in the form of a father looking for his son, developing sluggishly and not convincingly explaining what is happening. And when horror becomes funny, but it's not a black comedy, it's a failure. Look at the emoji ratings, laughter emoji is in the top 3.
as for me, the downside is these humorous inclusions. for me, they were just knocking down all the atmospheric pressure, as it was in the same longlegs, the whole movie was wildly disturbing, and then you just start to strain yourself - some carbon monoxide addict immediately comes out, who rises back and forth and that's it, the moment is lost😅
it was unusual to see Benedict Wong not in a superhero movie))
Sadness-sadness-disappointment.
The movie is great, but they didn't really explain anything to us!
The story works in layers: teenagers, family, community — everyone seems to be infected with some kind of internal evil. And now you realize that the horror here is not in the "boo-moments", but in how the decomposition of society from the inside is shown. In places, it looks like a mix of "Donnie Darko" and "Solstice" — beautiful, dark and creepy.
Yes, not everyone will enjoy the movie. There are slags, the scenes are delayed, the ending leaves more questions than answers (in the style of: "thank you for watching, figure it out for yourself"). But at the same time, there is a feeling of anxiety, that sticky atmosphere that the director pulls out to the maximum — that's why you want to slap a strong four.
And yes, "Guns" is a movie, after which you really want to close your laptop and think: what's going on under our noses? Who in our city carries guns, and who is actually scarier — the monsters or ourselves?
The result: an unusual, atmospheric and oppressive horror. Not for those who are waiting for a simple "scary movie for the night", but for those who are ready to sort out the subtexts and catch the existential shit in their head.
what's here, what's in "the barbarian"
just like in "the barbarian", the beginning is very depressing, but by the end everything comes to naught, and even the comedy slips)
but I liked the movie, basically. It would be nice to see the second part, preferably with explanations.
actually, we are waiting for the second part!!
Spoiler alert!:
The plot has its’ logic, but one small detail in the end would be great to accomplish it fully: there should be some kids with sucked out youth before the moment OLDBOY finds the witch in the basement in the final episode.
The beginning was very exciting, but all the interest and intrigue immediately disappeared as soon as I saw the grandmother ...
I thought there would be horrors, but I got more of a detective story and a little horror🙂
When the parents were breaking into the kid, I caught flashbacks to the Shining
Total... As a movie for the evening, it's very good, but no more... I expected more, though.
Or is it, in your opinion, that she vomited so much from old age and her hair fell out?
As for the "serious illness" - she told her sister that she was sick. I don't think there's any cancer or any other disease here.
It's a side effect of black magic.
If there is no illness, why suddenly fly to your niece and look for someone whose energy will help you better? Causing a ruckus all over the city. She also told the kid that her parents weren't enough for her to get better and she should try his classmates.
Evidence:
1. Her niece recognized her, so she was her aunt. The film didn't show her giving false memories to anyone, so you can't say she's not theta, as if that's a fact.
2. She tries, but does not act for sure. So for her, eating someone else's energy is something new, not a constant practice. And after constant practice, she would hardly look so bad and unhealthy.
Anyway, yesterday there was news that a prequel about Aunt Gladys would be filmed, let's see whose theory turned out to be more correct. Although it was of course more dramatic for the sequel to make Gladys not a witch, she is a cancer patient, and magic is the only way to live. She's not a villain, she's a victim. It's more dramatic, of course, and evil villains are all the rage right now. 😅
It was as if the man had never read fairy tales or watched cartoons about witches in his life.
Well, in vain people are waiting for answers and a sequel. I doubt that these answers are available or even necessary.
Without lapses of tempo and whistling.
Watch 1.5hours of something to be explained later? It's easier to read a book, apparently
I liked the suspense that lasted right up to the chapter with Justin. I liked the scarecrows, which were few and far between, but they were quite decent. I liked the "adult" fears that they managed to cram into the film – getting pricked with a needle and being amazed by a vegetable peeler.
All the actors played well, especially the child actor, I admire. The actress who played Gladys also distinguished herself by creating a character in her image that was cute on the outside, rotten on the inside, but not annoying at the same time.
I don't understand Haight in the direction of a movie from the category: "is this what it turns out, we have a witch in the ordinary world"? Because when it suddenly comes to ghosts and curses in America's homes, no one has any questions.
A film for an amateur, which does not imply a hard, straightforward analysis, but which is very pleasant to watch without it. At least the picky viewer will be able to enjoy the picture with several interesting and pleasant design solutions and shots.
Acting: on the level
Narrative format: it was interesting
Attempts to scare: so-so
Scenario: piece of shit. Well, nothing is clear. For what. Why. What's all this about. It's not clear at all
If I were Gladys, I would just pick up all these pieces of paper myself and drag the children far into the woods. And I would have called them there. There is zero logic in the actions of the antagonist. The most infuriating thing is that everyone praised this movie as something scary, and in the end it was just another soul collector....
Hints for those who don't understand anything, but are very interested.:
"Aunt Gladys is a powerful witch. At first, she fed on the energy of Alex's parents to defeat the disease. She did this with a lock of hair, a bowl of water, a bell, etc. Then, with the help of various manipulations, she begins to take the vitality from the children.
- it shows how the scapegoat mechanism works. The parents don't know what happened to the children or where they are at all. According to this, the teacher is blamed for everything, although there are no facts of her involvement in the disappearance. It's easier to find the "culprit" and absolve myself of responsibility than to think about whether I, as a parent, could be to blame for what happened. Instead of looking for a solution, the residents of the town spend their time bullying.
- The film shows how uncertainty is harder than the truth itself, even if it is bitter. The brain completes the picture of its own fears, and the person begins to fear even more, because it seems to him that exactly what he fears most will happen.
- the meaning of the ending: all our actions have consequences. Even if it seems that the monster has been defeated, it is only on the surface. The children returned physically, but the trauma remained, and they are no longer the same inside.
- What the director wanted to say: the witch is a metaphor. She represents the parents of alcoholics and drug addicts. Their children take on the role of an adult from an early age and become guardians. Alex has also taken on the role of an adult, feeding them and caring for them. At some point they try to kill him. The same thing happens with parents with addictions, they attack their children. Alex sees that his aunt is doing bad things, but continues to "help" her, as he believes that this saves his parents and his family.
And could I tell you more about this Mary Poppins (supposedly aunt) who suddenly appeared out of nowhere??
What a nightmare.. It was very unexpected. I'm sorry for the boy, but he did well, he held on to the last and took care of everyone, coped and learned to live alone.
If it turns out that the witch is not this teacher at all, but this terrible aunt. As I understand it, she wanted to regain her youth at the expense of the lives of the young. You can see that even her hair has started to grow back.
In general, an unexpected turn of events has occurred..
It seems that at the beginning it seemed like a typical movie, someone disappeared, most likely kidnapped by some kind of maniac, but here it is as it turns out.. I'm shocked. But the film is good, keeps you in suspense and intrigued you to the very end.
I recommend the movie
I didn't understand why the movie was called the cannon. And why did the guy see a machine gun above the house in his dreams?