Overview
Years into their relationship, Tim and Millie find themselves at a crossroads as they move to the country, abandoning all that is familiar in their lives except each other. With tensions already flaring, a nightmarish encounter with a mysterious, unnatural force threatens to corrupt their lives, their love, and their flesh.













































"One Whole" does not reach the heights of the grotesque "Substance", and is not as pretentiously filmed as the same "Ugly Sister", but it is no less vital, as well as a touching and thrillingly creepy story about how people find the strength to overcome their own fears in the name of love.
The idea is very good, only believe her don't put the squeeze on to the end. There are many questions left, "why?". The ending is a shock.
Love attracts, literally.
But, in general, it's not bad as it is. Reducing the number of "baby" and "baby" would be great.
Together is, as she correctly said, the perfect movie for February 14th. The cinematic embodiment of the memes "We?" and "Me and who?" and just a picture where you can freely reflect on many moments of your own relationship, over and over again comparing yourself with the main characters. And in fact, these are probably just associative jokes, because from the point of view of all sorts of issues, the film is rather weak. The metaphors are too bold, a lot is said head-on, but the chemistry of the duo of Alison Brie and Dave Franco is so true that you begin to perceive what is happening more vividly and deeply than it really is.
But for me personally, both a drop of disappointment and a slight delight are not horror. This is more of a tragicomedy, where you will often look at each other with a smile, interlacing your fingers, rather than being afraid of something. There's not much creepy here, much less downright scary, but there's a lot of something so sincere that it's easier to feel with the experience of a romantic relationship behind your back.
There is little delicious meat here, criminally little. There is not the intensity and elevated degree of the grotesque, as in the recent sisters in the genre. The big disadvantage of Together is that it seems to be afraid to raise the stakes and throw the viewer into something terribly disgusting, limiting itself either to hints and half-hints, or to rare but rather budgetary moments of any body-positivity. And maybe it's not even good or bad, it's just that it was obviously not very fair for the marketers to present the film from this particular angle.
And as a result, it seems to be a weak horror, especially a "body", and a weak psychological thriller, and no serious problems are disclosed here. But, damn it, we really liked it, the film is very funny, we often held back our laughter so as not to frighten the already few viewers, and the ending caused outright delight, after which I want to immediately review the film. At the end, the level of positivity was at such a high level that we walked with a proud gait to the exit from the cinema, holding each other's hands tightly, and for a long time afterwards without relaxing our grip. I think that such an aftertaste from any painting is more expensive than any dramatic value.
It's a good movie. If you really blame him, it's only because he could have been a little better. But we don't want to scold him at all, that's why we have such a generous assessment.
You may ask if my ideas are crazy, but yes, they are.
I've only been going to the movies for horror movies for the last few years and I come out of the sessions super happy.
I also watched the whole thing with a buzz. The locations are very beautiful, the forest, the houses
All the original ideas are now only in horror movies.
"One Whole" nevertheless turns out to be a bright, inventive and even sometimes funny body horror about the topic of married life, where not everyone and not always succeeds in seeing the moment when mutual support can be replaced by dissolution into a partner. There is some irony in the fact that the main characters are embodied by real spouses Dave Franco and Alison Brie, but this does not prevent them from giving their best even in the most awkward and absurd situations.
But here, although the plot is simple and there may be little action and I would like more sharp turns, but the film does not need it.
He raises an interesting topic of intimacy and confidence in his person through a cult.
I'm very afraid of various body horrors, but it wasn't scary here, rather disgusting in moments, and even sometimes I would like more such merges.
I definitely recommend it for viewing! 9/10
The actors are cool, beautiful and worthy of attention.
PS And yes, now no one can say that the tale of "don't drink from a puddle" is just a children's horror story.
Overall, it's not bad, but there are a lot of questions. I liked the idea of depicting a codependent relationship this way. And the actors are good.
In reality, one partner is an alcoholic or drug addict, and the other is trying his best to "save" him. Another option is when a person becomes codependent himself because of his childhood in a family with alcoholics.
it's much scarier to lose yourself completely. The very "one whole" presented in the finale. People simply ceased to exist as individuals. And they show us aesthetics, beautiful serving. Why is the scariest codependency not shown to be ugly? 🤷♀️
An interesting allegory of a toxic relationship (especially funny that the main characters are played by a real husband and wife).
But something was missing. It's as if all the coolest moments were shown in the trailer again, and there's an aftertaste of understatement in the movie itself.
but in the end, it turned out to be too much of a hype. No, the movie is not that bad, it's just that after such rumors about it, expectations were too high.
It's like a body horror movie. much more worthy films have been released recently.
it is clear that the film wanted to show a codependent relationship and everything goes into metaphors and psychology.
the intensity of all this and emotions, among other things, is added by a rather strong acting game. There is no particular fear or abomination from the film, it causes more of a sense of anxiety.
this is a kind of krch.
It's certainly not my favorite "Substance," but it's not bad either, coming out of the cinema it was something to think about. It's nice that the film wasn't just made to show some kind of horror movie, but an actual problem in a relationship is embedded in the plot. The ending is kind of open to me, I still haven't decided for myself whether it's more bad or good.
I'll give the film 8, maybe 9 points. It was a pleasure to watch, beautifully shot, and the actors performed 10 out of 10.
In general, I really went in.
I'm wondering who saw this movie in the cinema, did they censor scenes with homosexuals or not? 🤔
I don't mind, but knowing our laws, I'm just curious.
It is immediately obvious that there is no fairy tale in American culture with the message "do not drink from any indistinct puddle you will become a kid."
At some point, I felt very sorry for the characters, which is not typical, I think, for a body horror. There's also the merit of Dave and Alison, they have both a family and a great creative tandem.
At the same time, the film is easy for viewers to watch, well, not "Something", we admit. Humor is present, a little creepy. I've been waiting since the first trailer and I'm not disappointed at all. Yes, it was possible to finish it somewhere, add horror, but the director chose not to take risks and did not lose. I'll even review it somehow.
I would like to mention the work of the sound engineer separately - everything is fine and on the subject. Even that unexpected dive into the romcom towards the end, which turned into a great finale. I read that this is the director's debut, so we're waiting for what happens next.
We walked around the edge and just... that's it. Of course, I didn't expect much, but at least some aspect would have been dispersed, it would have been possible to go into delirium altogether and fuse them in the middle of the film and arrange real meat. Or something in the style of substance for the finale.
It's worth a look, but it's really in the mood. A good one, could have been a thousand times better.
The idea of merging a couple into one body is an interesting, visual illustration of a metaphor: They are one whole, but it is presented so smoothly and toothlessly that it resembles more a presentation of buying a house in the countryside than a body horror.
Forget the days of Cronenberg, instead of sticky slime and quivering meat with the smell of rotting flesh, we got slick CGI graphics.
If earlier body horror was an attraction — who can stand looking at a decomposing body longer — then here the maximum that threatens the viewer is a slight yawn and constipation.
Modern body horror has become "safe", painted with "scary" special effects and a pinch of subpoena, instead of real horror.
But only modern studios forget about what the audience loves so much in body horror. This is the feeling that the screen is about to cover you with sticky insides mixed with yellow pus. Instead of fear and disgust, the viewer is offered a plastic dummy, polished to a shine.
In general, the film was pulled by three actors in the main roles, they have a very lively chemistry.
Everyone has already said about this movie.
I'll give you a couple of similar examples from fresh and not "substance" "society" "color from other worlds"
The film is interesting by the way, although I didn't think it would be all about the sect. It was a little creepy in places. For me personally, the horror was that you would no longer be yourself, as a person, as a separate organism, but a part of someone and something. I shuddered with realization. Haptophobes will come in))))
It's a great idea, I liked it.
I would say that "One Whole" is a comedic (black-comedy, of course) melodrama hiding under the wrapper of body horror, and not pure-blooded horror. The highlight is added by the fact that the main characters were played by Alison Brie and Dave Franco, who have been married for eight years and have been living together for thirteen. In general, I hope that everything is fine with them in life, otherwise they played a married couple with a lot of problems in a very realistic way. By the way, Franco revealed himself to me as an actor this year: he played brilliantly both here and in the series "Film Studio". Of course, there is tension and mystery in the film, but what is happening on the screen causes a smile for the most part. Moreover, the Australian director-screenwriter Michael Shanks (who had not distinguished himself in any way before) deliberately dilutes the atmosphere with jokes and unusual situations.
I can't say that the film is very fast in terms of pace, but it definitely doesn't cause boredom. The characters' rapprochement is arranged in a variety of ways (both creepy and vile, as well as funny, and usually they have everything at once).
It's funny that in the end I thought that "One whole" ended with a happy ending, and my wife responded by saying something along the lines of: "Are you crazy or something?". In general, one of us is a self-sufficient person, and the other is me. Haha. Anyway, it turned out to be a great metaphor film about toxic relationships in which no one can break out of them or work on mistakes.
Rating: 8 dog weddings out of 10
First of all, he's not fast-paced, scary, or obnoxious. From body horror, there's nothing, the last 20 minutes of the movie are a stretch. In general, they don't show the meat there, rolling it over at the moment when it's all over......chh... In short, the rating is 1 out of 10 on the lookout
Secondly, the plot. Some kind of annoying mysticism again. They are following the same ragged path again: "a young family moves to a small town from a bustling metropolis, but a small town harbors evil secrets." Get fucked up with the same thing from movie to movie. And of course everything is readable, you feel everything in advance, you predict everything)) 3/4 of the film is boring, which my friends and I have been working on, the last quarter of the film is something that we have already discussed and guessed. The plot is 2 out of 10, purely for the idea I xs
Thirdly...friends...The film is about a couple who are so in love that they begin to coalesce into "one whole," right? The characters have NO CHEMISTRY AT ALL!! They don't even show any slight codependency, they've just been tired of each other for a long time, they only have affection for each other and that's it. Therefore, it is not clear why all the events in the film are happening at all. Plus, the main characters in real life HAVE BEEN A REAL COUPLE FOR 10 YEARS!!!! And think about how artificially they played it out that most of the audience doesn't believe them, but they're written like that, more questions for the scriptwriter..... 0 out of 10
And of course, the outcome of the film. In the end, I personally didn't give a damn what would happen to them, I was satisfied with any outcome, since it didn't cause any emotion at all. I can't rate the whole movie more than 3 out of 10. At least he didn't leave any negativity, I took turns, but I didn't get what I wanted from him.🥸
I am you, you are me, and I don't need anyone на