Description
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.
I liked the movie. This parallel narrative was decently made, where sometimes the scene itself flowed into another scene from another time period. She liked all these paranoid things too. Especially when, as if by chance, during a conversation, GG asks if his sister heard some kind of knocking on the roof, and then after some scenes we are shown how people from the sect knocked on houses in this way. And especially according to the timing, these scenes were scattered so that it would not be very obvious, but also not too far away, so as not to remember this phrase, as if accidentally thrown.
I liked the movie with such little things. And by the fact that everything was not completely shown and spoken out, because actually GG did not even say anything directly to her sister. That and the audience do not immediately understand the scale of what is happening. Probably the paranoia of broken people after leaving sects is about the same.
That's for the likes and all the rest.
But the rest of the film... Well, that's just it. There was no direct acting game, although there are both Olsen and Paulson here at once :)
Visually, the film also has nothing much to offer (except Olsen's body yyyy), although you can't say that it's just poorly shot.
In general, the film is more good than bad.