s01e14 — Zima Blue
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4.523
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| Duration: | 10 min. |
| Released: | 15.03.201915.03.2019 15:00 |
| Watched by: | 78 78474.18% |
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The correct approach would be if he was an electric shaver Kharkov, and not a robot for cleaning the basin))
Really art.
end
But this is so, just a minor quibble.
PS At least they explained what the disadvantages are, gentlemen minuses.
A gorgeous episode, endowed with a rather deep meaning
And Winter is simple for this reporter, told true story
gt;well, people couldn't imagine it so easily, without reason
People could. Come up with it first. Then make it a rumor, and then believe it and make it a story.
People are generally "talented."..
Обои цвета Zima Blue
in fact, this series glorifies suicide in the name of nothing. because any living free being has the right to do so. something like "I can, I can, I practice"
with pathos, a staged suicide should be extremely liked by those who are young (they are good at it) or those who are also fucked up, and they just enjoy the idea that they can drop everything and screw over the horizon (but pissing)
that is, in fact There is no idea. because there is no meaning in life either. it was not there initially, because it is not a necessary thing for the survival of the species. In general, any species (from scolopendra to humans) can successfully survive, relying solely on reproduction and satisfaction of hunger alone. and the "meaning" is like a bogged-down dls for a game in which you are constantly being hurt.
It seemed a little different to me. If you try to look from the perspective of the character and the history of the development of his work, it is clear that he was always trying to find something, some kind of his own truth. He aspired to the stars, to other planets, further, higher. And at some point he realized that it was not necessary, that what he was looking for were the very tiles in the pool that he saw in the first moments of awakening his consciousness. That the meaning of his existence is not among the stars, not existence as an idol, watched by hundreds of eyes, but just there, in that pool, thoughtlessly and calmly.
Perhaps the authors wanted to show that your happiness may not be somewhere far away, but very close. And it may turn out to be so outrageously simple, it's lucky that you won't be able to accept it yourself right away.
Rousseau believed that the golden age of mankind, the highest happiness, was far in the past, when higher brain functions were simply not needed (I don't know if there were philosophers who supported this idea before him).
and the simplicity of unicellular cells is like a gray area where there is neither happiness nor unhappiness, because there is nothing to judge them. perhaps they don't even distinguish life from death, because the flowchart of their perception of the world and survival in it is too simple.
another interesting thought is that a person with his incredibly complex perception and interpretation of the world is able to artificially immerse himself in a trance of "eternal happiness". it's like meditating on a yellow rose when a person was hurt, but by visualizing a yellow flower (under the guidance of a hypnotist), he translated the pain signals in the brain into signals of bliss. the result was similar to a form of religious ecstasy, when a person could be burned at the stake for his religion, but he walked on it and did not feel pain (the Bible cited such a case with a certain saint, or it was the lives of saints, I do not remember exactly)
they wrote to me exactly - "That the meaning of his existence is not among the stars, not existence in the role of an idol watched by hundreds of eyes, but just there, in that pool, thoughtlessly and calmly."
I wrote - "and, most likely, the general message of the series is exactly as you described it"
and so on
here you can attribute a lot of different meanings and choose which one you like best, because there is not a word or half a word about this in the series
with the same success, one can also assume that the little pool cleaner is actually a terrorist atomic bomb with self-learning AI, which has gone a long way to being introduced into human society in order to one day gather the entire ruling elite in one place and, under the guise of a notable performance, shun them well and spray them all into atoms. and then the credits roll, and after them the final scene, about how this bomb went so far to make its plans come true that even those who made it managed to die many centuries ago, and today's people think that Isis is the name, and Hamas is a province on Mars
the robot was created by a black scientist and subsequently he lived and worked in a black family, then he became a free man and began to assert himself in every possible way in the world of white people, achieving everything that is considered cool by whites (to become successful, famous, great, celebrity).
in the end, having achieved everything, he realized that in order to truly free himself from the existing system, he needed to return to the roots. at the same time, showing absolutely his own will.
something like that.)
1. As mentioned above: in the original, the creator was a man from Flint Valley. I doubt that he was black, since they made a woman out of him, especially a black one - clearly more a tribute to modern times. Moreover, Netflix has already done so(well, who would doubt it) in the first episode: in the original, the rape was invented by the heroine.
2. Through all his main works and through the entire series, the blue color passes - through it, and it is necessary to look for the basic interpretation that has already been given above.
3. On the contrary, it is emphasized that he never cared about fame and self-affirmation.
I hope it turned out to convey exactly what I mean)
But on the way to this, he realized that he could not remake the world (well, or it would take a long time) and he just accepted himself as a little robot pool cleaner.
A series about self-acceptance.
"Flowers for Algeron" - only instead of the inevitability of fate, the triumph of the mind that made a conscious decision to downgrade for the sake of simple "cleaning" happiness.
A very strong series and story!
s.s. The proportions of the journalist's body - ahaha, a little more and the hands would have grown out of f..py :)
The participants in the experiment were photographed throughout their lives and made notes about what they consider important at the moment. it was an experience, actually, not to find out what is important in life, but what exactly ultimately prolongs a person's life and makes it rich and memorable. At the very end, the overall result turned out to be that those people who had strong social ties did not stay alone and were happily married-married - lived longer, felt better and considered their lives happy.
that is, experience has shown that happiness is not in simplicity at all, but about how loneliness (or the presence of destructive social ties) adversely affects human health and functionality
, not a word was said there that the more primitive a person lives, the better.
All pool cleaners can exhale!
(to be honest, at the moment the IQ tests have been significantly improved, all racist and sexist garbage has been thrown out of them, and it has been proven more than once that in developed countries with a normal standard of living and the absence of various kinds of discrimination, strong differences in the field of intellectual development among the population (of different genders and races) are not observed. but the tests are still far from perfect and in no way able to measure the "unforeseen" genius and still, as before, just measure the "average in the ward")
What are you looking for in them?)
The graffiti was a variation on the classic Jim Beam whiskey advertisement, where the simplest hamburger evolved into a complex multi-layered sandwich, the sandwich into an even more intricate baguette, and the baguette again into the original simplest hamburger, which proved that everything was returning to normal. In giant three-dimensional letters, casting a long painted shadow, the following was drawn on the wall of the elevator:
dick
The slogan Jim Beam was repeated in small letters at the bottom:
You always get back to the basics
[We always return to the basis]
The fact that the entire implied evolutionary series of inscriptions was simply omitted delighted Tatarsky - he felt the shadow of the master behind this conciseness.
Ну наконец-то художественное решение (а не просто видеореализм). И сюжет наконец-то законченный.
Пока вот это и йогурт -- все, что зацепило пока. В остальном оставалась в недоумении -- почему нельзя было снять игровое кино со спецэффектами?
Это как с фотореализмом -- посмотрел одну картинку, ух! Классно сделано! Как настоящее. Вторую картинку -- вау! Вот это мастерство. К середине альбома начинает подташнивать, потому что искусства в этом нет, сплошное ремесло.
С персонажами в предыдущих серях, которые выглядят и шевелятся как люди.. Тоже нет "художника". Нет решения. Есть "возьмем реальность и ее адаптируем, смотрите, как мы двигаем и моделим, они как настоящие". Да, молодцы. Очень талантливо, гениально технически, _неотличимо_.
А кайф мультипликации именно в том, чтобы делать не так как в жизни.
Я художник-аниматор по профессии, и у меня, конечно, профдеформация, но все же.
(Привет из Харькова)
цитата не дословная
В чем смысл жизни? Каждый решает для себя сам, и не всегда можно дать на него точный ответ, так как его по сути не существует. Ведь, фраза "смысл жизни" - это не только абстрактное понятие, но и поиск самого себя. Люди суетятся, "крутят и вертят" свои жизни в поисках этого ответа, как и мистер Блю свои картины и себя в поисках истины своего существования. Поднимая этот вопрос до космических масштабов и вопросов мироздания, что метафорично передается через картины, гигантские холсты и поступки. Многие теряют нить в пути так и не находя ответа на этот вопрос. Гоняясь за "совершенством" собственного положения, есть вероятность его найти, но так же есть вероятность и не найти в итоге душевного успокоения, который приходит после нахождения себя. Что и случилось в конце. Жертвуя "совершенством" собственного положения, в виде практически бессмертного существа, герой наконец находит себя, смысл собственного существования, который он искал всю беспокойную и сознательную "жизнь", снова став обычным роботом-чистильщиком бассейна с которого он начинал. Но приобретя в замен душевное успокоение которое он так искал. Ведь он нашел истинное предназначения своего существования, для которого он был создан.
Очень не обычный стиль, напоминающий мультсериал "Трон: Восстание" и работы Геннди Тартаковски, который является создателем "Самурая Джека" и других прекрасных мультсериалов. Но больше всего, новелла побратима стилем и сюжетом с другой новеллой, под названием "Мировой рекорд", которая является частью другого похожего проекта "Аниматрица" 2003 года. В котором персонаж так же теряет "совершенство" собственного положения, но добивается своего и находит душевное успокоение. Пусть там и идет больше упор на силу духа.
Прекрасная новелла, стильная, красивая и глубокая. С лаконичным и шикарным финалом: "Поиск истины подошел к концу. Я иду домой"
прекрасная серия.
Неоднозначная, очень постмодернистская история, про поиски смысла жизни, которого то ли нет, то ли слишком много. О том, что важно быть на своём месте. Но где оно, твоё место — то пространство, то занятие, что позволяет чувствовать себя счастливым, нужным, имеющим цель — ответ на этот вопрос не так прост.
Героиня серии очень похожа на героиню манги - Галли
одна из лучших серий
Лаконично и глубоко.
мысль серии
Смотрела затаив дыхание
Какие то невероятные эмоции после неё. Сразу в мыслях возникают различные трактовки касаемо жизни/смерти/предназначения и тд.
Первая ассоциации в конце была с работой Бэнкси, которая самоуничтожилась после продажи на аукционе.
Но если рассматривать перфоманс Зимы с точки зрения искусства, то мне кажется, что смысл был в возвращении к простой форме жизни от сложной, когда самое прекрасное - это настоящая простота, ничем не перегруженная. Люди так привыкли все усложнять ...
Красиво и цепляюще
А вот вспоминается другая интерпретация идей Казимира Севериновича.
Заходит как-то Уилсон Фиск в картинную галерею. И видит белую мазню, которой все восторгаются. С названием "Кролик в снежную бурю". И тоже впечатляется. В глубине души. Но не кроликом. А ассоциацией. Со стеной, выкрашенной, предположительно, известью. И тут и логика тебе и смысл. И надрыв.