The great kagan-dad went hunting. But in vain. I missed a lot of interesting things.
Sun finally woke up and expressed everything in plain text to whom he should have expressed it a long time ago. Only now everything has gone nowhere. Not only did Changge do it her own way for the twenty-third time, but she also encouraged the simpleton Mu Jin to disobey orders.
Yes, her "thinking" process is somehow interesting.
@Goldfinch: By the way, yes, I missed all the fun)
"I'll leave on my own," Changge said proudly... and she jumped on the horse of the Eagle army. (Before that, if I'm not mistaken, she didn't have her own horse, she rode with Shiba, then with Sun. And then I stole it under the guise))
Everyone is bombed by something from Changae's actions, but so far it seems to me that she is very consistent and honest in her aspirations: She doesn't do anything mean behind his back - she speaks almost as she is: this is important to me, so I'll stick my head in there and grab it myself if everything goes according to the rules - don't go where you're not asked, with your self-sacrifice. In my opinion, the main character has some kind of unhealthy desire to save her from everything in the world, putting even his fellow men at risk. In fact, he brought an enemy into his house, knowing full well what kind of person she was, what abilities and values she had, gave her the power and will to do almost anything she wanted and even get help from his own people in this, and then with heroic indignation he tries to save her over and over again, exposing himself and their brothers in arms. I feel sorry for him, of course, but it is his attacks on her that seem unreasonable to me. I explain to myself that he is blinded by love.
It comforts me more that everything revolves around Changae - she is a plug in every barrel, everyone is always worried about her and bestows her with love, admiration or loyalty in some absurdly self-forgetful amount. It seems that none of the characters have their own plot - they are interesting to the narrative only when the spotlight shines on them. Which is also confirmed by the stinginess of the princess line, which is very entertaining for me, and the dude with a poker face who is looking for her. It turned out to be some kind of two-dimensional and small world, which almost does not exist if the heroine is not in the frame or it is not about her. It seems that in all the stories the main character is somehow in the center of the narrative, but there is a kind of skew here that I doubt whether it is worth examining.
He will blunt, make mistakes and make an offended face. And everyone around her owes her something.
The last scene is really creepy 😭😭 Ashile Sun smiled at his mother through tears...ahhh
Sun finally woke up and expressed everything in plain text to whom he should have expressed it a long time ago. Only now everything has gone nowhere. Not only did Changge do it her own way for the twenty-third time, but she also encouraged the simpleton Mu Jin to disobey orders.
Yes, her "thinking" process is somehow interesting.
"I'll leave on my own," Changge said proudly... and she jumped on the horse of the Eagle army. (Before that, if I'm not mistaken, she didn't have her own horse, she rode with Shiba, then with Sun. And then I stole it under the guise))
In my opinion, the main character has some kind of unhealthy desire to save her from everything in the world, putting even his fellow men at risk. In fact, he brought an enemy into his house, knowing full well what kind of person she was, what abilities and values she had, gave her the power and will to do almost anything she wanted and even get help from his own people in this, and then with heroic indignation he tries to save her over and over again, exposing himself and their brothers in arms. I feel sorry for him, of course, but it is his attacks on her that seem unreasonable to me. I explain to myself that he is blinded by love.
It comforts me more that everything revolves around Changae - she is a plug in every barrel, everyone is always worried about her and bestows her with love, admiration or loyalty in some absurdly self-forgetful amount. It seems that none of the characters have their own plot - they are interesting to the narrative only when the spotlight shines on them. Which is also confirmed by the stinginess of the princess line, which is very entertaining for me, and the dude with a poker face who is looking for her.
It turned out to be some kind of two-dimensional and small world, which almost does not exist if the heroine is not in the frame or it is not about her.
It seems that in all the stories the main character is somehow in the center of the narrative, but there is a kind of skew here that I doubt whether it is worth examining.