I will definitely convey your words to Cate Blanchett, in a couple of days, I will say "Kate, well, cosimo did not believe you, did not convince you, you know." "Rape Nonsense" - we have a documentary, a court drama here, I thought it was an art drama, well, okay. So then Alfonso did not cope with his task at all, if the final disappointed you so much. Catherine is scum, we get it, and then her husband and Brigstocke are role models?
@coosimo: You are certainly an interesting shot… It is easier to believe in a stupid, literally made-up story of a grandmother in love with her son than in a woman's story of rape…
Does it really seem more adequate to you that a healthy mother woman was happy to watch a young guy die, just because he was all such a cutie wanted to make love to her?)) Rather, there were many more questions about this version. It 's worth thinking about why women arouse such hatred in you 🤷♀️ Judging by the number of dislikes on your account, I guess this is not the first time you have expressed such a unique opinion)
For me, Catherine's story looked +- convincing, because in the series it was hinted enough that the grandfather believed her, because he noticed how the grandmother was obsessed with her son; he knew that the son had done something very bad to his girlfriend; and, apparently, he noticed many other alarm bells behind his blood. Otherwise, with such a thirst for revenge and ruthlessness towards the "guilty", he clearly would not have taken Catherine's word for it. 🤷♀️
Plus, Catherine is shown as an ordinary person with feelings of shame, pity, empathy, and so on. Why would she be normal in everything, but when an innocent boy in love drowns, become a tyrant and wish him dead when there is no need for it 😐
@coosimo: >> the incels on reddit agree with me >> I deny raping women >> based on some other cases Catherine moaned and screamed about rape right through the whole series, that's such a creature) I'm embarrassed to ask, how many people have you raped or how have you been offended by female people?
Life has put everything in its place... The blind have seen the light, the innocent have found happiness and love, and the fools are left alone with their ego...
@Gelendjik23: I would like to add that after watching the characters of the series (unfortunately, I have not read the book), they do not leave my thoughts... There are many different comments, harsh, negative, with and without questions... In my opinion, this is an indicator of the vitality, the reality of our existence during the reign of artificial intelligence. There is no empathy, kindness and compassion, empathy. The authors touched on such a sensitive topic and showed Catherine's pain and difficult choice! Jonathan's deification of him, a mother who lost touch with reality from grief, who invented her reality for her son... She made him a hero in the novel, to calm her demons and justify her unwillingness to recognize her son as mentally ill... perhaps even his molestation. Maybe that's why the grandfather at Nicholas's bedside, hearing "mom" realized the child's connection with the mother, no matter what dirty photos, vulgar arguments and humiliations, realized that Nancy also did not want to see the truth about their son ... You can discuss for a long time, everyone has their own vision of the situation, but the authors hit the nail on the head, there are no indifferent ones! All the omissions and gaps in the narrative leave an opportunity to think and feel, become a participant in what is happening and draw your own conclusions...We need to be kinder to each other... I recommend it for viewing!
Very vivid impressions of the final episode. What an amazing study of victimblaming, how subtly these facets and attitudes of society are shown. Throughout the series, the creators manipulate the viewer's attention, changing his attitude towards the characters. It was very cool. Catherine is literally a heroine in the final episode, and God, how deliciously Robert's fragile male ego is shown. I'm still sorry for the old man, I'm glad he stopped in time. I was very pleased with the finale. The series was emotionally exhausting, it was disgusting, scary, touching and joyful. Thanks to Cuaron and everyone involved.
@id17776223: after your comment, I even revised it, does it turn out that Nicholas saw everything? The only question is which version of events did he see, the book version or the one that Catherine told
@Gamlet: No, it's quite obvious exactly what he saw. It's as obvious as the idiocy of your questions. For some reason, women who have been abused do not see any inconsistencies here. And only a man tries to question the version laid down by the script and the author of the original source. Surprisingly (no).
@Gamlet: In the series, literally everyone eventually accepted Catherine's version, including Stephen, who found it the hardest. But, of course, you know better.
I pointed out the specific facts in Catherine's version, which are simply there - they are no more visible to me or anyone else. But they confuse you and do not fit your version.
At the same time, if crazy old Stephen took this version on faith - for me it is not an authority, but for you it seems otherwise.
I guess that's why he was internally angry at his mother because he saw something, but does not remember… but the psyche seems to be a little disturbed ... I didn't read the book, I just watched the series
"Anyway, what she saw and heard that night was erased from her child's memory. It was erased from memory, but the figure of the mother was forever stuck in the brain. A mother is a stranger who cannot be trusted, who cannot be trusted. All these years she had been trying to imagine what would have happened if he had seen what was happening to her in that hotel room in Spain. Well, he saw everything. And I heard it. And the signs of this appeared during his growth, during the transition from childhood to adolescence and beyond, only she failed to consider them.
Nick saw this negative for the first time yesterday. Catherine was afraid that she had made a mistake, regretted that she had shown him the picture.
– I don't remember… I don't remember anything. He shook his head, looked at the unmanifested photo, but could not return to his child self.;
The kid saw some kind of sex, but rape or lovemaking, they never told us. Several times the kid was asked if you saw something or not, do you remember that night or not? And each time he replied that he did not remember anything. In fact, this means that here the word of a sick, heartbroken mother is against the word of Catherine. But if it weren't for the episode with the urgent departure of the girl, with two conversations between her mother and Jonathan's mother, where clearly the person on the line was angry and, it seems, happy about the death of the guy, I would have continued to doubt whose version of events is the truth. As it is, we are being persuaded to the rape version.
If some questions do not fit your view of the events in the series, then this does not mean that you need to switch to the one who asked them.
We are in the comments for the series and for the series - people came here to discuss the series and the plot, so write on the topic, otherwise why is this garbage here)
And on the subject: so the actions were wrong after all, right?) But the reason for the wrong actions is rape.
It turns out that there is an assumption that there was a rape and this is what justifies all further wrong actions - because of him.
But at the same time, for some reason, the version that there was no violence is not considered at all, and then all the actions are just right, although this version is simpler and hence more real according to Occam's razor.
@Gamlet: I still don't understand the fact - why did Jonathan (a rapist, a scoundrel, and just a bad person), who threatened to kill her and her bastard, run into the raging sea to save this kid????
@Gamlet: thanks, according to such comments, it is immediately clear who identified himself with the victim, and who identified himself with the rapist.
@Gamlet: you're just judging by yourself. The authors tell the story of Catherine. Cuaron is on her side in this story. The screenwriter is on her side, the author of the book based on which the series was filmed is on her side. And only you, for some reason, want to believe the aggrieved person who was complaining because of his inexperience, and not a woman who got into a terrible situation. If I were you, I would wonder why you are making such a choice, despite those who wrote and filmed this story.
@Gamlet: your questions arise precisely from the fact that you have never been in the position of a man who was raped. This has already been pointed out to you above. These questions do not arise for those who have this sad experience.
@Gamlet: OK, I'll try to explain it to you. There are a lot of women in the comments here who have been touched by this series to the quick and painful. Because it is difficult to find a woman who has not been sexually abused, even if not in such a harsh form. And most often, in response to their stories, women hear that they invented it, that they exaggerate, dramatize, etc. And here you come, all so handsome, and start poking at the patient with a stick with a smart look. No, let's figure it out, not everything is so unambiguous, she is clearly lying.#34;. This is a story about how a woman suffered twice: first from violence, then from being afraid to report violence. I was afraid of people like you. And yes, if you had a similar experience, you wouldn't have these questions. This is not a wish, it is a statement of fact. People with developed empathy are able to conduct a thought experiment and take the place of the injured party. But apparently, this is not available to you either. You prefer to poke with a stick and make an offended face when a reply arrives.
No one poked you anywhere - facts and events from the series were discussed.
Nowhere in the series does it say how the version is real-there are book versions versus Catherine's version.
So you can discuss any of them.
Empathy does not mean choosing one side that is personally closer to you. And ignore any facts. That's what you do, so you automatically put me in the defender of the rapist.
If there was no violence, then there is no protection for it - as a result of the series, we do not know whether it was or not.
Imagine that there was no violence - Jonathan is a hero, saved a child and died just like that, the night before his death was wonderful.
You abused Jonathan's bright memory without reason many times, you wish violence to other people and prove Catherine right, but the situation was different.
That's where you don't have empathy, right?
Although the reality of such a development of events according to the series is as possible as Catherine's version.
@Gamlet: for everyone who has watched except you, it is obvious which version is real and which is fictional. There is a lot of evidence in the series, to which, alas, you are blind. It is more interesting for you to try to catch the injured party in a lie.
You don't need to sign for everyone - you don't know and can't know how everyone thinks exactly the same way - just like you don't know and can't know which version in the series is real.
@Gamlet: once again, which version in the series is real is confirmed not only by facts, but also by visual techniques. I was just watching carefully. Therefore, I can say.
Yes, yes, we watched it carefully, and that's why instead of answering questions about the series, facts and events in it, for some reason you only made up descriptions of me in all messages.
That's how many have already accumulated:
a handsome blind idiot, childless, without empathy, with an intelligent look and an offended face that women are afraid of
The result is that you haven't looked at anything carefully and you don't have an objective opinion.
You only have a preconceived opinion, which you intend to defend by insulting the interlocutor.
It's no longer interesting - you won't hear anything new from you.
@Gamlet: You flatter yourself. Even my alleged description of you can't reproduce, let alone watch the series. By the way, you have given exactly 0 arguments in favor of your version. But for some reason, there is something wrong with my position.
Because I had questions and I wanted to discuss them, but I couldn't because of you.
Since you are not interested in discussing the series, but it is interesting to voice and prove only your biased version.
And here is another argument and fact due to your carelessness - you do not even remember what you wrote yourself and how you flattered me.
But on the contrary, the facts and your quotes:
"And here you come, all so beautiful, "
" to which, alas, you are blind."
"As obvious as the idiocy of your questions. "
"you obviously don't have any children yet "
People with developed empathy are able to conduct a thought experiment and take the place of the injured party. But apparently, this is not available to you either. "
"Do you prefer to poke with a stick and make an offended face"
"the woman suffered twice: first from violence, then from being afraid to report violence. I was afraid of people like you."
P.S. also, here's a catch-up for the aggrieved: "yes, the aggrieved are higher up"
@Gamlet: As I say, they are not able to reproduce it accurately. You can copy quotes, but their meaning has escaped you. It's clear now where your questions about the series came from.
"The authors tell the story of Catherine. Cuaron is on her side in this story. The screenwriter is on her side, the author of the book based on which the series was filmed is on her side. "
Here is also an interesting point - everything seems to be on Catherine's side in a story that seems to be written and filmed about violence.
The story ends with Catherine's version, and therefore the emphasis remains on her.
In that case, why add Jonathan's rescue of the child? After all, without it, everything looks more unambiguous and raises fewer questions, for example, like this:
The morning after the violence, Catherine went to the beach and there a smug Jonathan walked past her and winked with a grin and went swimming.
After a few minutes, Catherine noticed that he was frantically waving his hand among the waves - she watched this silently for a couple of minutes, then others, rescuers, noticed, but it was too late.
The rapist got what he deserved.
If all the authors and creators wanted to tell a story about violence and prove once again that black is black, then why did they dilute it with white?
Without Jonathan saving the child, the story of violence did not lose anything, and with him it became more blurred, indistinct.
And there is also such a factor here - why the authors made it so that Nicholas does not remember anything.
It is clear that he has an injury and he has forgotten everything, but if they had a goal to tell a story about violence, then they would have added some detail, even if:
"When asked what Nicholas saw when he stood in that photo, he replied: "Nothing, but for some reason I remember the knife."
Any detailed one detail would be enough and the overall message would become more complete and integral.
But they themselves left a complete void here - room for possibilities. Both in the book and in the series.
@Gamlet: Thank you for defending the opinions of adequate, thinking people. Although we are in the minority, and we are more ignored, but we are there. I support all your comments in this branch of the series!
@yolo1337: the fact is that almost all rapists are very cowardly and insecure people. And they won't save anyone just like that, out of altruism. And in general, they will not save anyone. Any psychologist will confirm this for you. And here they show the version of gg - threatened with a knife, raped and bullied for three hours. And in the morning, after a sleepless night, she went to the beach and plunged with a child to sunbathe next to the rapist. I didn't call the police right away. And in the morning she did not go to the police, explaining that she did not have the strength. And I found the strength for the beach. Where is the adequacy? Wasn't she worried about her life and the life of her child? All battered and bruised, as she says.
@yolo1337: I have already answered this question. Apart from the fact that rapists are such special people with horns and a tail, there is no contradiction here. These people can do charity work, rescue cats and transfer grandmothers across the street. In addition, it is clear from Jonathan's behavior that he was impulsive and did not calculate the consequences of his actions. He didn't think he was risking anything. This is not an altruistic act, he was just showing off.
1) if Jonathan is a rapist and generally a terrible person in himself, then why and why did he rush to save the child?
2) Catherine, after three hours of violence, exhausted, goes to the beach because Nicholas asked (!) and falls asleep there (!), although there was a rapist on the beach all the time and she met him there - this did not bother her at all and did not interfere with sleep.
How can you fall asleep if there may be a rapist nearby who threatened you with a knife and left a child unattended next to him?
1. Your question comes from the false premise that rapists are some kind of special terrible people who have nowhere to put brands on. Whereas in reality they can be normal and even otherwise good people. They can rescue stray kittens, love their children, etc. Jonathan swam well, saw that someone was drowning, rushed to rescue. It's a completely normal reaction. He hardly knew whose child was there. There was no time to get acquainted with this information. On the second question: you obviously don't have children yet and you don't know how a five-year-old child who has got something into his head can take out the brain. She hadn't seen Jonathan on the beach that day, why would she be afraid of him there? Or is it more logical for you to stay in the room where she was raped half the night?
Both of your answers come from the false belief that Jonathan was a rapist, although the series does not say so - only according to Catherine.
For some reason, you write some fictions about me in every message, the same as about the series.
I am not writing anything about you personally - try to write at least one answer in which you will not mention me, but only what is discussed here - the events of the series.
@Gamlet: I'll cut into the srach) 1) I personally do not have an answer to this question. If Catherine's version is still true, then Jonathan's sudden heroism is a fuck-up. This is really illogical. 2) I can understand that she went to the beach. After such an injury and a sleepless night, consciousness is confused, it is nauseating to be in the room, the child is whining, what to do next - she does not know... Anyway, I have no complaints about this scenario move) And she only saw Jonathan on the beach when she woke up. In general, I understand your doubts. If the authors had made an open ending in the style of "so think for yourself how it really was", then perhaps the version of Jonathan's mother would have looked more plausible. But it seems like the ending is unambiguous. Then they would have revealed why Sasha ran away - either they just had a fight, or he raised his hand at her, or even worse. In short, I understand why she went to the beach, why she destroyed the jar and the photo, why she didn't tell anyone. I understand and I'm very sorry. I rather don't understand why she didn't tell her husband the truth when it all came out. The situation was imperative here.
@Gamlet: the fact that Jonathan was a rapist is confirmed in the series: Catherine's words, which are indirectly confirmed by such details as, for example, the smell of cologne that she felt on Stephen and directly told him about it. It is impossible to come up with such a detail. The fact that Jonathan is a rapist is confirmed by the situation with his girlfriend Sasha. Firstly, she ran away from him, and according to Nancy's conversation with Sasha's mother / aunt, it is clear that there is not just a quarrel, but something serious. And judging by the fact that the news of Jonathan's death was received by that side without regret, then he obviously did some kind of strong nastiness. Stephen didn't just suddenly believe Catherine easily, he finally got the puzzle right. And the fact that he did not have the same opinion about his son as his wife, he let it slip when he recalled how they came to Italy to collect their son's body. The alternative story is written by a mother who wasn't there at all. How can you believe the words of a man who was not even close to what happened and not believe Catherine, who survived it? Despite the fact that she told the story with genuine emotions. She's a journalist, not an actress, to portray something that supposedly didn't happen.
"the fact that Jonathan was a rapist is confirmed in the series: in the words of Catherine" - no,
The words of the interested party are not unambiguous and categorical confirmation of anything.
"How can you believe the words of a man who was not even close to what happened and not believe Catherine, who survived it?" - did she survive exactly "this" after all?
if not, then you don't have to believe Catherine, but whether she survived or not, we don't know.
The general facts are: there was sex, there was Jonathan's death.
You can not believe in the book version - it is described by the mother of the deceased, who was not there.
Catherine, submitting her version, chooses from such options to represent herself:
- a traitor and a ruthless murderer of an innocent man
- the victim who took revenge on the rapist
Which version would Catherine prefer to tell other people about herself, when there are no other witnesses left and there are no facts?
How does Catherine need to tell her version of events if there was no violence and she chose to whitewash herself - with maximum emotions and details, which she does. Otherwise, no one will believe her!
Therefore, as you can not believe in the book version, you can also not believe in Catherine's version.
@Gamlet: You are missing one important factor - for victims of violence, this is a terrible trauma. In 99 percent of cases, accompanied by overwhelming irrational feelings of guilt and shame. And all you want after that is to erase everything from your memory and forget it like a terrible dream. The psyche is in turmoil, and the body is acting on autopilot, just mechanically doing things that "need to" be done, trying with all its might to pretend that nothing happened. That's why she went to the beach in the morning with the baby. She only found out that there was a rapist on the beach when he ran to save the child. She threw away both the jar and the photo evidence after his death for the same reason- so that nothing would remind her of this event, in the hope that it would get out of her memory.
In the series, many details were told- and that after this trip she returned lost, withdrew into herself, they had very rare sex, she plunged headlong into work to forget herself, etc.
These are all the consequences of injury.
Haven't you tied it all together?
And as for why he ran to save the child, who knows what this mentally ill friend had in his head. But this is definitely not heroism (even his father said that such a thing had never been noticed for him). I can assume that perhaps he wanted to once again demonstrate his weakness and power over her.
@Gamlet: And her book, by the way, is written right according to the classics of crazy mothers - my unfortunate, innocent basket-shaped son was seduced and corrupted by this terrible, fallen woman ... 🫠
The father himself confirmed in the end - the mother (about her son) was wishful thinking, and he played along with her in this.
@Gamlet: No, you like to think that there was no violence. Ask yourself the question, why? Why, in a story that is written and filmed about violence, do you persistently search and invent facts that it did not happen?
Or because it ended with a story(!) Don't you think about violence any more?
If it's over, then that's what it is - your approach.
Everyone chooses an approach for themselves - if you don't like and don't want to think further, then you can just stop at any moment when the last episode is over.
Plus, when his parents identified the body, he had a cut on his arm, which was not explained in any way in the book version, but was shown in Catherine's version. And in general, his whole behavior in the book version, where he suddenly, at the sight of Catherine, is at first all timid, trembling like an aspen leaf - does not fight at all with the same book version, where he and his girlfriend on the train bangs and is absolutely not embarrassed, even when the controller enters. It really confused me when I watched it. And now it became clear that this was not supposed to be plausible, because it was his mother's fantasy.
@g1547157: You don't have to attribute nonexistent experiences to me. Another interpretation would be possible if it were a story with an open ending, a true-edge story, or a story whose essence would be to show one event through the eyes of different people. Then all the talk about "and suddenly ", arguments about two unreliable narrators and different interpretations would be fair. But this story doesn't have a double bottom. It's about violence. There are no other interpretations here, precisely because of the genre, structure and artistic techniques with which it is all filmed.
Yes, it seems to you that this is a story about violence and not with an open ending.
But there are people who think the opposite, including below there is a comment by N-Demitsuri - he directly points this out, and several more people support him.
And at the same time, they do not impose their version on you, do not prove that you are wrong, do not insult or call names - they share their opinion and how they saw it.
For example, my picture also does not add up to the version about violence - there are too many holes and oddities.
If a story about violence was written - such a genre, structure, and techniques were specially chosen, then why it was necessary to leave these holes and inconsistencies is unclear.
Because they violate the structure and the overall effect, the story about violence crumbles before it has really formed and, if desired, the authors could easily avoid this.
Those who do not pay attention to these holes (for various, including personal reasons) see a story about violence and it is more tragic for them.
And those who pay attention see holes and the story about violence becomes strange, the tragedy naturally recedes into the background and is questioned.
Thus, as a tragic story of this series, the book does not work to the maximum and does not impress absolutely everyone equally. Does not fully perform its task if it is done this way.
And this is not related to gender, empathy, experience or anything else - just the genre, structure, techniques were chosen, but not sustained, not all worked and did not work unambiguously.
If there is no double bottom, there are no two narrators, there are no two views - then Jonathan is a rapist, Catherine is a victim. What is unique about it? Unfortunately, there are many such stories.
Explain what the point of telling this story was exactly like that - what it should teach and how to protect it from.
@gordeenko_dasha: >> he had a cut on his arm, which was not explained in any way in the book version, but was shown in Catherine's version. Speaking of the cut. Whatever (except for the version "he's just a total fucker") Did he have to cut himself? To what? Should I leave more evidence against myself? This moment looks as strange as possible in all versions, as well as the moment when he saved Nicholas (but this one is only strange in Catherine's version).
@yolo1337: And what's the other one? I've already forgotten something. But what I meant was that Catherine hit Stephen in the hospital because she caught a flashback from the smell of cologne. This perfectly explains her allegedly inadequate reaction to his appearance there. Because if there was no violence, then she behaved like a nut, because Stephen could be kicked out of there in no time, without resorting to physical abuse.
Do you understand that the book version is a completely fictional version of a grief-stricken mother who clung to strings on the move to somehow make her son a hero and make Kate guilty of his death because of her refusal to introduce Nicholas? I.e. this is completely the fantasy of this woman, everything that she had this photo and the fact that her son saved the child. Everything, everything else she came up with. Also remember the girl Sasha, who did not leave because of her aunt, and how the rapist's mother reacted when talking to the girl's mother. The mother was not with her son in Rome, how could she even know all this if it were true?
As for your arguments:
1) This is not just a rapist, this is the behavior of a psychopath. Why would he leave? They can kill and go to work with the children the next day. Nothing scares or embarrasses them, plus, judging by what was shown, everything was mutual in his head.
2) A person combines a lot of facets, if yesterday he raped a woman, it does not mean that tomorrow he will not run to save a child. Well, you can start again from the fact that she is his woman for him, he does not understand that he raped her, he ran to help his woman's child.
3) She went to the beach because the child asked her, it was important for her that he did not see that she was ill. A rape victim can generally be in a state of stupor and shock for a long time, many continue to live their lives as if nothing had happened, because the psyche cannot cope and displaces what happened. This is just one of a dozen reasons for such a command.
4) She explained that once he died, she threw everything away to erase it from her life.
A strange clarification about the unreality of the book version - it is clear that it is unreal and no one claimed otherwise.
The questions were specifically about Catherine's version, which just seems to pretend to be reality, unlike the book version.
But even the series itself presents this strangely - contrasting a completely fictional version with Catherine's version.
Not the version of another participant in the events or the detective who is investigating it, but Catherine's version, which is precisely made up.
With this approach, first of all, it seems that Catherine's version is real.
But is Catherine's version really real, and if so, to what extent?
Catherine's version is stated only in the words of Catherine herself and from Catherine's own memory.
Read more about how human memory works - it's not a photograph or a diary in which everything is written down with a pen. That is why people keep diaries and looking at them over the years, they are surprised by what they have written down.
It's not even that not everything remains in memory, but that many details can change - it depends on dozens of factors.
Therefore, relying 100% on Catherine's memory after 20 years and taking it entirely for reality is exactly the same mistake as taking the book version for reality.
Which version is more real - the book version or Catherine's? It is clear that Catherine.
Exactly how real Catherine's version is is unknown to anyone and therefore questions arise.
Here is an example - most people easily and quickly explain the first two questions about Jonathan by saying that he is a psycho. It is certainly convenient and practical. It is suitable for both these and all other inconsistency issues at once. Yes, he's crazy - what can I take from him.
He is just so crazy that he can threaten with a knife, rape, without thinking about the consequences at all, then carelessly go back to the beach and save the child - he is just crazy about everything.
It's amazing, then, how a psycho of this level lived to such an age - he had to put his fingers in the socket ten times a day and go out the window to check which floor. Well, or stay in a mental hospital. But no - his exorbitant level of psychosis was revealed only at this right moment - another coincidence and inconsistency.
Therefore, once again, the version from Catherine's words about herself, for many reasons, cannot claim to be a 100% reflection of reality.
And exactly how many percentages in Catherine's version are not completely real, and we do not know exactly what details this concerns.
Well, you haven't written a single argument right now. At least Catherine's version struggles with where he got the cut on his arm, with the fact that Sasha ran away from him and something very unpleasant happened there for her, with why her son grew up like this, because what he saw traumatized him.
I don't need to read about human memory, I studied the brain and work as a clinical psychologist, so I see the usual behavior of a psychopath here.
"People keep diaries and are surprised by what they have written"- what kind of people? There are billions of us, what percentage are we talking about? This is your subjective. This is not an argument. I'm driving and I'm not surprised. A person who has experienced violence, if he remembers it, then he remembers his whole life, and speaking about it, it's like he's going through it all over again (PTSD). If the memory is not initially repressed (and this usually happens in childhood), then this is too bright an emotional event, especially negative, it is remembered perfectly, this is an evolutionary mechanism that was needed by our ancestors (ate a berry - poisoned, grief, shock, fear are all around, remembered and passed on to others).
It's great that you're not familiar with this kind of behavior and it seems unrealistic to you, but if you read psycho.portraits of such people, you will understand a lot.
Psychopaths, maniacs are not imbeciles to stick their fingers in the socket, you confuse the concepts. They live to a very old age, they are very prudent.
And what is the discrepancy in his manifestation of psychosis? They show us how he plays with the victim and does his job. His father says that he wanted to ignore the bells, and that his wife perceived Jonathan not to be who he is. I.e., he had noticed something before and not once. And how else could they show it to us if they had to make him look like a hero to the last?
Plus, at the end of the book, the grandfather burns himself, would he do it just from Katherine's words?
It's interesting how fiercely something inside you resists the fact that Kate may be a victim, not a cheater, and Jonathan a rapist, not a hero. And what do you think it was, what is your version?
And there was also one reference from the author, which was not voiced by Catherine in any way, but they showed it to us, they didn't seem to write about it here.
When we are shown the version of Nancy from the book, the ceiling in the room depicts lovers who sang in passionate embrace. And when Catherine recalls her attack, we are shown a ceiling with an image of a sick woman supported by angels, and the painting above her bed shows a frightened undressed woman.
I didn't have any arguments-I had questions about Catherine's version.
And you, as a clinical psychologist, wrote half of the text about me personally - thank you for that, but the questions would not be about that. Similarly, most of the other comments write about me, but the answers about me have nothing to do with the series and the fictional actions of the characters.
"with why her son grew up like this, because what he saw traumatized him." - this is another point that everyone refers to as ambiguous, but it is not so. Nicholas is traumatized by what he saw, exactly? Catherine herself admits that there was sex - it could have been violence, or it could not. If the sex was violent, then the trauma is from violence.
If it was just sex with a stranger, then the trauma could be from this - children have injuries simply from seeing sex with parents or adults. And here, mom's sex is not even with her father - it is quite a possible option.
So your interpretation of this fact is your subjective one. You just chose this option because it suits you in general - like many others here in the comments.
"an emotionally vivid event, especially a negative one, is remembered perfectly" - and this is well known. And therefore, too vivid and emotional an event for Catherine could well be not violence, but the fact that she first changed, and then, on a momentary impulse, let Jonathan die.
And then she had already "replaced everything else" subconsciously for 20 years, so as not to remember the painful experience.
Among other things, she came up with the idea that she took photos and collected a jar and then threw them away.
In her words, it looks like the same explanation as a two-year-old in front of a teacher: "I did my homework and the dog ate it."
This version is quite possible, but you also deny it and choose another one that is subjectively closer to you.
And again, you also come up with ideas for me and about me - this is unnecessary.
I fully accept that Catherine is a victim- but it is not known whether she is a victim of violence or a victim of her wrong decisions.
Who uses only words to justify herself - she threw away all the evidence, and in Jonathan's photo, where she smiles, she was forced to do so.
Such explanations are extremely primitive and infantile, but as a clinical psychologist they do not bother you at all. Again, another subjective position you have chosen is in the way)
All this is very convenient, but you can interpret such facts in any direction.
P.S. Write more about the series and its characters and events and less about me) It is clear that you have such a professional deformation, but still keep yourself in hand)
Um... there was only the last paragraph about you and the question, nothing more. And I didn't write this as a clinical psychologist, thank God. But you have to do with your answers, it's your reflection, a reflection of your beliefs, that's why everyone is referring to it.
I can say the same thing about her violence (which you call sex) to you, you just choose this option because it suits you in general. Then we will exchange such arguments.
Falling in love and cheating is not the same as experiencing violence. Violence is a trauma, it is a vivid impression of the moment when the body, the brain is under threat of death. This is a vivid negative emotion. Incomparable things even at the level of biochemistry. Just some kind of sex that was 20 years ago can be very easily forgotten, but not when you were raped.
How much have you written to me about me and yourself, thank you)) But your position is also subjective, isn't it?
Everyone was hooked by your reaction, because women are triggered by the typical reaction of society to a statement about violence, the victim is always blamed. Women associate themselves with the victim and see the realism of what is shown, that in life it happens and it happens. Men are more likely to associate themselves with a rapist, but trying to justify themselves. And all women associate such men with a rapist, which is why they write so much about you. The difference is that many women write arguments from experience, knowing how it happens, and the reaction of men is exclusively emotionally colored.
I understand that the dialogue is useless in fact, perhaps reading the book will give you a more complete picture, or foreign reviews of the book.
Well, I wish everyone that in your lives there will never be a situation where you have to be a victim.
"I understand that the dialogue is useless in fact" - yes, it turns out to be useless)
Because you are substituting concepts and missing whole paragraphs:
"Falling in love and cheating is not the same as experiencing violence. "
There was no talk of Catherine falling in love anywhere at all - you've already taken that from the ceiling, and if she wanted to change and then kill Jonathan to hide the betrayal (she admits Jonathan's death by her inaction, so this is a fact), then evaluate and compare the levels of emotional shocks from "treason + murder" against "violence+murder" - which is brighter, I will not take it. We'll leave it to you as a professional.
Catherine herself admits that there was sex - it could have been violence, or it could not. If the sex was violent, then the trauma is from violence." - that's what I said here.
"About her violence (which you call sex) " - and you changed it to something else, which was not said at all.
Why would I call violence sex? There's no need-I didn't call him that.
And why did you write as if I called him that - just because you wanted to.
There is no need to simplify, change and invent for others.
Otherwise, the dialogue is really completely useless.
I fly in off my feet, of course I'm not an expert, but for me personally, the behavior of your opponent resembles the behavior of a rapist, who then says, "Yes, I didn't rape her, she wanted it herself, so what if she had injuries, she likes it so much. And anyway, she didn't show them to anyone, so there was nothing. And why should a woman be trusted? And I'm young, I have my life ahead of me." That is, in fact, it is easier for this pseudo-intellectual to believe that a basket-shaped son was slandered by an adult experienced aunt than that she was abused by her mother's angel, and the fantasies of a sick mother who hates all girlfriends and longed for intimacy with her son (and not the fact that she was not), for him more proof than the words of the victim, because the victim did not present her evidence to him personally, and therefore lies. After all, she is such an adult, successful and alive, and an innocent nonviolent savior of children is a cold corpse, so she is certainly to blame, and he is pure and deceitful. Therefore, her life must be destroyed, because it does not fit into the picture of justice. It is useless to cite any fact, evidence, logic there. There are peas against the wall, because such violence does not exist in the picture of the world.
You fly into the discussion without reading it - everything described in detail is discussed above, there is not much text, but let's summarize:
the bottom line is that regarding the evidence, you can believe or not believe in any version. Believing in something does not mean that it actually happened.
One version is fiction, and the other is words. In the series, you were specifically told that the book version is fiction - no one argues with this and it would be stupid to argue with it.
The second version, according to the interested party, may be fiction, or it may be reality. And if she's real, then Catherine is a victim of violence.
If Catherine's version is a fiction, then no evidence, facts or discussions are needed, but then she is a victim of her own decisions, a traitor and a murderer.
And if Catherine's version is not fiction, then evidence and facts are needed that this version is reality, and if the facts are found to be convincing, without the possibility of different interpretations, then they will leave no doubt that Catherine's version is reality.
Hence the rhetorical question - if someone demands and seeks evidence and facts that support Catherine's version - is he for Catherine or against Catherine?
P.S. You think that people who rely on logic and facts are pseudo-intellectuals.
It turns out that those who take your word for it are real intellectuals like you.
This is your right and your opinion - you can consider it so)
All I wanted to say was that I said it. I'm not going to enter into a discussion with you/you, because I don't see any point in discussing anything with people like you/you. You don't need a discussion, but a specialist from the service is clear. You can answer me, you can not answer - I don't care. I am leaving for this and wish you a speedy recovery.
@Gamlet: well, the take about memory is generally some kind of trouble. It's like there's a difference in my memories "08/20/2001 it was sunny" and "08/20/2001 I was raped by some dick in Italy, and the next day he saved my son and drowned". As if you will forget such events, and their essence is unlikely to be distorted beyond recognition years later . p.s. the date is conditional, for example, I gave)
The material is generally good, but from the 39th minute - there are 4 minutes specifically about this, so a little bit - you can get acquainted.
That is:
1) the memory does not remain the same as it was originally when it was preserved;
2) every time a memory is accessed, it rises from the archive and the chain of events is rebuilt (not the fact that it is the same as it was);
3) during the build-up, its coherence is influenced by the current state of the one who remembers - physical and psychological (and in general, few people are constantly perfect)
4) next, when the appeal to the memory is over, it returns to the memory archive in a slightly distorted form from the last operation.
And now put it over 20 years - whether Catherine remembered it and how many times.
No one said that there was sun and a beach that day, and then this memory turned into violence - there was no such comparison, you read inattentively here.
What was the assumption from memory - read more again:
according to Catherine herself, there was sex, and according to Catherine herself, Jonathan died because she was inactive and then she felt guilty.
If there was no violence, then the guilt for inaction will be much, much stronger.
For 20 years, Catherine remembers that night and small details every time, and every time there is a "lifting from the archive", rebuilding under a strong sense of guilt (subconsciously looking for moments to justify themselves) and then - a very slightly modified version goes back to the archive.
And so it has been for 20 years, despite the fact that she does not receive any alternative options and does not discuss them with anyone. Only her own version, which she has been constantly returning to for 20 years.
For example (these are rough steps - in fact they are not so noticeable in the difference):
1st time - Well, did I just kill him like that? To hide the betrayal? What have I done? How could I? How can I live with this now?"
A year later - Well, did I just kill him like that? To hide the betrayal? Am I such a bad person? No, I'm not that kind of person. I couldn't do that. But he was a little rude during sex"
After 5 years - Well, did I just kill him like that? I'm not a bad person, but a good one, and I couldn't do that. But he was rude during sex and made me smile in photos"
After 10 years - Well, did I just kill him like that? I'm a good person- there was a reason. He was very rude during sex, made me smile in photos and he also had a knife.;
After 15 years, I killed him for a reason - he threatened me with a knife and raped me for 3 hours.
And for 20 years, under the feeling of guilt, such a transformation of memory is possible - the guilt is thus shifted from itself to Jonathan, who died and there are no witnesses - no one will refute or question.
And the desire to get rid of one's own guilt in order to justify oneself is natural for any person.
@Gamlet: I partially watched the video, and that's exactly what I talked about in the first example - something insignificant can easily be replaced, because it's not important. That is, it doesn't matter if the weather was sunny or cloudy. Just like in the case of the hieroglyph in the video. As for Catherine, it would hardly be much more pleasant for her to distort her memories to such an extent that they turned into rape from sex.
So it was not pleasant for her to distort it, if there was such a distortion.
It is described in detail above that it was very unpleasant for her to remember this and that is why distortion is possible and why it is described in great detail above.
P.S. You did not watch the video carefully, unfortunately, as you did not read the comment carefully.
There are specific experiments: people even had the image of a figurine completely change to another one over the months - to another animal, different and they were convinced that it was him they saw.
So over time, many things can change and completely different.
@Gamlet: How cool is it for you to question the memories of a real participant in what is happening and believe the fantasies of a mentally unbalanced person who was not even close to it, did not know anything about it, so withdrawn into himself that he stopped leaving the room, all fantasies are based on photographs (about posing- oh, what kind of shots can be squeezed out of a serial shooting on a good camera, a drunken Bear, who is dragged under the handles, is still remembered?). In general, I applaud your non-turbidity of consciousness standing up.
Yes, you're right - I'm great at questioning the memory of a real participant, but we don't know which participant exactly.
And ask yourself - why is it so cool? It won't be so cool out of the blue and out of nowhere.
And it turns out great because there are reasons for that - the memories are not supported by anything and these words are the story of one of the participants. And vice versa - there are obvious holes and inconsistencies in Catherine's version, which is just the first to claim reality.
But further on, you are already completely and completely wrong, because there is no such opposition and there never was.
No one has said anywhere that the invented-book version is more real - you will not find such quotes here, so there is no need to declare such a thing.
It was said that both versions are doubtful for various reasons and there are not enough facts to determine the reality - as it really was.
But the fact that there is a book version - which has nothing to do with reality at all-does not make Catherine's version any more true and probable. The oddities in Catherine's version do not go away and do not disappear - they are there.
You are very good at seeing the obvious - that the book version is unrealistic.
And it's just as cool not to see everything else and completely believe in what Catherine just SAID.
I'm sitting here and not applauding your bias - because there's nothing to applaud.
@Gamlet: For some reason, there is no mention of the knife Jonathan used to threaten Catherine. I think this was the main argument for the father: otherwise, how could Catherine know about this knife, and his father just gave it to his son for 14 years
I remembered the scene of the parents identifying the guy's body, when we were shown a cross-to-cross cut on his arm. This cut was not mentioned anywhere else, only in Catherine's version. A coincidence? I don't think so.
I would like to see quotes, but the strange thing is that if you search on the page Ctrl+F: " lies" and "could not be ", then for some reason only your comments are found.
Or don't you understand the difference between "couldn't be" and "couldn't be"?
It seems that, as usual, you are making things up and insulting people just like that.
It's great that we've heard the truth about Catherine. It's great that my father, blinded by rage, realized how wrong he was. However, I still didn't like the ending. The image of Jonathan the rapist turned out to be somehow flat. They never told me what really happened to Sasha there, they mentioned about the "alarm bells" that the parents saw but ignored, but they never really told me anything. It's a pity, it's a pity.
P.S. The theory about the incestuous relationship between mother and son (Jonathan and Nancy) was not confirmed, but it was very good, until the last I believed that it would be so.
The story with Sasha had its own role in the series - to give the viewer a HINT that everything is really not as it seemed for several episodes in a row. And this task was completed, so it seems to me that this story did not need to be developed)
@marinadepeche: It seems to me that the incest theory was reinforced by the fact that Stephen did not just burn photos of Catherine in the end, but at the same time Nancy and Jonathan, a ring and a cardigan...
@marinadepeche and how do we know that she (their relationship) has not been confirmed? There was 100% mental incest, she described her fantasies in a book, and he took pictures of her mother's body parts secretly.
@cvetok: By the way, I think that there is just a hint of sexual abuse on the part of the mother. I'm in the words of Katherine's son, "Mom let go, mom let go," which the old man heard in the hospital gave that very click of understanding, and his puzzle came together. He heard it clearly, but did not see clearly that the mother was abusing her son.
For most men, physical infidelity is scarier than emotional infidelity (for women, as a rule, the opposite is true). Plus, even through the book, we were told that the husband is a weakling in bed. So he just amused his tiny ego. I don't care about my wife's feelings, the main thing is that she was not satisfied with another man.
@yolyailyasova: I think that in his head these are not thoughts of the category of pleasure/ pleasure, but thoughts of the category of self-decision/ forced action.
@Leony: somehow the logic is not very logical. Let's keep the structure of the accusation, but slightly change the actions (not applying to the series, but just an abstract analysis): "it became easier for him because he realized that his friend did not kill his wife, but he was forced by threats." Or turn it the other way around: "She felt better because she realized that he wasn't cheating on her, but he was threatened (and/or blackmailed) into doing it." The "disgusting life-threatening situation" persists both there and there. At the same time, if you, for example, find out that it was not you who was betrayed, but the circumstances that developed, this may make it easier for you. But at the same time, this absolutely does not mean that you are like, "oh, well, poof, well, you think they threatened, forced, survived, the main thing is that they did not betray me, you can pretend that nothing happened." Most likely you will think something like "This is a disgusting situation!"But at least I wasn't betrayed, so this is my mistake and I need to work on it, try to save at least something, if possible." Is not it so?
Well, or here's a simpler example from Sheldon's Childhood: Missy invited the boy next door to hang out, but then they invited her to hang out and she stood him up. If you were in such a situation, you would be offended, wouldn't you? And you would try to break off a relationship with the person who did that. But what if later you found out that the person had nothing to do with it and, let's say, he was tricked or even told that you canceled everything? Surely it would have made you feel better and you would have tried, I don't know, to make up? The structure is also preserved here: "it became easier that "something bad" was not the fault of a person, but something bad happened to a person too." Or if it makes you feel better that you were not betrayed, no matter how terrible the circumstances might be, are you in any case a complete scum?
Well, to be honest, the ending is a little weak. They did not reveal why Nicholas treated his mother so disgustingly, they did not reveal the moment of "enlightenment" of Jonathan's father. They didn't show how she handled the moment at work. Jonathan was also poorly revealed.
@saramazur: everything was revealed about Nicholas: he saw what happened, it traumatized him, the memories were repressed, but the emotions remained. Therefore, they came to an understanding when she told him.
"Anyway, what she saw and heard that night was erased from her child's memory. It was erased from memory, but the figure of the mother was forever stuck in the brain. A mother is a stranger who cannot be trusted, who cannot be trusted. All these years she had been trying to imagine what would have happened if he had seen what was happening to her in that hotel room in Spain. Well, he saw everything. And I heard it. And the signs of this appeared during his growth, during the transition from childhood to adolescence and beyond, only she failed to consider them.
Nick saw this negative for the first time yesterday. Catherine was afraid that she had made a mistake, regretted that she had shown him the picture.
– I don't remember… I don't remember anything. – He shook his head, looked at the unmanifested photo, but could not return to himself – the child. "
@Gamlet: So I suggested that you go and make yourself feel good. But instead you chose to run all the branches, advertise me. Who is the evil Pinocchio to you now? You can't get enough empathy for all the alternatively gifted.
Regarding my version of the inappropriate relationship between Jonathan and his mother. Yes, there were no flashbacks, and both characters are tumbling in hell, if there is one. I still think there was something in the family, since the guy has such sexual deviations. It's the mother, or the father, or the kindergarten/school - now we'll never know. Catherine's husband is just a nasty coxcomb who sees nothing in front of him, not even his son's drug addiction. Trusting an old unwashed fuck and not your wife is just a song. I understand why Catherine didn't tell him anything then. I don't understand why I didn't leave him much earlier. I wish my grandfather to get drunk on his pills and be eaten by his cat. And before that, it would be nice to dump the name of his whole family in the mud and shake everything out of his senile pockets through libel suits, to the last penny. But it seems Catherine is too noble. There is little demand from her colleagues. Unicellular cells are not responsible for their actions. And yes, Catherine turned out to be a good mother. I am glad that the relationship with her son is improving.
@mixer1701: In the book, Stephen Brimstock built a large bonfire and doused himself with gasoline, burned in it without making a sound. He left behind a farewell letter to Catherine, a negative with the original photo showing her son in the reflection, and a will in which he bequeathed everything to her, thus trying to make life easier for her and her family.
@dred124_2: the book version is somehow more thoughtful. They decided to remove the drama here, but in fact it turned out to be slightly unsaid for no reason.
@dred124_2: Yes, it's not that Catherine needed money (I think her husband left her a lot after the divorce, although he is a bad person, he still has some kind of conscience). It's not about the money. It's about honor. But in the book, everything really came out more fairly. I keep thinking about poor little Nicholas, who saw this. And it's true that all our problems are from childhood.
As a person who is familiar with the original source, are you satisfied with the film adaptation or not? As always, the age-old question is - which is better than a book or a movie (in this case, a TV series)?
@id104144445: Yes, quite. Although it seemed to me that the series was delayed, but let's put it down to the peculiarities of the format and the director's idea. There were more details in the book, but the general message was conveyed correctly.
@Gamlet: I haven't read the book. My comment about the ending refers to a comment by user dred124_2, who pointed out that the old man acted more fairly at the end of the book. By the way, there are very strange reviews about the book. It seems that this is one of those rare cases when the film adaptation will become at least more famous than the book.
I like the way the comments try to find some kind of logic in rape, as if it always has a certain scenario. Kamon, look at the truth, people kill/rape someone in his house, and then go and cook themselves a sandwich there. Trying to understand the logic of a person with a sick head is still a useless activity. And victims also often behave "illogically" from the point of view of someone who does not understand such fear and shame. But of course, it's always easier to believe that everything is made up, the guy is a romantic flower, and the woman is a cheating bitch 🙄 Yes, it's elementary, looking at Jonathan's "super" family, one could guess that they all have a leaky roof…
So I wrote about it, the answers to the questions above are obvious, if you don't just look for the same logic in the actions of the rapist and the victim, But I will answer the questions above especially for you, do not thank~ 1) Because he did not feel guilty for what he had done, it was a common thing for him, like for you to sleep or eat, he even said "thank you" to her, so he could calmly not run anywhere and even go to the beach. 2) It's the same here, she's not a victim for him, but a girl he wanted, maybe he even thought they had some kind of relationship now, so he wanted to help her child. 3) She also explained that she postponed going to the police because, indeed, it is not easy to be a victim of violence, either they do not believe you and condemn you for all your sins, or they begin to treat you differently, and this forever changes the victim's life. And she also has a son, she was worried about what he would have to go through. 4) And threw out the evidence because the rapist died, and in such a situation, it was easier for her to pretend that nothing had happened, she did not want to ruin her life, and by the way, she also said that. And sex in a booth is an invention of a mother with a sick fantasy. It's simple, if you have at least a little empathy and knowledge about real cases of violence.
@typographera: By the way, please note that in the episode where sex in the booth was described, Catherine is dressed in a sexy bikini, and in this episode, when she told her side of the story, she was wearing a simple black closed swimsuit. It's just that Mommy made it up and embellished everything.
Damn, I was waiting for some more drama from the series finale, with flashbacks about Jonathan and his mother, but apparently we decided to end everything in a simple way: evil does not have any grandiose motives, it is next to us every day. I'm glad how everything turned off with Robert (I don't feel sorry for him), I feel sorry for Stephen, but he can still try to fix everything and do something good in his life..
It was shot and played pretty well, but the plot.. Namely, the strange and absurd behavior of Catherine's entire entourage. Probably, if at least one of them had been in the right place, my grandfather would not have been able to go so far. Each episode caused increasing bewilderment and irritation, so it was not possible to really feel the whole drama of this story.
And of course, at the right moment, the old man suddenly came to his senses and believed her without proof, really! As a rule, you can't reach madmen. Her son, as it turned out, still saw something, just won't admit it. But that doesn't explain why he's been such a moron all his life.
The husband, of course, believed in his wife's version only after learning it from a stranger, and not from herself. An enchanting idiot. As a result, he was treated too gently; well, okay, do not stoop to his level. This old man did not suffer any punishment at all, he pampered himself and that's fine. That's the end of the fairy tale. There is no satisfaction from the finale.
@MII: A person who has not experienced this will never understand how difficult it can be to even mention it, let alone say these words out loud, head-on.
What you wrote is just disgusting. So much cynicism, cruelty, arrogance and aggression (You have no idea what the victims of violence are going through.
Strongly. Of course, there are inconsistencies, but you can get to the pillar if you want. I was still so fucked up by this mumbling and vile grandfather with his crazy, stretching train from the past. I'm glad that's how it ended.
@yare_yare: I suggest that everyone interested read the comment above; read it, think about it. I suggest that those who have set disadvantages read the comment again.
1. The commentator objectively assessed what happened in the series; there is no sense of someone else's prism of perception in what is written, there is no bias. 2. You can see the work with context, a critical approach to what you see. 3. The commentator is a very good person
In my opinion, they are writing about a subjective opinion here. Take, for example, "he thought that..." in the second paragraph: we don't know what he was thinking, he didn't say anything at all in response to Catherine's phrase. These are guesses and the opinion of the author of the comment, what he thought, it is difficult to call an objective opinion
And my opinion is that Robert didn't answer anything, but he changed his position, clamped down and hung down, as if he was feeling guilty, plus he didn't answer anything. I think he could have explained his point of view, if it had been radically different, on this situation, but this was not shown to us. We know they're divorced. So, after all, he hadn't convinced her that he was relieved by someone else. After all, what they showed us, they showed us, and assumptions about what he really is and what he was thinking at that moment - this remains an assumption
@yare_yare: I also didn't understand the joke, why the heroine's husband was made guilty in the finale. He "worked " with the information that he had. He didn't just fall for the rumors! It is difficult to assume that the photos were taken under pressure, they really look very sensual. Having a fragile ego, as they say here, is not a crime. And Catherine did not refute anything, although there were many chances. If she doesn't say anything, but just walks around with a guilty face, how will he guess what happened? Don't text him a million times "answer the phone, Robert!!", and write directly that it was rape. Then he would have reacted immediately, and there would not have been this protracted drama. If she didn't want to talk about the rape, then what did she want from him? So that he would just forgive the betrayal? He might have forgiven, but it takes time. And there was no time, considering the crazy grandfather who was chasing them. By the way, for me, my husband is so good that he immediately believed in rape, immediately asked for forgiveness. And it was immediately blamed on him - they say, somehow you easily accepted that I was abused, it's easier for you than to accept that I was pleased. Why?) I.e. he had to disbelieve and insist on the version that she had cheated on him, and now she is inventing fairy tales? Would their marriage have a chance then?) Either I misunderstood, or it's just some kind of game, and they both have ego problems.
@Altay_Virgin: Thank you for your answer, I totally agree. Everyone reacted in a situation under the incessant attack of the grandfather (as it sounds, of course, absurd, but it's true) and it was impossible not to believe the photos, in which, as any professional photographer will say, the girl does not feel discomfort , plus you really correctly noticed, he believed in rape as soon as he heard and did not he behaved like that grandfather, "my son could not do this," and asked for forgiveness
both have ego problems, but the problem, unfortunately, is very stupidly twisted results
Yes, because it's easier for him to believe some moth-eaten grandfather than to let his wife speak out. He lived with a woman for 25 years, but did not learn to trust her, always subconsciously believing that he was not enough for her and she was more experienced, so as soon as the opportunity arose to confirm his fears, he immediately seized on her, without even giving her a word. He put her out on the street, ignored her, discussed her with a stranger and reveled in self-pity. Imagine yourself in her place at this moment. 20 years ago, she was left alone in an unfamiliar country, experienced violence, but suppressed all the horror of what she had experienced in order not to destroy her family and not put these events between them. So that after so many years, he, imbued with doubts about her only because of his wild imagination, turned what happened against her. It was easier for him to believe in treason, it was better to listen to a stranger, to believe in the nonsense of a book, than to hear his wife. At the same time, he fancied himself the father of the year, but he did not see what was happening to his son. So you think that she is behaving illogically, but how should she behave? She said she was terrified, afraid to end up in court, where everyone would say she was lying, didn't know where to start. It was very difficult for her to talk about it. For 20 years, she has been crushing this trauma inside herself. Do you think that's how she would have gone and laid it all out? Yes, while she was gathering her strength, her life was ruined, and her husband had already decided everything for her, so that everyone around him would feel sorry for him. He kept saying, "my parents were right about you," not letting her talk. I don't really see any excuses for him.
@Arumi: ""he lived with a woman for 25 years, but did not learn to trust her, always subconsciously believing that he was not enough for her and she was more experienced, so as soon as the opportunity arose to confirm his fears So they told me in the course of the play that she pulled away, became colder and in fact seemed to live her life for the sake of her son. It's hard to know something when you're not being told about it in words through your mouth. And here both sides are involved.
""without even giving her a word But this is right, yes, as dumb as possible, although it was built in such a way that it led to this. First, she gets the book, gets scared as much as possible, does not explain anything, already BURNS it, when asked to explain, you get "I can't explain, maybe later." And then you get the book, put together the existing behavior puzzle, it clicks with your inner fears and voila, the hysterical husband is ready. Well, all this is finished off by the fact that instead of a clear showdown with the author-accuser (she is an investigative journalist, if you start an investigation, contact the police, prepare at least something!) accusations of pedophilia begin, clashes at work, tantrums and that's it. We can eventually (albeit with some creaking) put it all together into experiences and traumas from violence, but at least remember your own feelings from the first episodes, when you did not know the whole picture, multiply this by a complex hysterical husband and the fact that you do not know that this is a series and that you may be misled. And it turns out something like, "why listen, he's lying like hell, it's not just a book, here's the evidence, here's the photo!111».
P.S. It was necessary to write with a disclaimer that I do not justify in any way and during the course of the series, the opinion about Sasha's character was only "are you completely fucked up?", he played a complex hysterical woman perfectly. But let it be a postscript.
I understand her reaction quite well, because after her story everything falls into place. A person who has experienced sexualized violence, especially so many years ago and so cruel, will experience this trauma over and over again in full. If she did not dare to say it then, she was silent for 20 years, and then it was dumped on her so unexpectedly and from the position of "brought the angel to death", then all the negative emotions that she had buried for so many years not only overwhelmed her, but could be felt as vividly as in the process. It's not easy to say that anyway, and in such a situation, few people will scream rape in response. I'm sorry, but most men really don't understand this, as can be seen from the comments here. In the course of the story, it even says that the husband is an offended woman, he always considered her something of a libertine, but was proud that he was chosen. And he was worried about coldness, not because he was afraid that she was cheating, but because she was more experienced than him. Plus, his brain-dripping parents. That's why it was so easy for him to believe an outsider than to give her time to tell her version.
It was also written here that the series describes the cancellation culture well. So yes. It is very clear that most people do not need the version of the accused, he has already been tried. Everyone likes to savor scandalous accusations, but few people will listen to the version of the second party.
We are all human beings and in many ways the same.
Are there any cases of violence - there are also in most cases a male rapist, simply because men are often stronger.
Are there cases when people cheat - there are often, and especially when there is a real reason for this and lying will make a person better in their own eyes and in the eyes of others.
Is it enough just for a woman to say that there was violence to accuse another person without any other facts and evidence? No, it's not enough.
Can women invent some facts about violence if they want to accuse someone of violence? They can - no one prevents them from doing it if they wish.
According to the comments here, it is much easier and easier for most women to invent and invent - they do it faster and logic is not important to them, which allows them to connect completely different things without any embarrassment.
As a result, each case must be considered separately, because everything is possible: both violence and deception.
And in each individual case, a man may turn out to be a rapist, and a woman may turn out to be a liar.
And in order to determine reality, concrete and non-fictional, objective and recorded facts are needed.
If there are no facts, evidence and witnesses and there is insufficient data, then until such evidence has appeared and has not been presented, either party may be entitled in absentia.
And any questions may arise to any of the parties.
And if someone, any person, insists and defends any of the parties without evidence, this does not confirm in any way and does not increase the likelihood of the veracity of any of the versions.
I really understand Catherine, it's worth a lot of effort to get together and talk about violence, especially when you know for sure that your loved one will react inappropriately. At first, Robert believed a completely unknown man, was grieving that his wife had cheated on him (not even that their son was in danger because of her), and then, when everything was revealed, she sits and comforts him. And she's right.: It makes him feel better that it wasn't her choice, that she was hurt and scared. If it were really cheating, he would feel humiliated, but as it is, he just feels a little discomfort and that's it. There are comments from men that are very revealing — from "well, just think" to " she came up with everything" — stable. They literally show you in the series that a man broke the law a hundred times and was ready to kill! completely innocent! A guy, but you don't judge him, because there's something in Catherine's story that doesn't add up. 🤡
By the way, about Stephen. I needed catharsis. I was waiting for the police to take him down at the end. I don't care if he repented or changed his mind, he must legally answer for everything he's done here.
It's a great series. In terms of the plot, there are some obvious moves and skeletons in the closets, but the emotional intensity of the whole series was at a decent level. Although I think the intrigue has been digested. I should have done 6 episodes probably. Visually it is very beautiful — Lubecki and Delbonnel are masters of their craft. I have no complaints about the caste, because I was annoyed by *everything*. Steven without a single drop of dignity, Nancy with her obsessive basket-shaped son, their vile martyr Jonathan, Catherine silent to the last (although I understand the reasons, again), Nick and his second transitional age, her stupid husband with the emotional intelligence of a dung beetle, her colleges, idiot lifeguards on the beach, and, of course, the brainless hospital staff, where without them.
But the cats were beautiful. In general, I always like it when pets walk in the frame, it adds a lot to reality.
Well, it's clear that I wanted Stephen to go to prison, but on the other hand, his life has already punished him. He found out that his son is a rapist, and his wife is a pedophile with an abnormal attraction to their son. I think he didn't live and will live anyway. Prison is already superfluous, well, after all, he didn't kill Catherine's son, well, only that he shat in their lives. And on the other hand, maybe it's good, it turns out he made adjustments to their lives and now everything will be fine with them.
@scarcelyinside: Robert believed that his wife had betrayed him. It's natural that he feels bad about it. Then he decided that his wife had not betrayed him - and again, naturally, it became easier for him, the pain of betrayal was gone.
And to pull it on "it's easier for you to accept that I was hurt than that I experienced pleasure", you need to have a good imagination and a quirky mind.
@Foka: For a normal healthy loving person, the news that his loved one has been raped will cause a feeling of horror, shock, compassion, impotent rage, sadness.
And not relief like a hero- well, okay, rape is rape, thank God it's not treason.
@Leony: What are you talking about, sick? Have you thought of something about your own, perhaps? They asked questions, did not wait for answers and continued their speech as if I had already answered positively.
"Capable..." - exists. "Infantile/fixated..." - not only.
"Show me a healthy person and I will be the first to throw a stone at him." Me too... They invented stereotypes about health, and ordinary people suffer later, thinking that something is wrong with them. If there are no healthy ones, there are underexamined ones.
Everyone has their own cockroaches available. Of course, we live in different universes: I am in reality, and you are in fairy tales trying to put it in the framework of health.
@Leony: Did a little insult stop you from discussing the topic? How would a healthy person respond in your place? Would he consider your previous message, in which the answers are attributed to me, an insult?
I'm really interested to know what kind of TV series "impassable" is for you? "Disclaimer" began its march around the world with the premiere at the Venice Film Festival, and with ovations and full halls, after the screening of episode 7, the audience clapped for 10 minutes and 2 times a wave of "Kate, Kate, Kate..." swept through the hall. Alfonso was hugged and wouldn't let go, Delbonnel almost had his hands kissed, although Kevin kissed (he plays Stefan in the series). Then immediately the series went to the Toronto festival, there is also a full house and delight. Even the fact that the series was included in the program of 2 such large festivals is an indicator, and the fact that Disclaimer will be nominated at the Golden Globes, and then the Emmy, no one doubts, this is a strong player from Apple. Well, Kate has the nomination in her pocket, although I hope to win.
@id104144445: For me, the one where the authors are friends with logic is not a pass-through, but not the one where the stars are filmed. They applauded the actors' acting, directing, camerawork, stylists, and so on. but not to the author of the script and the author of the book. Read other people's comments on previous episodes (for example, I couldn't stand it after 5), people don't stand on ceremony there. I wrote above this is an adaptation of another ladies' thriller in the style of Sidney Sheldon, where common sense is missing. It was interesting.. the first three episodes.
@Painio: Is the rape story a ladies' erotic novel? It's immediately clear why you didn't understand this series. Ron Weasley has better emotional range and empathy.
@Adrasteya: The story of the rape would have been if we had been told this from the first episode. Half of the series is told to us by the erotic fantasies of a half-witted old woman (probably most of the book is devoted to this). And what we were shown in the last episode, casually, in passing - Catherine's story, does not make the necessary emotional impression at all. They didn't tell us about Jonathan and Sonya, about Jonathan and his mother, and so on. In the series Law and Order. The special corps serves similar crimes in such a way that you want to strangle the rapist. Here, there are no emotions at all - the actors play just mediocre and you don't empathize with young Catherine as you need to. The only one you want to kill is the old man, and that's because he's disgusting on the outside. For me, as I wrote before, this series is a dummy, in which a lot of money was poured. There are series with a smaller budget, without stars, but which you admire, which you review and which you save to your home collection. This series is not one of them.
@Adrasteya: Why didn't you understand? The man develops an ingenious plan and avenges the deaths of the hero's son and wife, but in the end learns the truth and comes to his senses. Primitive to the point of impossibility. Only all the stages of revenge go smoothly: both the husband, the editorial staff, and the son, and even in the hospital everyone takes his side, everyone believes him unconditionally, without facts, arguments and evidence. With his gift, he could breed people for a lot of money, not just an unstable junkie kid. The most important thing is that the author cannot understand that this will not work in life, at every stage of revenge he could stall - his husband could ignore the book, the editorial office advised him to contact the police without going into the essence, security would be called at the hospital, and he himself would be accused of distributing pornography and slander. But the author is a woman, and she is not interested in such trifles, she has her own logic. Maybe they wanted to show us something more than crime and punishment, but I didn't see it - the actors, except Kate, play poorly, especially those who played Nick and Jonathan. And at the Venice Festival, the audience applauded, most likely, her and no one else.
Now tell me, how did Grandma get to Catherine's family? It seems there were only photos, maybe I missed something.
In general, all the troubles are due to silence, I first wanted to say what a fool Catherine was, she was silent and did not say anything, even at a critical moment when everything was falling apart. But in fact, rape is a severe psychological trauma, it's not easy to talk about it. But forget it, she answered these questions at the end of the series.
@bodiyx: I think the police recorded Katherine's testimony, her last name remained, her mother found out this data, and then it's a matter of technique. Katherine's last name is not very common.
Oh, shit, that's me being attentive. The grandfather in the burning photos saw the reflection of the guy in the mirror, it's strange that he didn't say a word, like mom, what are you doing here and who is this uncle.
In the comments on the cutting, they suggested that he was a kind of psycho who got injured because of this, so he doesn't remember anything and grew up such a slobber and a drug addict
And I liked all the episodes except the last one. It was cool to spin everything, slowly, without small details hanging in the air. A languid look, a sigh, a passage down the corridor. Against the background is a cat, a cockroach in a glass, a complete picture without contradictions. Like broad brush strokes. What colors, what camerawork! Cate Blanchett is beautiful. In the last episode, they fashioned a completely understandable version, but did not finish it. Judging by the comments, the ending in the book is more complete. And so - what happened to the grandfather, why suddenly, at that very moment, he was tempted not to kill Nicholas, what was so mysterious about their son's childhood, what happened to the girl, why she left. It didn't take much screen time to put these points at least in hints. And so - the grandfather was simply thrown out of the plot as garbage, like it served him right. And in general, the main thing in such plots is what is the essence of the criminal's injury, what was done to him there, you can guess here. By the way, the image in the photo is quite large. Grandfather saw him without glasses in the fire! And no one saw it before? The photos are quite big.
@Sondria: who told you that the story of a criminal is the main thing in such a plot? This is a story about Catherine, not Jonathan. This is not a true crime or a psychological thriller, this is the drama of a specific woman who doesn't care why the asshole who raped her grew up like this.
It all seemed to fit into a picture. Maybe I missed something. But I don't remember if Jonathan's aggression or oddities were shown in the family? Well, for me, the question remains, why did he save the boy?
A lot of emotions are mostly outrageous from the series. an expected ending, because it was immediately clear that in the end it would turn out that Catherine was the victim here, in addition, a very long story of bullying by a crazy grandfather and a crushed husband over the heroine, who stubbornly and heroically remained silent for six episodes. 🤦🏻♀️🤦🏻♀️🤦🏻♀️ it was easy to fit into a couple of episodes, if not a couple of hours..
Финал разочаровал. Понятно было, что правда будет не такой, как в книге. И всё шло к тому, что Джонатан - насильник. Тут не удивили. Хотя я рассчитывал на что-то более сложное, ибо меня весь сериал бесило, что Кэтрин не рассказывает, как всё было на самом деле. А учитывая, как всё оказалась, она могла буквально в любом разговоре говорить короткую фразу: "Пацан меня изнасиловал, в книге ложь". Я понимаю, что о таком тяжело говорить, но когда у тебя на глазах рушится вся жизнь, а сына могут убить, можно же хотя бы мужу сказать. Что хуже, что муж разозлится, или что дедок убьет сына? Я надеялся, что её молчание оправдано какой-то сложной историей, но она довольно проста, хоть и ужасна. Так что это молчание было полной глупостью. А хуже всего то, что эта глупость двигала весь сюжет.
Мне также не понравилось, что дед передумал и поверил Кэтрин в последнюю секунду. Это прям какой-то хэппи энд, который выбивается из общего тона. Было бы лучше, если бы его либо остановили в последнюю секунду Кэтрин или её муж, либо если бы он довел дело до конца. Так было бы гораздо драматичнее. Ну и прочие мелочи смутили. Например, причина для развода или когда сын в конце говорит Кэтрин, что любит её. С чего вдруг? Он и до книги её терпеть не мог. Даже если ему стало её жаль, это неправдоподобное заявление.
I agree with the commentators above that I would like a little more of Jonathan's past in the family, and so the finale did not disappoint. A good series, Cuaron is on top as always
The series is amazing, the cameramen are just incredible, the cast is wonderful. The atmosphere, suspense, everything is fine.
At the time of my grandfather's entry into the hospital, I could not let go of the thought that in a Russian hospital he would not have gone further than a cleaner, all revenge would have broken off already at the entrance.🤣🤣
@Kookaburra: Not from the beach. There is no face in those photos where she shakes the sand out of her swimsuit. The face is visible only where she is in a tunic standing at the water's edge with a child.
@Adrasteya: Watch carefully. After all, these photos are not only shown in the last episode. There are many of them. Both in the room and on the beach.
@Adrasteya: and there are also photos from the bar or restaurant. But you don't want to notice them point-blank. Don't write to me anymore. I've already written my opinion, I'm not interested in your vices.
@Kookabara: did she take off her panties and bra at the bar too? What a formidable muschinka: he preemptively banned all dissenters so that they would not be hushed up 😂
@Kookabara: I understand why you saw something in the series that is not there: you have a very rich imagination. Of course, I'm sitting here with 100,500 accounts to annoy you, the point is solely that, and not that you write nonsense that contradicts the rules of the site.
@Adrasteya: I've been chasing you for three days to tell you how much I don't care about you." 🤣🤣🤣 I told you not to write to me anymore. That is, I connected it anyway. You swim shallow in brown slush. You'll drown in it, like the heroine of this series.
For me personally, her story about what happened became true at the moment when she describes how she was sick of the smell of his lotion and that even 20 years later she recognized this smell on her grandfather. Anyone who has never been a victim of harassment or violence will never understand this. But the smell is the scariest thing, it stays in your memory much longer than everything else, it seems like you're trying to distract your thoughts and even it turns out - but this fucking smell just got into your nose and that's it.
It's a very difficult series. The first part of this series was very difficult to watch, even knowing in advance where everything was going. Emotionally, I was so moved that half the series sat with clenched fists, as if trying to help the heroine through the screen. In this series, I also like the fact that he repels others - the lack of strict logic in the actions and words of the characters. In ordinary life, we constantly act illogically in small things and not only, sometimes we say stupid things, well, just because. Especially when it comes to periods of intense emotional distress. In my youth (at the age of 20), I often "scolded" the characters of various films and TV series for the illogicality of certain actions for the sake of emotionality. But I grew up a little bit, and realized how wrong I was. As for the heroine's husband, I will say the following. The whole series was trying on himself, as he would have done in his place. And let's be honest, when it turns out that your wife cheated on you in the first years of marriage, and showed more enthusiasm (according to the photo) than during intimacy with you, and at the same time sacrificed her son's safety - this may lead to an unwillingness to listen to her, but to close herself in and conduct an internal "audit" relationships. And it does not contribute to the situation. At the very first moment, when she burns a book in front of her husband, she says that her life is described in it, and in general, she does not throw in an ambiguous phrase after the final episode. Does it matter when the betrayal occurred? Yes, not much. Let's be honest, if there were opposite gender roles at the beginning of the series, most would support a wife who found out about her husband's infidelity. But all this pales against the background of the stupidity and weakness of Cohen's character against the background of the circumstances that followed. At least, you should be as careful as possible with that grandfather, not letting your son near you, and no matter how it was between you and your wife, do not humiliate yourself by saying how much your wife screwed up, and he is all a hero. He would say that he understands his grandfather, but he will not allow anyone to talk too much about his family. The result of his behavior is, of course, natural
I was really waiting for another twist at the very end, that Catherine had come up with all this in order, as always, to take control of everything and resolve the situation in her favor. Both stories are stories told by an unreliable narrator. In principle, in this regard, the final is open, and this is good.
The plot of this series (book) has a weak logical evidence base (= does not have it at all), so people with critical analytical thinking catch cognitive dissonance) if they had sketched categorical beacons supporting the ending, perhaps such a sur would not have happened. But there are none. Critics have already unsubscribed that the plot is not sustained in the detective genre, so they assigned the status of "soap".;
As for Jonathan's relationship with his mother, it seems to me that everything is obvious. The whole image of Jonathan in the book was so childish and innocent, he somehow looked into Catherine's eyes when they were talking in the restaurant. He was embarrassed, like a child. Perhaps it was the mother's memories. No wonder she was talking about "Kylie", because Jonathan had posters of Kylie Minogue in his room. Perhaps this rather frank conversation between Catherine and Jonathon in the restaurant is the first harassment of the mother. At the first "sex with Catherine," she taught him how to satisfy her, guided every move. Maybe that's what his mother did to him. And it was not for nothing that he constantly secretly photographed his mother. As it turns out, he has a fetish for it.
Overall, I liked the series. The music, the picture, the actors - everything is very beautiful. Robert irritated with his stupidity, why let someone else's grandfather in to his child, who is in a serious condition and has not really come to his senses yet. The ending was a little disappointing because of the feeling of understatement.
The series is strong, but I don't understand why Jonathan's father took it and abruptly accepted and understood everything. That is, as if there was not enough visualization, that he realized that the photos of his wife were also taken in frames (apparently) sexual games. As if some plot detail is missing, so that the puzzle with his epiphany after Catherine's monologue formed into a whole picture and forced him not only to change his mind about killing Nicholas, but also to accept another version of reality.
@Missing: he just had a puzzle at that moment. He knew that his son was, to put it mildly, a so-so person. This is well shown in his memories, they are not distorted. It's just that Nancy is a very good writer and he fell for her story, seeing what he really wanted to see, despite what he knew about his son.
Trash, of course, was delayed. But it was interesting to watch. The actors are good, the husband is an asshole, the son is a weakling.... But I feel sorry for everyone 🥲I hope everything will work out for them 😁
I didn't like the series very much. The screenwriters desperately force us to believe in the meaningfulness of the reactions of all participants, but their reactions are so inadequate that it seems that they were released from their mental hospitals yesterday: - A lady who (as @Sqev said), until the last episode, is unable, due to her stupidity, to stop the collapse of her marriage, career, life, and just tell everyone the truth, - An old psychopath who decided to ruin the heroine's life and KILL her son, simply because his son can't swim properly, - Jonathan, who rushed to risk his life for an unknown boy the day after the rape. And all this unprecedented causeless psychosis is just a sick invention of the screenwriter, who wanted to come up with something "steeply twisted", but it turned out to be meaningless and implausible. Many people write here about associating themselves with the characters, but there is no one to associate themselves with, they all commit inappropriate actions only in the name of plot development; no one here wants to empathize, because they all behave inhumanly and, rather, create some kind of sinister valley effect due to the unreality of what is happening. I'm waiting for a wave of dislikes.
Jonathan was a beat-up bastard. He apparently enjoyed hurting himself and others. The cut on his arm that his father noticed at the morgue and Catherine mentioned it. Most likely there is bdsm . And Sasha, his girlfriend, called him a drocher, my mother was not mistaken here. And Catherine confirmed that he ejaculated without hands. There are a lot of clues there. It worked out in Stephen's head, but he needed time to make a decision.
And one more thing. If the mother had been 100% sure of what she had written, she would not have put the book away on the table. I told my husband. She came up with an alternative universe for her dead son. And one more thing. Where do men get such thoughts that they will only look at them and immediately the girl should die of desire?! Why would Catherine want this guy? It was this situation with explicit scenes of coveted sex that seemed implausible to me
"Where do men get such thoughts that they will only look at them and immediately the girl should die of desire?! Why would Catherine want this guy? It was this situation with explicit scenes of coveted sex that seemed implausible to me."
And here we are again:
so the scenes of coveted sex and the fact that Catherine needed this guy are all a book version, and it's written by Nancy and Nancy is a woman.
It turns out that your question is actually this: "Where do women get such thoughts that they will only look at them and immediately the girl should die of desire?!"
Men once again have nothing to do with it - figure out your question to you without us in this case.
Fans of building theories that there was no violence, answer one question: then why did Catherine admit to Stephen that she allowed Jonathan's death? She could have blamed everything on stress and focus on the child. Like, I didn't see anything, I was very worried about my son. Why invent a story of violence and confess to complicity in murder, when it's easier to admit adultery and hide the murder. Spread it out for us, lovers of logic and Occam's razor.
A cheap provocation, but good - the truth is more expensive.
How you call each other sophisticated (no) names - lovers of logic. The pain is right in the heart! That is, are all those who insist on logic "lovers of logic"?
In this case, it turns out that all those who insist that there was violence are " lovers of violence" and "fans of the victim". We'll settle on that.
Further on the topic:
It's an interesting remark, but why would Catherine come up with a murder story if the main thing is that she has already invented violence. Making up that she was looking the other way?
By the fact that she invented violence, she has already whitewashed everything else, she is already a victim and everything is possible for her. You can look in any direction and kill.(and an additional bonus - you don't have to be a cheater)
And you are lovers of violence and worshippers of the victim, you will justify her in everything and pick up the facts yourself that confirm her fiction, and leave the rest without attention.
So she doesn't need to invent any more - she has already invented what she needs.
Another question is that logic is used in court to determine reality.
But fans of violence and fans of the victim are not interested in logic and reality.
@Gamlet: I have read all the comments on the series. I admire your tenacity to convey your position to the blockheads, I used to be like that myself. However, I was convinced of the unattainability and now I'm quickly stopping.
- Nancy's version is fiction, but this does not prove the veracity of Catherine's version, she could also have made it up. - Catch the defender of rapists! 🤨😆
Yes - nasty Gamlet and nasty logic - how disgusting it is, damn it!
But Catherine is beautiful. Everything is clear here.
And ask yourself - is there anything that can make Catherine disgusting?
So she killed a rapist by inaction - well done, it would have been better if she had drowned or stabbed him with a knife, but it was so good. (It's especially good that she killed him after he saved her son, otherwise it would have been inconvenient of course)
She killed Nancy's son and refused to meet with her, which led to Nancy's death - indirectly killed Nancy. That's what she needs - a crazy old woman who also raised a rapist.
Two already.
Stephen almost killed Nicholas-there would have been a third, although I don't feel sorry for him - a slobber and a drug addict. And then Stephen would have killed himself-that's where he's going.
There would have been four.
If four people had died, would Catherine still be worthy of admiration and justification of everything?
Is there any number of people, men and women, that Catherine should kill and then stop being a victim to whom everything is forgiven?
From the point of view of fans and fans of the victim, it seems that there is no.
And if you also imagine for a second that there was no violence - it has not been proven and there are no facts, and Catherine's story is fiction - then lovers of violence worship Catherine just like that!
No, you can't even think about it-no way! It is urgently necessary to shut up and constantly insult everyone who gives reason to think so!
Otherwise, the fans of the victim will be too disgusted with themselves!
What a nasty bastard logic is!
P.S. And if Catherine hadn't gone to the beach, but would have gone to the police with a jar and a photo, then no one would have died, and Jonathan would have gone to jail. But who cares - boredom.
@Gamlet: Dear Hamlet, with all due respect, you are already genuinely tired. If it's not difficult for you, please take your stool and stand on it somewhere in another branch. Please, I beg you! You're already making me sick and stuffy here...
Cate Blanchett is an incredible actress! The segment of the series, when the heroine runs to the hospital to save her son from the maniac grandfather, keeps her in such tension that you forget to breathe until she reaches)A cool film adaptation of a good book!
It raises questions, of course, why Jonathan still went to save Nick. This is the main non-docking. But more in favor of Catherine all the same. The wound on Jonathan's arm during identification, as in Catherine's version. This is one time. And two calls from Sasha's mother, Jonathan's mother. Most likely, he insulted her too, which is why she got away from him. Such things.
@mace_vindu: what went to save me doesn't bother me - you can't see a damn thing from afar, what kind of child is on the boat. I saw it, swam, did not calculate my strength Someone had already written, but Catherine was standing there. But she was in a different swimsuit and it was impossible to see from the back that it was her. And the fact that she screams does not indicate that it is her child, any normal person would shout "save me, there is a man in the water"
The best part of this series is the seals, they were clearly an emotional support animal for the viewer. In general, because of the narrator's voice, I thought that "this turn" would be not only that Jonathan would turn out to be a rapist, but also that the whole revenge story that was shown to us after Catherine received the book would also turn out to be fiction and part of this book, because it was too successful everything worked out for the old man.
In principle, it's normal, but I think there are translation problems, because because of my wife's phrases throughout the series, it can't be said that she hinted at what happened to her. 8/10
I see that many people are arguing who is lying here. The heroine or the old man) and what version Nikolos saw in reality. I think the Heroine is telling the truth after all. In one of the episodes, we were shown a corpse in the morgue with a wound on Jonathan's arm. This is exactly the same cross that he carved with a knife in the Heroine's version.
Apple TV is happy again. Despite some confusion in the first part of the story, the series turned out to be very fascinating and intriguing. In it, first of all, it is worth noting an interesting plot, a stellar cast, excellent performance by all the actors and good camerawork.
It feels like those who wrote it and those who filmed it are from completely different leagues. The text-script part does not reach the visual part. The dramatic Cohen, as in the spy, is beautiful. And what a thrill all this cat aesthetics is.
Why did the old man change his mind about killing Nicholas? For me, this is a completely incomprehensible metamorphosis. One moment he was living with the idea of revenge, then, suddenly, he abruptly changed his mind and completely accepted the version of the psychopathic mother.
@g1547157: they showed that Stephen, for all his thoughtfulness and understanding of human souls, just like Robert, is inclined to believe when he is emotional. At first I believed Nancy's version, then I just as easily believed Catherine's version.
It is bad that the nurses who let in an absolutely leftist grandfather, who was not allowed to be there, during NON-visiting hours, did not suffer any punishment. What if he had killed Nicholas? What the hell was that all about?
@Enchantresss: and why is it good? He loved her all his life, was faithful, supported her in everything, praised her work. And then there was one joint and she couldn't forgive him. It was impossible to shout that she had been raped, and not make excuses, mumble that this is not what you think? Just scream that she was raped and not given pleasure? If he hadn't believed it then it would have been justified.
I spent most of Katherine's story trying to figure out if it was true or if she was trying to get away with it. I decided for myself that it was true
1. She talked about how a cruciform cut appeared on Jonathan's hands. This is a specially highlighted detail to show us where the truth is
2. Nancy definitely couldn't get over the loss of her son and tried to come up with an excuse for the tragedy, to find the culprit. Literally after the identification, when she learned that the mother of the rescued boy had left, she became angry. Catherine was a good candidate for the role of scapegoat
3. In the course of history, hints, but rather bold ones, show us that Nancy is very uncompromising, confident in her rightness, tough. I really believe that such a person could get some idea into his head and run around with it to the end
4. Apparently, something serious and scary happened between Jonathan and Sasha, if the girl immediately went home, told her parents, and they tried to deal with the guy's parents in this (scary?) situations. Even the fact of Jonathan's death did not touch Sasha in any way, she did not react in any way, and they were dating. This once again suggests Jonathan's remaining cruelty behind the scenes
5. In Nancy's book, her son is a cute teddy bear, incredibly naive and soft. It's like he's not 19 years old, but 14.
6. Catherine told Stephen everything only when she felt a real threat from him to her son
And so on: trying to forget and erase from memory all evidence of violence is an understandable impulse of the victim. Why keep evidence if the perpetrator is dead? There are no questions either, everything is natural.
Plottwistle may be expected, but it still struck a chord. A beautiful and terrifying story about victimblaming
@natalierett: 7. There was also a memory of my grandfather at the beginning of episode 6, when the mother of Jonathan's girlfriend (Sasha) called them and said that they had "quarreled" and she suddenly left Italy from him. There were Nancy's phrases "don't blow them up", "they have to figure it out among themselves", "your daughter is clearly exaggerating" and after that ends the conversation and hits the phone (because she didn't believe it). It was clearly violence against Sasha + Your point 4, Sasha's mom's reaction to the call about Jonathan's death, did not come to the funeral. Everything is working out.
And immediately after Stephen's words, "Sasha's aunt did not die. That's not why she came home. The book is fiction, but it helped to release the truth, let it surface."
8. I would also add an episode of how the parents went to get their son's things, there were some pills on the bedside table in his room (obviously unresolved, since mom hid it in her backpack right away and said "I'll pack everything"). And the knife was accentuated there exactly as Catherine described it later, which is why Stephen believed it, too.
In general, if you look closely at the details, then everything is clear about who lied there and who told the truth.
A great ending. Key dialogue: - How could you not doubt? - And you?...
The series is about the fact that you can not immediately consider as true what causes a strong emotional response, what you believe in with a run.
And it doesn't matter what really happened. The authors urge viewers to take a closer look at themselves. Why did you decide that this version is the truth? What is it about you that inclines you to her?
Maybe I missed this moment, maybe we've already discussed: how did such happy photos turn out if Catherine's version is true? You can put on a smile, but your eyes are tear-stained, scared, she also said about bruises and bites... where is it all in the photo? If there were photos of the body, okay... closed eyes - okay, but how did the happy photos turn out?
According to the series and Catherine's version: She decided to play along and that the better she did it, the sooner Jonathan would get what he wanted and leave her and Nicholas alone.
That's how well she managed to play, that these are the photos.
@g1548183: The photos were taken before the three-hour violence. about happy photos - it was perfectly visible when this moment was shown: if you pause at the moments when she poses, then nothing is noticeable, and after a second she cries again
Sonachka-sonachka-sonachka-prisynachka😁 Broke through the final on two points. When her mother began to describe her as a sh*hoo) It is immediately clear that this is a typical "mother-in-law" who has a 40-year-old choke the best)))) And when the father said the opposite, "It's not like him," describing the moment of salvation, which by the way was. That it didn't even explain why he went to save him? In general, an interesting plot showing something new, but as usual old) The added dialogues are also great, they said everything you need. It is still unclear what kind of father changed his mind…
@Tatul: + as I wrote under another comment above, when Sasha left Jonathan before the end of her vacation, her mother called her mother and clearly talked about violence against her daughter (the beginning of episode 6), and let's add her reaction to the news of Jonathan's death, did not come to the funeral, everything is working out. Catherine wasn't the first, and Mom didn't believe it.
@Ann6556: Catherine wouldn't let the cat climb on the table. He indignantly contacted Stephen's cat, so that he would inspire the owner with the need to kill Catherine. Is the plot normal? 😁
Regarding the movie. This is Cuaron's second full series, which turned out to be more or less decent. The first one was unsuccessful and disappeared into oblivion. Cuaron is simply a master of staged shots, light filters and screen plans. All six episodes are visual splendor. What I didn't like was the very directorial presentation of the plot and the director's acting out of a twenty-year-long story. In American TV series, and not only in fiction, it has recently become fashionable to manipulate the viewer, to take him on emotions. And then turn the situation completely 180 degrees with a subtext "you believed, and it's like everything really was ". And at the same time, do not insert any beacons and visual bells into the frame that would tell us something else. This is bad, very bad. This popular technique now can only say that both screenwriters and directors are very weak professionally nowadays. I think that although the series turned out to be quite good, Cuaron did not cope with the task as a director. His talent was not enough to show the wormhole.
@Kookaburra: and what does American TV series have to do with it? Alfonso Cuaron is Mexican, the cameramen are Mexican and French, the series was shot in London with British actors. From America, there's only the Apple logo at the end of each episode.
@Khrustalev: A very stupid question. Cate Blanchett is an Australian, Kevin Klein is an American, Leila George is an Australian and further down the list are Korea, Pakistan. Whoever pays for the girl, he dances her. Apple pays for the girl. The series was released on the Apple TV+ platform. This is an American streaming service. Now do you understand what market the series was filmed for?
@Khrustalev: iPhones are assembled in China and India, and sold all over the world. But for some reason, no one calls them Chinese, Canadian or Indian phones. And they call them American. Why would that be?
@Kookabara: I wonder if when Russian TV series were released on Netflix, they weren't Russian because they were on the American platform? Wut. And there is not even any pronounced country here.
@raziel2011: The USA- UK production is clearly written. There are regional sections on netflix. Or were. I don't know how it is now. There is no such thing on Apple TV. But I could be wrong.
Regarding the story itself. Catherine's exculpatory story is the story of a lustful cat who walked by herself all her life and did what she wanted. It's not for nothing that cats are shown to us all the time in the frame. When Catherine tells Stephen her version of events and sees his doubt, she screams - Well, what can I do to make you believe? Will the results of the examination be enough for you?" So there was supposedly an examination, so there was a statement? And apparently, an investigation? Where did everything go? Why did Catherine destroy everything? Or maybe she didn't destroy it, maybe it didn't happen at all?
It seems to me that this is Cuaron's manipulation of the audience and the plot in the last series, his departure from the book, this is such a reaction to all these stories of rape and harassment that pop up after 20, 30 years. And no one can understand anything anymore and make out where the truth is and where lies and manipulations are. And people believe "rape victims" who play on emotions and present themselves as unhappy silent victims.
Despite the fact that Catherine's story seems more plausible to me, I agree that we never found out the truth. The only true and proven victim here is a child who saw everything and it really traumatized him.
And so maybe the truth is somewhere in between. Kate did not revel in sex with an angel boy, as in his mother's version, but it is quite possible that she still showed some interest in him, met him, let him into the room (the detail about the fact that she just left the keys outside, and he found out which room she was in and came in seems to me the most improbable). And then she stopped controlling the situation and Jonathan did what he wanted (bdsm tendencies, etc.). Well, in such a scenario, it is more logical that he rushed to save her child.
A wonderful series, so short, and how many different emotions it caused. I will not review it, because it was hard, in some places it was very scary, unpredictable. I believed the main character unconditionally, as I believed that Jonathan turned out to be a real scoundrel with experience of violence against women. I recommend watching it at least because I want people to doubt their assessments so that they are not categorical. I am very sorry for the son of the main character, but my husband is not, I understand why she got divorced.
It's a great series. I am one of the people who can never predict the end, and once again I rejoice in my ability. Very interesting, unexpected. Of course, there are still a few questions about why he became like this and what Sasha's mother said on the phone then. And so, I will recommend it very much!
From the beginning, doubts have already crept in that everything in this story is not as smooth as it shows. But of course, everything is much more tragic than I imagined. For so many years she carried it inside of her and couldn't share it with anyone. And when this situation resurfaced, no one even listened, tried to figure it out. And the fact that the boy still saw this whole nightmare seems to hint that it put some kind of imprint on him, even though he does not remember anything. I am very glad that Catherine and her husband divorced after all, and did not forgive and everything ended on a pleasant note. In the end, I even felt a little sorry for my grandfather. I didn't read the book, but I watched the ending for him in the comments that he couldn't live with all this and committed suicide. In my opinion, this is more realistic, because he did terrible things, hatred and revenge were his faithful companions, and then he just turned the page and decided to start all over again, without those he loved so much.
I still didn't understand: is the truth about Jonathan an awkward turnaround for the sake of a turnaround, or were there hints and hints about it in the series? Apart from the unremarkable black-and-white photographs of my mother, nothing even comes to mind.
If this is a director's decision, so that the viewer then wonders if the version of the heroine Cate Blanchett is true, then this is already a visit to the territory of the series The Affair, where it was much more interesting to beat (in early seasons).
So, spoilers! As I understood it: she really invited him to her place and they took pictures. But then he became aggressive and raped her. The son saw it and now wants to get drunk. And Jonathan's mom saw it all from the beginning. She knew that he was so terrible with women and probably it was her fault. I'll explain at the end. The father loved the mother and agreed with her opinion about her son. Did you notice that the book was written by the mother and she described her son's love affairs there? Love affairs with an older woman and the mother of a boy who looks very similar to him? And that the woman had directly seduced him? How was Jonotan timid, even though he wasn't timid with Sasha? Hmmm I think the mother had an unhealthy relationship with her son and this resulted in domination over women. And she knew it all. Sasha's mother called her and said something, after which they stopped communicating. Well, to whitewash her son, his complex image, she wrote that someone else was to blame, and her son was a darling and a charm. Well, his father is a pure maniac.
She didn't invite him, what were you watching? She drank wine at the bar, got drunk and accidentally left the room keys in the door, and he followed her and broke into the room, attacked her and took all these pictures forcibly, threatening with a knife. With these pictures, he could blackmail her in the future, disgrace her, provide her to the police as "proof" if she filed a statement that allegedly everything was "mutual", and she was just "offended and taking revenge." Who knows what he would have done if he had swum out of the sea. The son saw the violence against his mother, was psychologically traumatized, but his psyche blocked the memories, separating him from his mother. Since then, he had felt rejection towards her, but did not understand why. Self-harm in the form of dependence and self-neglect, apparently, floated from there too.
"Who knows what he would do if he swam out of the sea." Exactly. Therefore, it is very strange that she went to the beach at all covered in impressive bruises (since she took them off as evidence) and moral trauma. She lay down there (in a dangerous place for her and Nick, those where Jonathan could be) and fell asleep. But the most important thing. She's not afraid that Jonathan will come back and generally kill her or Nick at any moment. CARL, he threatened to kill your child and you, raped you for 3 hours at night, and you calmly go to the beach with the child instead of the police or instead grab the child under the armpits and take the first possible flight to London so that the child is safe. Along the way, she completely lacks self-preservation instincts (they did not turn on because of the normality of what happened). Or, since she is so relaxed, there is no state of injury and security threat, because she has nothing to worry about due to another scenario (lack of violence)
Кто книгу читал? Там сказано чётко что было в истории с Сашей?
Первая версия. Лично я так понимаю, что вполне может быть та версия что была в книге. А Саше до мерзотного мог стать противен Джонатан, потому что она могла узнать об его инцесте с мамашей (парень любил фоткать маму, а мама смачно описывать как сын занимается сексом). И тогда Кетрин красиво выкрутилась. И все вокруг теперь до конца жизни ей будут пятки целовать. И ненавистный муж денег отвалит при разводе из чувства сострадания и вины. А так при разводе ей бы полный шиш остался наверняка, и всю жизнь жить с мамашей в одной кровати. Так как у мужа нет личных денег, всё оформлено на семейный фонд. Напомню, что отец сжигал не только вещи Джонатана, но и его матери. Возможно, что отец Джонатана откатил назад только из-за того, что понял, что готов убить человека, и уничтожить морально ещё несколько, тогда как его собственного сына никто не убивал. И вообще с ним всё в порядке было, умер случайно.
Вторая версия об изнасиловании. Тут всё понятно без пояснений. И над Сашей Джонатан поиздевался и над Кэтрин.
В общем, я так понимаю, ответа в сериале не дано: решайте сами. Для меня ответ упирается в основной вопрос: что было с Сашей. Ответа на этот вопрос в сериале нет. Всё что мы о ней знаем только со слов матери Джонатана. Другой информации - ноль.
И ещё одна деталь. Джонатан по-любому видел что ребёнок смотрит, как с его матерью занимаются сексом. И это для него было нормальным. Мать называла его "дрочером".
Для меня сериал на 3 из 5-ти. Во-первых не люблю туманные окончания. Во-вторых, событий на самом деле на 2 часа максимум, то есть на две серии. Что там было на целых семь растягивать - непонятно. Однако ясно что сериал будет хитом, так как тут много есть чего обсосать.
The events with Sasha in Italy were invented by the mother to show her son from the best side. Judging by the phone conversation with Sasha's mother and hasty departure, something traumatic happened, which is why she not only did not want to see Jonathan, but also told her mother about what happened, and she, inflated by the story, called and made a scandal. Further, Jonathan's father emphasized that Sasha did not even show up for the funeral, which gives the right to think that something really unpleasant had happened, since she did not want to see off the guy she had been dating for a year and went on vacation. His mother, according to his father's recollections, could not stand Sasha, although he was rather neutral towards her. I dare say that the mother was jealous of her son, which is why she "whitewashed" him in this book, even though he had done something. And the fact that the father believed Catherine so quickly makes it possible to understand that after her story the puzzle formed in his head, and his knowledge of his son and her story seemed more true to him than what his wife wrote, whom he blindly believed only because of his own feelings for her. I think it's not so important what exactly happened to Sasha as what the reaction of the girl and her mother was to this.
Мы ничего не знаем ни о Саше, ни о том, что говорилось по телефону. Только то, что эти два телефонных разговора мать выбесили. Потому и хотела узнать у читавших: в книге так же? Совсем ничего неизвестно про Сашу?
Ещё посидела и подумала. Кетрин - одна из лучших журналисток в мире. то есть она может создавать достоверные версии событий. Когда она (после прочтения книги) сидит и составляет списки, которые ей помогут бороться с версией книги, она пишет "официант знает". Официант мог знать только книжную версию, сложно не заметить бомбически роскошную женщину, которая сидит и полвечера себя щупает посреди зала перед юнцом и пьёт с ним. В версии с насилием, Джонатан сидел и поглядывал на неё из другого конца зала в переполненном ресторане и туристический сезон. Официант вообще скорее всего не запомнил никого из них.
Ещё чего. Кетрин пишет что её "папа знает" и что он мог рассказать маме. Чего такое знает папа, чего не знает мама. Она типа всем пыталась рассказать, а никто не слушал. Так чего она переживает, что мать кому-то расскажет её ночную исповедь? И я считаю, что если б она рассказывала бы матери об изнасиловании, то та открыла бы глаза и обняла бы её и пожалела.
И самый смак! Поправление верха и низа бикини на пляже с почти полным оголением и высыпанием песка. Мать писала книгу в той последовательности в какой они были на фотоплёнке! У неё была сама плёнка. И Кетрин с наслаждением и эротично поправляла всё это напоказ на след. день после секса на переполненном пляже. А в версии с изнасилованием в рассказе Кетрин передвинула этот момент на утро знакомства. И типа она случайно оголилась сверхмеры, и типа не видела что её фоткают. Бред. приличная женщина (как она себя позиционирует) на полном пляже до такой степени оголяться не будет. Если на это будет необходимость, сделает это либо в воде, либо в кабинке. И сам факт передвижки события...
Catherine, as a journalist, was working on versions that could help her better understand how to get out of the shit. She put her theories in a notebook, for example, she wrote "pedophile". Very often, victims of violence become rapists/aggressors themselves, so perhaps she might have thought that Jonathan was abused by his father, so he himself committed violence against a weaker person than he was at the time. Perhaps she was looking for strings to protect herself. Maybe it was just an attempt to find dirt to cover up in response to the accusations. Like "Father Knows," there was most likely a theory that Jonathan's father knew what had happened to her. Regarding the mother's story, I don't know how closely you looked, but her mother has dementia. In this state, it's a miracle that she even knows her daughter. It is quite possible that she could perceive her daughter's night story as the story of an outsider, so she did not react in a motherly way. I think Catherine told her everything not for any reaction, but because it was tearing her apart from the inside and she understood that there was no one else to talk, and at least her mother would not condemn and just listen. If he hears. The bikini correction was BEFORE the rape. Because in Catherine's version, after the rape, she was in a different swimsuit, covered up. She saw that she was being looked at and photographed after she corrected him. Anyone can move a bikini unsuccessfully absolutely and completely by accident, correcting it. I think at least half of them had something flying off or peeking out somewhere on the beach, it just didn't get on the pervert's camera. Again, at the wrong moment, the son who threw sand at her was more concerned. Moreover, it is not known what the order of the photos actually was. The mother watched the developed pictures, not the film. And in the book she outlined her fantasies, because, unlike Catherine, she was not there, but based solely on her unhealthy relationship with her son.
What Catherine wrote in her notebook absolutely does not prove the version of the book. These freezes may also be proof of her version. Moreover, they are sketchy, she was just looking for information that she could work with later, but she never did. And anyway, what makes you think that she touched herself in the bar and even sat at the same table with Jonathan? All that is known is that they were in the bar at the same time. And everything else is bookish fantasies, as well as just pictures that may not reflect reality. It's like saying from a picture of a horse with wings that Pegasus exists.
Кетрин написала "полиция знает". Значит полиция знала о романе предположительно от официанта. В её версии с изнасилованием полиция не знала ни о романе, ни об изнасиловании.
Если б она не выдвинула версию с изнасилованием, то осталась бы без собственного дохода (увольнение), без денег мужа (развод), и единственное наследство от небогатой матери после её смерти (малюсенькая квартирка) делилось бы с её братом/сестрой или несколькими. Так как указывалась, что мама радуется видом какого внучка не от Кетрин.
Также указывалось, что друзья и семья мужа Кетрин указывали ему на её бездушность и беспринципность. А она ( и по её словам и по словам мужа), уклонялась от секса с ним. И лишь изредка делала это с неудовольствием. Также она сама рассказывала как легко было охамутать этого никакущего миллионерчика. То есть вышла замуж из-за денег его семьи. О её бездушности свидетельствует тот факт, как она суёт пальцы в стакан с чаем начальника, ещё до описываемых событий. А в версии с изнасилованием, она говорит, что у них была любовь до небес и планирование второго ребёнка.
В общем, все действия Кетрин походят на адвокатскую тактику: какую историю можно выдать за возможную исходя из голых фактов. Первую мысль (подрыв доверия к свидетелю) - педофил, она отмела, за труднодоказуемостью. Вторая тактика "смещение акцента на то, кто был жертвой, а кто тираном", ей показалась более успешной.
The police did not know about any affair, otherwise she would not have been released so easily after the interrogation. And they certainly wouldn't have told their mother that Catherine didn't know Jonathan. She did not "put forward a rape theory," she told about the events in the first person to a man trying to ruin her life. It was his right to believe her or not. If you were watching, she was more concerned about her son's fate than her job or her husband. If she had been as cold-blooded as you describe her here, she would have screamed back from the very beginning. But she was silent and told only one person who might not believe her, but believed her because he doubted himself. Her mother is not a beggar. She lived in her house in the suburbs of London, which quite suggests that they have enough money for basic needs. You're confusing the narrator's words with Catherine's. The narrator's voice initially confused the stories. Honestly, I would like to see how, after such a physical and psychological trauma, you were happy to get into bed with anyone
What does her relationship with her boss have to do with events in the past and her family life? Moreover, in the beginning it says that they can't stand each other, and he envies her for her success. Moreover, he deliberately shames her in front of employees, clarifying the relationship in public, provoking her. But you didn't notice that, did you? It's even funny about my husband's family. They got married against the wishes of his parents, because she was not their circle. He, an insecure virgin, has always lived with doubts about his wife. And a little bit - he immediately believed everyone, but not her. And he managed the fund with unclean transactions. She doesn't talk about love to heaven, she talks about affection, about family planning, which was destroyed by rape. She treated her husband well and loved her son. The money issue was not particularly discussed there. I don't think she, being an award winner, would have lived on the street after the divorce.
И ещё раз насчёт поправления бикини. В проявленных и распечатанных фото вообще не было кадров того дня. Тогда фотоателье не 5 минут это делали. Мать Джонатана забрала непроявленные плёнки со столика в его номере. Мать писала книгу именно по той плёнке и в той последовательности. Поправление мини-бикини было в утро гибели её сына, то есть после той ночи. И на на этих фото на Кэтрин нет ни единого пятнышка или синячка.
Кэтрин в своей версии изнасилования, говорит, что наутро она была в множественных синяках и травмах, которые она сфотографировала на свой фотоаппарат. Поэтому Кэтрин передвинула события. И вообще как это возможно, чтобы тяжело избитая и изнасилованная женщина с явными синяками и травмами наутро пошла б с ребёнком прогуляться, пробежалась бы по магазинам, купила тяжёлую резиновую лодку, тащила её на себе на пляж, намазалась кремом и с наслаждением легла б загорать? Нет. Она б надела широкополую шляпу, очки и закрытую одежду. Она бы съехала тут же из отеля, потому что насильник знает где она и может прийти названо, как в прошлый раз. Её бы трясло, она бы всего боялась, тряслась и шарахалась, запряталась бы в какую-нибудь норку, из которой не вылезала бы.
Думаю, что именно на это и расчёт Кэтрин: в эпоху #Me too жертве изнасилования сразу сто очков вперёд в общественном мнении. Учитывая, что каждую третью женщину насиловали, уже этих голосов в её защиту хватит. Именно они будут за неё горой так, что остальных голосов даже слышно не будет.
I'm sorry, were you raped? What do you know so well, what the victim should do and how to behave after a traumatic event? You probably don't know that everyone's psyche is different and not everyone climbs into a corner and cries, and many generally continue to behave as if nothing happened so that no one knows about what happened. Surely everyone in the environment has a survivor of violence, but he does not talk about it. And not everyone applies at once. Or they don't serve at all. And someone gets up the next morning in any condition and goes to work. It's just easier for you to believe in the ravings of a crazy mother who had an unhealthy attraction to her son and fantasized about his sex life, but was not present at the scene, than in a woman's story about what happened to her. Although there is no direct evidence either there or there. But Jonathan's father believed her, because he knew his son, but ignored the manifestations of cruelty because of his love for his wife. But I could, like you, roam around and shout that everything is a lie.
@eternity888: I still don't understand how Jonathan planned to get out of it if Catherine screamed. This is a hotel, not a villa. If a woman screams, the room is guaranteed to be checked, and most importantly, even if he had seriously wounded her with a knife, her blood would have remained on him and he would not have been able to leave unnoticed - after all, the hotel. Attacking a woman like that is not the smartest thing to do. Especially for a mother with a child. She may well try to sacrifice herself in order to attract attention and save her son, than she will allow herself to be abused when the rapist can kill them both as witnesses. The chance of getting caught is many times higher than to carry out the plan. But it can be attributed to age, of course.
Кетрин битая, изнасилованная, вся в синяках из последних сил доползает до пляжа, на который ходит её насильник, и там засыпает. Потом сына Кетрин спасают, и она имеет долгий разговор с полицией в таком виде. Но они, видимо, учтиво не задают вопросов.
Сразу после просмотра 50/50 мнение было. Но чем дальше размышляю... Опять-таки мнения имеют право быть разными. Прямого ответа сценарий всё равно не даёт практически ни по какому вопросу. Потому мне сериал в общем-то не очень понравился: накидали разного говна на вентилятор, и как хотите разбирайтесь. Ответа всё равно нет.
Catherine prioritized her son, his rest. That's why I went to the beach with him. Go explain to a 5-year-old child why she doesn't want to go to the beach, but wants to stay in a room in the summer on a sunny day. The child will not understand. This is how many women live for years - after being beaten, they get up in the morning and continue to live, work, and raise children. Moreover, the bruises were most likely not on the face, as well as the injuries. The belly, the hips, what she covered with a closed swimsuit in her story. And the police cannot force a person to open a case without the victim's desire, if she does not file a statement. Catherine said that after Jonathan's death, she destroyed everything and left as soon as possible to get away from it. Like his mother, she didn't say anything-what's the point of a dying woman telling this about her son?
@eternity888: everything is clear about Sasha without the book: (I already wrote above)
There was a memory of my grandfather at the beginning of episode 6, when Sasha's mother called them and said that they had "quarreled" and she suddenly left Italy from him. There were Nancy's phrases "don't make a big deal out of a molehill," "they have to figure it out among themselves," "your daughter is clearly exaggerating," and after that she ends the conversation and hits the phone (because she didn't believe it). It was clearly violence against Sasha. And immediately after Stephen's words, "Sasha's aunt did not die. That's not why she came home. The book is fiction, but it helped to release the truth, let it surface." + Sasha's mom's reaction to the call about Jonathan's death, that they did not come to the funeral. Everything is working out.
Due to the fact that Catherine's flashbacks are strangely filmed, I can't quite believe her version. She talks about injuries, bites and bruises, but goes to the beach in a swimsuit. Sorry for the cynicism, but were all the injuries hidden by a closed swimsuit and a thrown-on shirt? So think about it, the director saw it that way, or Catherine is a little bit, but still lying. I believe that Jonathan was not a saint - there are enough hooks in the film for this. And a mother's fantasies about how her son enters into a sexual life are abnormal, to put it mildly. The feeling that Nancy had serious problems with her head and an obvious fixation on her child. It also came to molestation - it's a big question, I don't want to dig into it, they don't give us an unambiguous answer either. Grandfather is my favorite character. A man is carried away from a cunning sociopath "I will kill your family and destroy your life without looking up from a morning cup of tea " to a slave deception "I will first believe my wife's strange book, then I will believe the story of an outsider woman whom I hated in recent weeks, by the way, in the process I almost I will kill an innocent person, but these are the details. How and when did an English teacher acquire such skills? From the ability to ingratiate yourself with teenagers to impersonate an unhappy grandfather with the skills to penetrate into the chambers of a stranger? As a result, I personally cannot put together a complete picture. No matter how much you spin it, it doesn't work. Why did Jonathan rush to save the drowning son of the woman he raped? Feeling guilty? The desire to become a hero? Yes, even the father was surprised that his son decided to do this. It means that the act is out of the ordinary and not peculiar to him. In general, the series is too controversial. A scene that has already been written about a lot, why did Catherine make a list of people who might know about the events with Jonathan? Was she trying to build a line of defense or, conversely, was she trying to figure out how best to hide the ends? This scene is the best reflection of my problems with the series. There is a scene, but there is no clear interpretation of it. It was shot superbly, but behind the visual splendor I would like a complete story.
@Lotra: And did Jonathan see who he was saving at all? Catherine was not dressed as she had been the day before, and he almost certainly did not remember the child's name or face. And here's the situation: far out at sea, someone is hanging out, people are fussing on the beach, a woman is shouting the child's name. How much time did he have to figure out what was what?
About the recordings: she could act automatically in a state of shock, i.e. her notes are just an attempt to cope with the situation in a way that is understandable and familiar to her.
For some reason, everyone is looking for a double bottom in this series. But he's not there. There's one unreliable narrator, Nancy, one story, and one true story, Catherine's story. To understand this, just imagine that you will know her story before the book appears in the plot and its plot begins. Conduct a thought experiment and monitor your attitude to the story. And it will immediately become clear to you.
@Adrasteya: Didn't Jonathan run past her when he rushed to save her? You can say that you didn't find out, but again guesses and guesses.
Catherine writes, who knows. The police and the waiter, she said, could not have known anything.
I've already written what I don't like - the details contradict my life experience. And I'm not the only one, that's why there are so many discussions and searches for a double bottom.
@Lotra: so he jumped out from behind her. Do you think you've seen it? The fact that he targeted her child and rushed to save exactly the same guesses. Why are they more significant? Moreover, if he did not recognize her, the situation becomes somewhat more logical. Once again: Catherine automatically starts throwing up versions. Her job is to check versions and leads. And I already wrote, swap the stories and the double bottom will disappear.
@Adrasteya: Let's stay with our views. Yes, I think I could have seen and recognized the woman I had been following for almost a day and raped for three hours at night, otherwise it's strange. And you think not. There is no point in arguing about this either, so I will not continue.
Explain to me why at the beginning of the series, those who read Grandma's book said something like "serves her right, she's sick and dying" because Catherine is alive and well?
Still, a happy ending is not very appropriate. The series is good — both the picture and the game, and the sounds, and small details (such as the ceiling painting in the version of a crazy mother and a raped woman)... but 7(!) episodes is a bit much. It could fit perfectly in 3-4. But in general, of course, it's good.
After the third episode, it became clear how it would end, since the author is a woman. It turned out unconvincingly on the screen because of the photos, which could have been made more significantly neutral
the husband was too happy that his wife was raped🥴 And what kind of person, who after so many years together couldn't just talk, immediately kick out of the house and yell. Where is the dialogue, where is the trust, the family, only outside thoughts that he wanted Catherine to be better with him than with other men, and he hoped that this was so. And sit down to talk, what are the distance, what are the problems, what are the worries? No, don't do it, somehow. And then he throws out that she always has a headache when he wants to. It's obvious why she has a headache! And it's terrible to be in such an environment where you are drowned, and your family and colleagues join in the public flogging and turn away. How many men cheat? This is the norm for which girls have been trained since childhood. Has your wife cheated on you? What a whore, how dare you! Cancel everywhere! Double standards are so double.
the series, of course, did not let go until the end of all 7 episodes, I watched it in 1 day. But he could to be a hundred times better, the screenwriters try to describe the reaction of Catherine's environment more plausibly. for me, the stupidity of the characters always breaks the immersive - well, it's impossible to believe in such stupid behavior with absolutely dibil motivation. it could have been a wonderful dramatic thriller, but it turned out not to understand what. most of all, I wanted to prescribe the whole series to my husband by his blunt face. no shadow of doubt, no reflection on what he saw. well, you never know what happened there, even if you follow the photos. Well, let's say your wife was offended that you left, ordered an erotic photo shoot to annoy. yes, even if she had cheated, it gives him the right to break up with her, take offense, but not to ruin her career and her whole life without proof, not to let some smelly grandfather to his sick son. in short, because of this, I don't even want to recommend this series to anyone, despite the fact that it has plenty of advantages.
A lot of things are great in this series: the camerawork, the selection of music in the scenes, and the acting. It's a bit long, but there is such a thing. But otherwise it's gorgeous. And the seals, the seals are beautiful. And I'm glad she didn't forgive her husband.
They never revealed to us exactly what Jonathan did to Sasha. I suspect that she laughed at his so-called restraint and he beat her up. It is also unclear what exactly led to this? Did he and his mom have some kind of inappropriate intimacy or something? There are a lot of questions left. I'm glad she decided to get a divorce.
for the sake of the last episode, it's worth watching. but again..The main question is how her family could hate her so easily. "why didn't you doubt? - and why are you?" and too easily the father believed. although there was a cut on his arm...although what Jonathan did to Sasha was never told. But I would have ended the series with Katherine grinning at the camera.
It seems that most of the series is based on the stupid behavior of the characters. In addition, there were some questions after the finale, for example, for what reason Jonathan rushed to save Nicholas. I don't understand his reasons at all. And I absolutely cannot believe in the version of heartfelt kindness. The actors were very good, it was shot perfectly, and it seems that the plot itself about the distorted story is not bad, but diving into the details, you realize that there are too many oddities and stupidities. Thank you for the finale with the rejected husband and for the cute cats. I can't imagine how they were filmed, because they were in the frame for a long time, but they brought it to life so great))
If I were the producers, I would have finished the second season! For example, the husband goes to Italy, finds witnesses from the hotel and beach staff, and another version of what happened appears. You can reveal the relationship with Sasha and not everything is so clear there - she, for example, offered MZHM, and he was categorically against it, hence the quarrel. In general, the understatement and omissions of the first season open up a wide field of activity!
I still don't understand the fact - why did Jonathan (a rapist, a scoundrel, and just a bad person), who threatened to kill her and her bastard, run into the raging sea to save this kid????
It is easier to believe in a stupid, literally made-up story of a grandmother in love with her son than in a woman's story of rape…
Does it really seem more adequate to you that a healthy mother woman was happy to watch a young guy die, just because he was all such a cutie wanted to make love to her?)) Rather, there were many more questions about this version.
It 's worth thinking about why women arouse such hatred in you 🤷♀️
Judging by the number of dislikes on your account, I guess this is not the first time you have expressed such a unique opinion)
Otherwise, with such a thirst for revenge and ruthlessness towards the "guilty", he clearly would not have taken Catherine's word for it. 🤷♀️
Plus, Catherine is shown as an ordinary person with feelings of shame, pity, empathy, and so on. Why would she be normal in everything, but when an innocent boy in love drowns, become a tyrant and wish him dead when there is no need for it 😐
>> I deny raping women
>> based on some other cases
Catherine moaned and screamed about rape right through the whole series, that's such a creature)
I'm embarrassed to ask, how many people have you raped or how have you been offended by female people?
You can discuss for a long time, everyone has their own vision of the situation, but the authors hit the nail on the head, there are no indifferent ones! All the omissions and gaps in the narrative leave an opportunity to think and feel, become a participant in what is happening and draw your own conclusions...We need to be kinder to each other... I recommend it for viewing!
it, does it turn out that Nicholas saw everything? The only question is which version of events did he see, the book version or the one that Catherine told
From the fact that he could see any of the versions - nothing indicates which one.
Obviously, the only thing here is that you came up with the idea that he saw the version that suits you.
Because the series doesn't say which version he saw, which means it's not obvious.
I pointed out the specific facts in Catherine's version, which are simply there - they are no more visible to me or anyone else. But they confuse you and do not fit your version.
At the same time, if crazy old Stephen took this version on faith - for me it is not an authority, but for you it seems otherwise.
Well, you are not confused and Stephen is not confused, we have already understood that, thank you.
Let's also listen to other people's opinions and not wish violence on anyone.
That's why comments exist - for discussion.
He doesn't remember exactly what he saw, but Adrasteya knows exactly what, although it's not said anywhere.
Do not interfere with making things up!
He doesn't remember which version he saw.:
"Anyway, what she saw and heard that night was erased from her child's memory. It was erased from memory, but the figure of the mother was forever stuck in the brain. A mother is a stranger who cannot be trusted, who cannot be trusted. All these years she had been trying to imagine what would have happened if he had seen what was happening to her in that hotel room in Spain. Well, he saw everything. And I heard it. And the signs of this appeared during his growth, during the transition from childhood to adolescence and beyond, only she failed to consider them.
Nick saw this negative for the first time yesterday. Catherine was afraid that she had made a mistake, regretted that she had shown him the picture.
– I don't remember… I don't remember anything. He shook his head, looked at the unmanifested photo, but could not return to his child self.;
If some questions do not fit your view of the events in the series, then this does not mean that you need to switch to the one who asked them.
We are in the comments for the series and for the series - people came here to discuss the series and the plot, so write on the topic, otherwise why is this garbage here)
And on the subject: so the actions were wrong after all, right?) But the reason for the wrong actions is rape.
It turns out that there is an assumption that there was a rape and this is what justifies all further wrong actions - because of him.
But at the same time, for some reason, the version that there was no violence is not considered at all, and then all the actions are just right, although this version is simpler and hence more real according to Occam's razor.
This is at least strange.
No, you judge me by yourself.
And I'm discussing questions about the series and the actions of its characters, events.
You don't have any answers to these questions and you can only stoop to personal insults that you spam - nothing else.
No, the questions arise from the facts in the series, not because I was raped or not.
And it's not clear why you want so much that because of the questions about the series, I was raped and you were among the first to like this comment.
And yes, if you had a similar experience, you wouldn't have these questions. This is not a wish, it is a statement of fact. People with developed empathy are able to conduct a thought experiment and take the place of the injured party. But apparently, this is not available to you either. You prefer to poke with a stick and make an offended face when a reply arrives.
No one poked you anywhere - facts and events from the series were discussed.
Nowhere in the series does it say how the version is real-there are book versions versus Catherine's version.
So you can discuss any of them.
Empathy does not mean choosing one side that is personally closer to you.
And ignore any facts.
That's what you do, so you automatically put me in the defender of the rapist.
If there was no violence, then there is no protection for it - as a result of the series, we do not know whether it was or not.
Imagine that there was no violence - Jonathan is a hero, saved a child and died just like that, the night before his death was wonderful.
You abused Jonathan's bright memory without reason many times, you wish violence to other people and prove Catherine right, but the situation was different.
That's where you don't have empathy, right?
Although the reality of such a development of events according to the series is as possible as Catherine's version.
You don't need to sign for everyone - you don't know and can't know how everyone thinks exactly the same way - just like you don't know and can't know which version in the series is real.
I was just watching carefully. Therefore, I can say.
Yes, yes, we watched it carefully, and that's why instead of answering questions about the series, facts and events in it, for some reason you only made up descriptions of me in all messages.
That's how many have already accumulated:
a handsome blind idiot, childless, without empathy, with an intelligent look and an offended face that women are afraid of
The result is that you haven't looked at anything carefully and you don't have an objective opinion.
You only have a preconceived opinion, which you intend to defend by insulting the interlocutor.
It's no longer interesting - you won't hear anything new from you.
By the way, you have given exactly 0 arguments in favor of your version. But for some reason, there is something wrong with my position.
Because I had questions and I wanted to discuss them, but I couldn't because of you.
Since you are not interested in discussing the series, but it is interesting to voice and prove only your biased version.
And here is another argument and fact due to your carelessness - you do not even remember what you wrote yourself and how you flattered me.
But on the contrary, the facts and your quotes:
"And here you come, all so beautiful, "
" to which, alas, you are blind."
"As obvious as the idiocy of your questions. "
"you obviously don't have any children yet "
People with developed empathy are able to conduct a thought experiment and take the place of the injured party. But apparently, this is not available to you either. "
"Do you prefer to poke with a stick and make an offended face"
"the woman suffered twice: first from violence, then from being afraid to report violence. I was afraid of people like you."
P.S. also, here's a catch-up for the aggrieved: "yes, the aggrieved are higher up"
You've written so much about me, even though you don't know anything - you just made it up.
That's exactly the same as Catherine - she made it up and you believed her because you are also making it up out of nothing.
You and Catherine have the same approach to making things up)
And facts and reality are all trifles)
Here is also an interesting point - everything seems to be on Catherine's side in a story that seems to be written and filmed about violence.
The story ends with Catherine's version, and therefore the emphasis remains on her.
In that case, why add Jonathan's rescue of the child? After all, without it, everything looks more unambiguous and raises fewer questions, for example, like this:
The morning after the violence, Catherine went to the beach and there a smug Jonathan walked past her and winked with a grin and went swimming.
After a few minutes, Catherine noticed that he was frantically waving his hand among the waves - she watched this silently for a couple of minutes, then others, rescuers, noticed, but it was too late.
The rapist got what he deserved.
If all the authors and creators wanted to tell a story about violence and prove once again that black is black, then why did they dilute it with white?
Without Jonathan saving the child, the story of violence did not lose anything, and with him it became more blurred, indistinct.
Both in the book and in the series, it was left.
What they needed it for.
And there is also such a factor here - why the authors made it so that Nicholas does not remember anything.
It is clear that he has an injury and he has forgotten everything, but if they had a goal to tell a story about violence, then they would have added some detail, even if:
"When asked what Nicholas saw when he stood in that photo, he replied: "Nothing, but for some reason I remember the knife."
Any detailed one detail would be enough and the overall message would become more complete and integral.
But they themselves left a complete void here - room for possibilities.
Both in the book and in the series.
What they needed it for.
And here they show the version of gg - threatened with a knife, raped and bullied for three hours. And in the morning, after a sleepless night, she went to the beach and plunged with a child to sunbathe next to the rapist. I didn't call the police right away. And in the morning she did not go to the police, explaining that
she did not have the strength. And I found the strength for the beach. Where is the adequacy? Wasn't she worried about her life and the life of her child? All battered and bruised, as she says.
Maybe 4 questions are too many at once?)
I suggest we discuss two:
1) if Jonathan is a rapist and generally a terrible person in himself, then why and why did he rush to save the child?
2) Catherine, after three hours of violence, exhausted, goes to the beach because Nicholas asked (!) and falls asleep there (!), although there was a rapist on the beach all the time and she met him there - this did not bother her at all and did not interfere with sleep.
How can you fall asleep if there may be a rapist nearby who threatened you with a knife and left a child unattended next to him?
1. Your question comes from the false premise that rapists are some kind of special terrible people who have nowhere to put brands on. Whereas in reality they can be normal and even otherwise good people. They can rescue stray kittens, love their children, etc.
Jonathan swam well, saw that someone was drowning, rushed to rescue. It's a completely normal reaction. He hardly knew whose child was there. There was no time to get acquainted with this information.
On the second question: you obviously don't have children yet and you don't know how a five-year-old child who has got something into his head can take out the brain. She hadn't seen Jonathan on the beach that day, why would she be afraid of him there? Or is it more logical for you to stay in the room where she was raped half the night?
Both of your answers come from the false belief that Jonathan was a rapist, although the series does not say so - only according to Catherine.
For some reason, you write some fictions about me in every message, the same as about the series.
I am not writing anything about you personally - try to write at least one answer in which you will not mention me, but only what is discussed here - the events of the series.
If you can, of course.
1) I personally do not have an answer to this question. If Catherine's version is still true, then Jonathan's sudden heroism is a fuck-up. This is really illogical.
2) I can understand that she went to the beach. After such an injury and a sleepless night, consciousness is confused, it is nauseating to be in the room, the child is whining, what to do next - she does not know... Anyway, I have no complaints about this scenario move) And she only saw Jonathan on the beach when she woke up.
In general, I understand your doubts. If the authors had made an open ending in the style of "so think for yourself how it really was", then perhaps the version of Jonathan's mother would have looked more plausible. But it seems like the ending is unambiguous. Then they would have revealed why Sasha ran away - either they just had a fight, or he raised his hand at her, or even worse.
In short, I understand why she went to the beach, why she destroyed the jar and the photo, why she didn't tell anyone. I understand and I'm very sorry. I rather don't understand why she didn't tell her husband the truth when it all came out. The situation was imperative here.
The alternative story is written by a mother who wasn't there at all. How can you believe the words of a man who was not even close to what happened and not believe Catherine, who survived it? Despite the fact that she told the story with genuine emotions. She's a journalist, not an actress, to portray something that supposedly didn't happen.
"the fact that Jonathan was a rapist is confirmed in the series: in the words of Catherine" - no,
The words of the interested party are not unambiguous and categorical confirmation of anything.
"How can you believe the words of a man who was not even close to what happened and not believe Catherine, who survived it?" - did she survive exactly "this" after all?
if not, then you don't have to believe Catherine, but whether she survived or not, we don't know.
The general facts are: there was sex, there was Jonathan's death.
You can not believe in the book version - it is described by the mother of the deceased, who was not there.
Catherine, submitting her version, chooses from such options to represent herself:
- a traitor and a ruthless murderer of an innocent man
- the victim who took revenge on the rapist
Which version would Catherine prefer to tell other people about herself, when there are no other witnesses left and there are no facts?
How does Catherine need to tell her version of events if there was no violence and she chose to whitewash herself - with maximum emotions and details, which she does. Otherwise, no one will believe her!
Therefore, as you can not believe in the book version, you can also not believe in Catherine's version.
In 99 percent of cases, accompanied by overwhelming irrational feelings of guilt and shame.
And all you want after that is to erase everything from your memory and forget it like a terrible dream.
The psyche is in turmoil, and the body is acting on autopilot, just mechanically doing things that "need to" be done, trying with all its might to pretend that nothing happened.
That's why she went to the beach in the morning with the baby.
She only found out that there was a rapist on the beach when he ran to save the child.
She threw away both the jar and the photo evidence after his death for the same reason- so that nothing would remind her of this event, in the hope that it would get out of her memory.
In the series, many details were told- and that after this trip she returned lost, withdrew into herself, they had very rare sex, she plunged headlong into work to forget herself, etc.
These are all the consequences of injury.
Haven't you tied it all together?
And as for why he ran to save the child, who knows what this mentally ill friend had in his head. But this is definitely not heroism (even his father said that such a thing had never been noticed for him).
I can assume that perhaps he wanted to once again demonstrate his weakness and power over her.
The father himself confirmed in the end - the mother (about her son) was wishful thinking, and he played along with her in this.
Why is it about violence? Because you wanted to?
Or because it ended with a story(!) Don't you think about violence any more?
If it's over, then that's what it is - your approach.
Everyone chooses an approach for themselves - if you don't like and don't want to think further, then you can just stop at any moment when the last episode is over.
You're talking about me again and about me, not about the series. They could only make one comment without me.
I did not invent a single fact, but simply listed the common versions of the book and Catherine - with which everyone agrees.
And I noticed that without violence, they are all slimmer.
Everything else is your fiction again, and even the assumption that there was no violence makes you invent dozens of things about me personally.
Ask yourself the question, why?
There must have been something very personal there.
I haven't seen such a veil over my eyes for a long time.
Your facts are not facts, but conjectures, but my facts are facts 💪 😅
I see, that is, now you will discuss me among yourselves, instead of the series.
There is zero meaning in the comments to the series, but the meaning is not important to you.
And in general, his whole behavior in the book version, where he suddenly, at the sight of Catherine, is at first all timid, trembling like an aspen leaf - does not fight at all with the same book version, where he and his girlfriend on the train bangs and is absolutely not embarrassed, even when the controller enters. It really confused me when I watched it. And now it became clear that this was not supposed to be plausible, because it was his mother's fantasy.
Yes, it seems to you that this is a story about violence and not with an open ending.
But there are people who think the opposite, including below there is a comment by N-Demitsuri - he directly points this out, and several more people support him.
And at the same time, they do not impose their version on you, do not prove that you are wrong, do not insult or call names - they share their opinion and how they saw it.
For example, my picture also does not add up to the version about violence - there are too many holes and oddities.
If a story about violence was written - such a genre, structure, and techniques were specially chosen, then why it was necessary to leave these holes and inconsistencies is unclear.
Because they violate the structure and the overall effect, the story about violence crumbles before it has really formed and, if desired, the authors could easily avoid this.
Those who do not pay attention to these holes (for various, including personal reasons) see a story about violence and it is more tragic for them.
And those who pay attention see holes and the story about violence becomes strange, the tragedy naturally recedes into the background and is questioned.
Thus, as a tragic story of this series, the book does not work to the maximum and does not impress absolutely everyone equally. Does not fully perform its task if it is done this way.
And this is not related to gender, empathy, experience or anything else - just the genre, structure, techniques were chosen, but not sustained, not all worked and did not work unambiguously.
If there is no double bottom, there are no two narrators, there are no two views - then Jonathan is a rapist, Catherine is a victim.
What is unique about it? Unfortunately, there are many such stories.
Explain what the point of telling this story was exactly like that - what it should teach and how to protect it from.
Speaking of the cut.
Whatever (except for the version "he's just a total fucker") Did he have to cut himself? To what? Should I leave more evidence against myself? This moment looks as strange as possible in all versions, as well as the moment when he saved Nicholas (but this one is only strange in Catherine's version).
But what I meant was that Catherine hit Stephen in the hospital because she caught a flashback from the smell of cologne. This perfectly explains her allegedly inadequate reaction to his appearance there. Because if there was no violence, then she behaved like a nut, because Stephen could be kicked out of there in no time, without resorting to physical abuse.
The mother was not with her son in Rome, how could she even know all this if it were true?
As for your arguments:
1) This is not just a rapist, this is the behavior of a psychopath. Why would he leave? They can kill and go to work with the children the next day. Nothing scares or embarrasses them, plus, judging by what was shown, everything was mutual in his head.
2) A person combines a lot of facets, if yesterday he raped a woman, it does not mean that tomorrow he will not run to save a child.
Well, you can start again from the fact that she is his woman for him, he does not understand that he raped her, he ran to help his woman's child.
3) She went to the beach because the child asked her, it was important for her that he did not see that she was ill. A rape victim can generally be in a state of stupor and shock for a long time, many continue to live their lives as if nothing had happened, because the psyche cannot cope and displaces what happened. This is just one of a dozen reasons for such a command.
4) She explained that once he died, she threw everything away to erase it from her life.
A strange clarification about the unreality of the book version - it is clear that it is unreal and no one claimed otherwise.
The questions were specifically about Catherine's version, which just seems to pretend to be reality, unlike the book version.
But even the series itself presents this strangely - contrasting a completely fictional version with Catherine's version.
Not the version of another participant in the events or the detective who is investigating it, but Catherine's version, which is precisely made up.
With this approach, first of all, it seems that Catherine's version is real.
But is Catherine's version really real, and if so, to what extent?
Catherine's version is stated only in the words of Catherine herself and from Catherine's own memory.
Read more about how human memory works - it's not a photograph or a diary in which everything is written down with a pen.
That is why people keep diaries and looking at them over the years, they are surprised by what they have written down.
It's not even that not everything remains in memory, but that many details can change - it depends on dozens of factors.
Therefore, relying 100% on Catherine's memory after 20 years and taking it entirely for reality is exactly the same mistake as taking the book version for reality.
Which version is more real - the book version or Catherine's? It is clear that Catherine.
Exactly how real Catherine's version is is unknown to anyone and therefore questions arise.
Here is an example - most people easily and quickly explain the first two questions about Jonathan by saying that he is a psycho. It is certainly convenient and practical. It is suitable for both these and all other inconsistency issues at once.
Yes, he's crazy - what can I take from him.
He is just so crazy that he can threaten with a knife, rape, without thinking about the consequences at all, then carelessly go back to the beach and save the child - he is just crazy about everything.
It's amazing, then, how a psycho of this level lived to such an age - he had to put his fingers in the socket ten times a day and go out the window to check which floor.
Well, or stay in a mental hospital. But no - his exorbitant level of psychosis was revealed only at this right moment - another coincidence and inconsistency.
Therefore, once again, the version from Catherine's words about herself, for many reasons, cannot claim to be a 100% reflection of reality.
And exactly how many percentages in Catherine's version are not completely real, and we do not know exactly what details this concerns.
At least Catherine's version struggles with where he got the cut on his arm, with the fact that Sasha ran away from him and something very unpleasant happened there for her, with why her son grew up like this, because what he saw traumatized him.
I don't need to read about human memory, I studied the brain and work as a clinical psychologist, so I see the usual behavior of a psychopath here.
"People keep diaries and are surprised by what they have written"- what kind of people? There are billions of us, what percentage are we talking about? This is your subjective. This is not an argument.
I'm driving and I'm not surprised.
A person who has experienced violence, if he remembers it, then he remembers his whole life, and speaking about it, it's like he's going through it all over again (PTSD). If the memory is not initially repressed (and this usually happens in childhood), then this is too bright an emotional event, especially negative, it is remembered perfectly, this is an evolutionary mechanism that was needed by our ancestors (ate a berry - poisoned, grief, shock, fear are all around, remembered and passed on to others).
It's great that you're not familiar with this kind of behavior and it seems unrealistic to you, but if you read psycho.portraits of such people, you will understand a lot.
Psychopaths, maniacs are not imbeciles to stick their fingers in the socket, you confuse the concepts. They live to a very old age, they are very prudent.
And what is the discrepancy in his manifestation of psychosis? They show us how he plays with the victim and does his job. His father says that he wanted to ignore the bells, and that his wife perceived Jonathan not to be who he is. I.e., he had noticed something before and not once.
And how else could they show it to us if they had to make him look like a hero to the last?
Plus, at the end of the book, the grandfather burns himself, would he do it just from Katherine's words?
It's interesting how fiercely something inside you resists the fact that Kate may be a victim, not a cheater, and Jonathan a rapist, not a hero. And what do you think it was, what is your version?
When we are shown the version of Nancy from the book, the ceiling in the room depicts lovers who sang in passionate embrace. And when Catherine recalls her attack, we are shown a ceiling with an image of a sick woman supported by angels, and the painting above her bed shows a frightened undressed woman.
I didn't have any arguments-I had questions about Catherine's version.
And you, as a clinical psychologist, wrote half of the text about me personally - thank you for that, but the questions would not be about that.
Similarly, most of the other comments write about me, but the answers about me have nothing to do with the series and the fictional actions of the characters.
"with why her son grew up like this, because what he saw traumatized him." - this is another point that everyone refers to as ambiguous, but it is not so.
Nicholas is traumatized by what he saw, exactly?
Catherine herself admits that there was sex - it could have been violence, or it could not.
If the sex was violent, then the trauma is from violence.
If it was just sex with a stranger, then the trauma could be from this - children have injuries simply from seeing sex with parents or adults.
And here, mom's sex is not even with her father - it is quite a possible option.
So your interpretation of this fact is your subjective one. You just chose this option because it suits you in general - like many others here in the comments.
"an emotionally vivid event, especially a negative one, is remembered perfectly" - and this is well known.
And therefore, too vivid and emotional an event for Catherine could well be not violence, but the fact that she first changed, and then, on a momentary impulse, let Jonathan die.
And then she had already "replaced everything else" subconsciously for 20 years, so as not to remember the painful experience.
Among other things, she came up with the idea that she took photos and collected a jar and then threw them away.
In her words, it looks like the same explanation as a two-year-old in front of a teacher: "I did my homework and the dog ate it."
This version is quite possible, but you also deny it and choose another one that is subjectively closer to you.
And again, you also come up with ideas for me and about me - this is unnecessary.
I fully accept that Catherine is a victim- but it is not known whether she is a victim of violence or a victim of her wrong decisions.
Who uses only words to justify herself - she threw away all the evidence, and in Jonathan's photo, where she smiles, she was forced to do so.
Such explanations are extremely primitive and infantile, but as a clinical psychologist they do not bother you at all. Again, another subjective position you have chosen is in the way)
All this is very convenient, but you can interpret such facts in any direction.
P.S. Write more about the series and its characters and events and less about me)
It is clear that you have such a professional deformation, but still keep yourself in hand)
I can say the same thing about her violence (which you call sex) to you, you just choose this option because it suits you in general. Then we will exchange such arguments.
Falling in love and cheating is not the same as experiencing violence. Violence is a trauma, it is a vivid impression of the moment when the body, the brain is under threat of death. This is a vivid negative emotion.
Incomparable things even at the level of biochemistry.
Just some kind of sex that was 20 years ago can be very easily forgotten, but not when you were raped.
How much have you written to me about me and yourself, thank you)) But your position is also subjective, isn't it?
Everyone was hooked by your reaction, because women are triggered by the typical reaction of society to a statement about violence, the victim is always blamed. Women associate themselves with the victim and see the realism of what is shown, that in life it happens and it happens. Men are more likely to associate themselves with a rapist, but trying to justify themselves. And all women associate such men with a rapist, which is why they write so much about you. The difference is that many women write arguments from experience, knowing how it happens, and the reaction of men is exclusively emotionally colored.
I understand that the dialogue is useless in fact, perhaps reading the book will give you a more complete picture, or foreign reviews of the book.
Well, I wish everyone that in your lives there will never be a situation where you have to be a victim.
"I understand that the dialogue is useless in fact" - yes, it turns out to be useless)
Because you are substituting concepts and missing whole paragraphs:
"Falling in love and cheating is not the same as experiencing violence. "
There was no talk of Catherine falling in love anywhere at all - you've already taken that from the ceiling,
and if she wanted to change and then kill Jonathan to hide the betrayal (she admits Jonathan's death by her inaction, so this is a fact),
then evaluate and compare the levels of emotional shocks from "treason + murder" against "violence+murder" - which is brighter, I will not take it.
We'll leave it to you as a professional.
Catherine herself admits that there was sex - it could have been violence, or it could not.
If the sex was violent, then the trauma is from violence." - that's what I said here.
"About her violence (which you call sex) " - and you changed it to something else, which was not said at all.
Why would I call violence sex? There's no need-I didn't call him that.
And why did you write as if I called him that - just because you wanted to.
There is no need to simplify, change and invent for others.
Otherwise, the dialogue is really completely useless.
Yes, "a colleague" earned respect - she came up with the idea that Catherine had a crush on Jonathan.
Although there was nothing like that.
Your respect is inexpensive, right at all.
P.S. Is a colleague a fiction? You were making up stories about me, colleague - about Catherine, Catherine about violence.
Then it's clear.
That is, in fact, it is easier for this pseudo-intellectual to believe that a basket-shaped son was slandered by an adult experienced aunt than that she was abused by her mother's angel, and the fantasies of a sick mother who hates all girlfriends and longed for intimacy with her son (and not the fact that she was not), for him more proof than the words of the victim, because the victim did not present her evidence to him personally, and therefore lies.
After all, she is such an adult, successful and alive, and an innocent nonviolent savior of children is a cold corpse, so she is certainly to blame, and he is pure and deceitful. Therefore, her life must be destroyed, because it does not fit into the picture of justice.
It is useless to cite any fact, evidence, logic there. There are peas against the wall, because such violence does not exist in the picture of the world.
You fly into the discussion without reading it - everything described in detail is discussed above, there is not much text, but let's summarize:
the bottom line is that regarding the evidence, you can believe or not believe in any version. Believing in something does not mean that it actually happened.
One version is fiction, and the other is words. In the series, you were specifically told that the book version is fiction - no one argues with this and it would be stupid to argue with it.
The second version, according to the interested party, may be fiction, or it may be reality. And if she's real, then Catherine is a victim of violence.
If Catherine's version is a fiction, then no evidence, facts or discussions are needed, but then she is a victim of her own decisions, a traitor and a murderer.
And if Catherine's version is not fiction, then evidence and facts are needed that this version is reality, and if the facts are found to be convincing, without the possibility of different interpretations,
then they will leave no doubt that Catherine's version is reality.
Hence the rhetorical question - if someone demands and seeks evidence and facts that support Catherine's version - is he for Catherine or against Catherine?
P.S. You think that people who rely on logic and facts are pseudo-intellectuals.
It turns out that those who take your word for it are real intellectuals like you.
This is your right and your opinion - you can consider it so)
You don't need a discussion, but a specialist from the service is clear.
You can answer me, you can not answer - I don't care. I am leaving for this and wish you a speedy recovery.
So you don't care and you left - where's the minus?) Deception)
And these deceivers diagnose me - be ashamed)
. p.s. the date is conditional, for example, I gave)
It seems strange about memory, if you do not dive into the essence of the question. There is a lot about this, here is one example from the last one:
https://www.youtube.com/watch?v=ZvDWADdWD58
The material is generally good, but from the 39th minute - there are 4 minutes specifically about this, so a little bit - you can get acquainted.
That is:
1) the memory does not remain the same as it was originally when it was preserved;
2) every time a memory is accessed, it rises from the archive and the chain of events is rebuilt (not the fact that it is the same as it was);
3) during the build-up, its coherence is influenced by the current state of the one who remembers - physical and psychological (and in general, few people are constantly perfect)
4) next, when the appeal to the memory is over, it returns to the memory archive in a slightly distorted form from the last operation.
And now put it over 20 years - whether Catherine remembered it and how many times.
No one said that there was sun and a beach that day, and then this memory turned into violence - there was no such comparison, you read inattentively here.
What was the assumption from memory - read more again:
according to Catherine herself, there was sex, and according to Catherine herself, Jonathan died because she was inactive and then she felt guilty.
If there was no violence, then the guilt for inaction will be much, much stronger.
For 20 years, Catherine remembers that night and small details every time, and every time there is a "lifting from the archive", rebuilding under a strong sense of guilt (subconsciously looking for moments to justify themselves) and then - a very slightly modified version goes back to the archive.
And so it has been for 20 years, despite the fact that she does not receive any alternative options and does not discuss them with anyone. Only her own version, which she has been constantly returning to for 20 years.
For example (these are rough steps - in fact they are not so noticeable in the difference):
1st time - Well, did I just kill him like that? To hide the betrayal? What have I done? How could I? How can I live with this now?"
A year later - Well, did I just kill him like that? To hide the betrayal? Am I such a bad person? No, I'm not that kind of person. I couldn't do that. But he was a little rude during sex"
After 5 years - Well, did I just kill him like that? I'm not a bad person, but a good one, and I couldn't do that. But he was rude during sex and made me smile in photos"
After 10 years - Well, did I just kill him like that? I'm a good person- there was a reason. He was very rude during sex, made me smile in photos and he also had a knife.;
After 15 years, I killed him for a reason - he threatened me with a knife and raped me for 3 hours.
And for 20 years, under the feeling of guilt, such a transformation of memory is possible - the guilt is thus shifted from itself to Jonathan, who died and there are no witnesses - no one will refute or question.
And the desire to get rid of one's own guilt in order to justify oneself is natural for any person.
Hence, this option is quite possible.
So it was not pleasant for her to distort it, if there was such a distortion.
It is described in detail above that it was very unpleasant for her to remember this and that is why distortion is possible and why it is described in great detail above.
P.S. You did not watch the video carefully, unfortunately, as you did not read the comment carefully.
There are specific experiments: people even had the image of a figurine completely change to another one over the months - to another animal, different and they were convinced that it was him they saw.
So over time, many things can change and completely different.
Yes, you're right - I'm great at questioning the memory of a real participant, but we don't know which participant exactly.
And ask yourself - why is it so cool? It won't be so cool out of the blue and out of nowhere.
And it turns out great because there are reasons for that - the memories are not supported by anything and these words are the story of one of the participants.
And vice versa - there are obvious holes and inconsistencies in Catherine's version, which is just the first to claim reality.
But further on, you are already completely and completely wrong, because there is no such opposition and there never was.
No one has said anywhere that the invented-book version is more real - you will not find such quotes here, so there is no need to declare such a thing.
It was said that both versions are doubtful for various reasons and there are not enough facts to determine the reality - as it really was.
But the fact that there is a book version - which has nothing to do with reality at all-does not make Catherine's version any more true and probable.
The oddities in Catherine's version do not go away and do not disappear - they are there.
You are very good at seeing the obvious - that the book version is unrealistic.
And it's just as cool not to see everything else and completely believe in what Catherine just SAID.
I'm sitting here and not applauding your bias - because there's nothing to applaud.
Of course, I guessed right away… that it's not that simple. But I didn't expect it to be so difficult...
The series is just great! It was shot awesome.
I would like to see quotes, but the strange thing is that if you search on the page Ctrl+F: " lies" and "could not be ", then for some reason only your comments are found.
Or don't you understand the difference between "couldn't be" and "couldn't be"?
It seems that, as usual, you are making things up and insulting people just like that.
It's not even surprising anymore.
P.S. The theory about the incestuous relationship between mother and son (Jonathan and Nancy) was not confirmed, but it was very good, until the last I believed that it would be so.
This moment hit me right in the head.
- he felt better because he realized that she had not cheated on him, but she had been raped.
It turns out that for his painful ego, betrayal is more terrible than such terrible violence against a loved one.
Let's keep the structure of the accusation, but slightly change the actions (not applying to the series, but just an abstract analysis):
"it became easier for him because he realized that his friend did not kill his wife, but he was forced by threats."
Or turn it the other way around:
"She felt better because she realized that he wasn't cheating on her, but he was threatened (and/or blackmailed) into doing it."
The "disgusting life-threatening situation" persists both there and there.
At the same time, if you, for example, find out that it was not you who was betrayed, but the circumstances that developed, this may make it easier for you. But at the same time, this absolutely does not mean that you are like, "oh, well, poof, well, you think they threatened, forced, survived, the main thing is that they did not betray me, you can pretend that nothing happened." Most likely you will think something like "This is a disgusting situation!"But at least I wasn't betrayed, so this is my mistake and I need to work on it, try to save at least something, if possible."
Is not it so?
Well, or here's a simpler example from Sheldon's Childhood: Missy invited the boy next door to hang out, but then they invited her to hang out and she stood him up.
If you were in such a situation, you would be offended, wouldn't you? And you would try to break off a relationship with the person who did that.
But what if later you found out that the person had nothing to do with it and, let's say, he was tricked or even told that you canceled everything? Surely it would have made you feel better and you would have tried, I don't know, to make up?
The structure is also preserved here: "it became easier that "something bad" was not the fault of a person, but something bad happened to a person too." Or if it makes you feel better that you were not betrayed, no matter how terrible the circumstances might be, are you in any case a complete scum?
Please specify exactly which minute of which episode shows exactly what Nicholas saw.
Or maybe there is a quote from the book?
Nick saw this negative for the first time yesterday. Catherine was afraid that she had made a mistake, regretted that she had shown him the picture.
– I don't remember… I don't remember anything. – He shook his head, looked at the unmanifested photo, but could not return to himself – the child. "
A reasoned objection.
At least sometimes it lets me go - nothing will help you.
"brain violence"
So continue or leave - you can't decide again.
Everything is as usual.
The other person is on fire, and you're still being encouraged.
There's something wrong with your empathy, if you've heard of it.
Something has become very bad for you and fiction.
In other branches, you made up anything and about anything.
And then they somehow ran out.
Take care of yourself.
It is quite understandable that your empathy is selective - only for those who agree with you and for your fellow inventors)
And the main thing is that you personally consider yourself to be correctly gifted and you are completely sure of this - this is the right way, go on)
Catherine's husband is just a nasty coxcomb who sees nothing in front of him, not even his son's drug addiction. Trusting an old unwashed fuck and not your wife is just a song. I understand why Catherine didn't tell him anything then. I don't understand why I didn't leave him much earlier.
I wish my grandfather to get drunk on his pills and be eaten by his cat. And before that, it would be nice to dump the name of his whole family in the mud and shake everything out of his senile pockets through libel suits, to the last penny. But it seems Catherine is too noble.
There is little demand from her colleagues. Unicellular cells are not responsible for their actions.
And yes, Catherine turned out to be a good mother. I am glad that the relationship with her son is improving.
I keep thinking about poor little Nicholas, who saw this. And it's true that all our problems are from childhood.
If you have read the book, please tell me if it says exactly what Nicholas saw.
And if so, please provide a quote if possible. Thank you in advance.
By the way, there are very strange reviews about the book. It seems that this is one of those rare cases when the film adaptation will become at least more famous than the book.
But of course, it's always easier to believe that everything is made up, the guy is a romantic flower, and the woman is a cheating bitch 🙄
Yes, it's elementary, looking at Jonathan's "super" family, one could guess that they all have a leaky roof…
1) Because he did not feel guilty for what he had done, it was a common thing for him, like for you to sleep or eat, he even said "thank you" to her, so he could calmly not run anywhere and even go to the beach.
2) It's the same here, she's not a victim for him, but a girl he wanted, maybe he even thought they had some kind of relationship now, so he wanted to help her child.
3) She also explained that she postponed going to the police because, indeed, it is not easy to be a victim of violence, either they do not believe you and condemn you for all your sins, or they begin to treat you differently, and this forever changes the victim's life. And she also has a son, she was worried about what he would have to go through.
4) And threw out the evidence because the rapist died, and in such a situation, it was easier for her to pretend that nothing had happened, she did not want to ruin her life, and by the way, she also said that.
And sex in a booth is an invention of a mother with a sick fantasy. It's simple, if you have at least a little empathy and knowledge about real cases of violence.
And of course, at the right moment, the old man suddenly came to his senses and believed her without proof, really! As a rule, you can't reach madmen. Her son, as it turned out, still saw something, just won't admit it. But that doesn't explain why he's been such a moron all his life.
The husband, of course, believed in his wife's version only after learning it from a stranger, and not from herself. An enchanting idiot. As a result, he was treated too gently; well, okay, do not stoop to his level. This old man did not suffer any punishment at all, he pampered himself and that's fine. That's the end of the fairy tale. There is no satisfaction from the finale.
1. The commentator objectively assessed what happened in the series; there is no sense of someone else's prism of perception in what is written, there is no bias.
2. You can see the work with context, a critical approach to what you see.
3. The commentator is a very good person
Take, for example, "he thought that..." in the second paragraph: we don't know what he was thinking, he didn't say anything at all in response to Catherine's phrase. These are guesses and the opinion of the author of the comment, what he thought, it is difficult to call an objective opinion
And my opinion is that Robert didn't answer anything, but he changed his position, clamped down and hung down, as if he was feeling guilty, plus he didn't answer anything. I think he could have explained his point of view, if it had been radically different, on this situation, but this was not shown to us. We know they're divorced. So, after all, he hadn't convinced her that he was relieved by someone else. After all, what they showed us, they showed us, and assumptions about what he really is and what he was thinking at that moment - this remains an assumption
By the way, for me, my husband is so good that he immediately believed in rape, immediately asked for forgiveness. And it was immediately blamed on him - they say, somehow you easily accepted that I was abused, it's easier for you than to accept that I was pleased. Why?) I.e. he had to disbelieve and insist on the version that she had cheated on him, and now she is inventing fairy tales? Would their marriage have a chance then?) Either I misunderstood, or it's just some kind of game, and they both have ego problems.
, plus you really correctly noticed, he believed in rape as soon as he heard and did not he behaved like that grandfather, "my son could not do this," and asked for forgiveness
both have ego problems, but the problem, unfortunately, is very stupidly twisted results
Imagine yourself in her place at this moment. 20 years ago, she was left alone in an unfamiliar country, experienced violence, but suppressed all the horror of what she had experienced in order not to destroy her family and not put these events between them. So that after so many years, he, imbued with doubts about her only because of his wild imagination, turned what happened against her. It was easier for him to believe in treason, it was better to listen to a stranger, to believe in the nonsense of a book, than to hear his wife. At the same time, he fancied himself the father of the year, but he did not see what was happening to his son.
So you think that she is behaving illogically, but how should she behave? She said she was terrified, afraid to end up in court, where everyone would say she was lying, didn't know where to start. It was very difficult for her to talk about it. For 20 years, she has been crushing this trauma inside herself. Do you think that's how she would have gone and laid it all out? Yes, while she was gathering her strength, her life was ruined, and her husband had already decided everything for her, so that everyone around him would feel sorry for him. He kept saying, "my parents were right about you," not letting her talk.
I don't really see any excuses for him.
""he lived with a woman for 25 years, but did not learn to trust her, always subconsciously believing that he was not enough for her and she was more experienced, so as soon as the opportunity arose to confirm his fears
So they told me in the course of the play that she pulled away, became colder and in fact seemed to live her life for the sake of her son. It's hard to know something when you're not being told about it in words through your mouth. And here both sides are involved.
""without even giving her a word
But this is right, yes, as dumb as possible, although it was built in such a way that it led to this.
First, she gets the book, gets scared as much as possible, does not explain anything, already BURNS it, when asked to explain, you get "I can't explain, maybe later." And then you get the book, put together the existing behavior puzzle, it clicks with your inner fears and voila, the hysterical husband is ready. Well, all this is finished off by the fact that instead of a clear showdown with the author-accuser (she is an investigative journalist, if you start an investigation, contact the police, prepare at least something!) accusations of pedophilia begin, clashes at work, tantrums and that's it. We can eventually (albeit with some creaking) put it all together into experiences and traumas from violence, but at least remember your own feelings from the first episodes, when you did not know the whole picture, multiply this by a complex hysterical husband and the fact that you do not know that this is a series and that you may be misled. And it turns out something like, "why listen, he's lying like hell, it's not just a book, here's the evidence, here's the photo!111».
P.S. It was necessary to write with a disclaimer that I do not justify in any way and during the course of the series, the opinion about Sasha's character was only "are you completely fucked up?", he played a complex hysterical woman perfectly. But let it be a postscript.
In the course of the story, it even says that the husband is an offended woman, he always considered her something of a libertine, but was proud that he was chosen. And he was worried about coldness, not because he was afraid that she was cheating, but because she was more experienced than him. Plus, his brain-dripping parents. That's why it was so easy for him to believe an outsider than to give her time to tell her version.
It was also written here that the series describes the cancellation culture well. So yes. It is very clear that most people do not need the version of the accused, he has already been tried. Everyone likes to savor scandalous accusations, but few people will listen to the version of the second party.
We are all human beings and in many ways the same.
Are there any cases of violence - there are also in most cases a male rapist, simply because men are often stronger.
Are there cases when people cheat - there are often, and especially when there is a real reason for this and lying will make a person better in their own eyes and in the eyes of others.
Is it enough just for a woman to say that there was violence to accuse another person without any other facts and evidence? No, it's not enough.
Can women invent some facts about violence if they want to accuse someone of violence? They can - no one prevents them from doing it if they wish.
According to the comments here, it is much easier and easier for most women to invent and invent - they do it faster and logic is not important to them, which allows them to connect completely different things without any embarrassment.
As a result, each case must be considered separately, because everything is possible: both violence and deception.
And in each individual case, a man may turn out to be a rapist, and a woman may turn out to be a liar.
And in order to determine reality, concrete and non-fictional, objective and recorded facts are needed.
If there are no facts, evidence and witnesses and there is insufficient data, then until such evidence has appeared and has not been presented, either party may be entitled in absentia.
And any questions may arise to any of the parties.
And if someone, any person, insists and defends any of the parties without evidence, this does not confirm in any way and does not increase the likelihood of the veracity of any of the versions.
There are comments from men that are very revealing — from "well, just think" to " she came up with everything" — stable.
They literally show you in the series that a man broke the law a hundred times and was ready to kill! completely innocent! A guy, but you don't judge him, because there's something in Catherine's story that doesn't add up. 🤡
By the way, about Stephen. I needed catharsis. I was waiting for the police to take him down at the end. I don't care if he repented or changed his mind, he must legally answer for everything he's done here.
It's a great series. In terms of the plot, there are some obvious moves and skeletons in the closets, but the emotional intensity of the whole series was at a decent level. Although I think the intrigue has been digested. I should have done 6 episodes probably.
Visually it is very beautiful — Lubecki and Delbonnel are masters of their craft.
I have no complaints about the caste, because I was annoyed by *everything*. Steven without a single drop of dignity, Nancy with her obsessive basket-shaped son, their vile martyr Jonathan, Catherine silent to the last (although I understand the reasons, again), Nick and his second transitional age, her stupid husband with the emotional intelligence of a dung beetle, her colleges, idiot lifeguards on the beach, and, of course, the brainless hospital staff, where without them.
But the cats were beautiful. In general, I always like it when pets walk in the frame, it adds a lot to reality.
Then he decided that his wife had not betrayed him - and again, naturally, it became easier for him, the pain of betrayal was gone.
And to pull it on "it's easier for you to accept that I was hurt than that I experienced pleasure", you need to have a good imagination and a quirky mind.
And not relief like a hero- well, okay, rape is rape, thank God it's not treason.
Are there only infantiles who are fixated on suffering/worrying about their loved ones?
We obviously live in some different universes.
You may not know what healthy people do, I know.
Have you thought of something about your own, perhaps? They asked questions, did not wait for answers and continued their speech as if I had already answered positively.
"Capable..." - exists.
"Infantile/fixated..." - not only.
"Show me a healthy person and I will be the first to throw a stone at him." Me too... They invented stereotypes about health, and ordinary people suffer later, thinking that something is wrong with them. If there are no healthy ones, there are underexamined ones.
Everyone has their own cockroaches available.
Of course, we live in different universes: I am in reality, and you are in fairy tales trying to put it in the framework of health.
Would he consider your previous message, in which the answers are attributed to me, an insult?
Adrasteya has already written to you that you did not understand the series! What is unclear?
Or will you still argue - what do you allow yourself?
In general, all the troubles are due to silence, I first wanted to say what a fool Catherine was, she was silent and did not say anything, even at a critical moment when everything was falling apart. But in fact, rape is a severe psychological trauma, it's not easy to talk about it. But forget it, she answered these questions at the end of the series.
In the comments on the cutting, they suggested that he was a kind of psycho who got injured because of this, so he doesn't remember anything and grew up such a slobber and a drug addict
Here I just want to say that the series has an undeservedly low rating now, it is an objectively strong work
Alfonso Cuaron gave out the most powerful visual in his style, invited strong actors and all this in a complex dramatic scenario
During the viewing, and after the series, there is something to discuss and think about, for me this is one of the indicators of quality
Respect to the creators!!!
Of course he saw, because he ran past Catherine, who was standing screaming.
And so, of course, it's very, very long.
Мне также не понравилось, что дед передумал и поверил Кэтрин в последнюю секунду. Это прям какой-то хэппи энд, который выбивается из общего тона. Было бы лучше, если бы его либо остановили в последнюю секунду Кэтрин или её муж, либо если бы он довел дело до конца. Так было бы гораздо драматичнее. Ну и прочие мелочи смутили. Например, причина для развода или когда сын в конце говорит Кэтрин, что любит её. С чего вдруг? Он и до книги её терпеть не мог. Даже если ему стало её жаль, это неправдоподобное заявление.
At the time of my grandfather's entry into the hospital, I could not let go of the thought that in a Russian hospital he would not have gone further than a cleaner, all revenge would have broken off already at the entrance.🤣🤣
Don't write to me anymore.
I've already written my opinion, I'm not interested in your vices.
What a formidable muschinka: he preemptively banned all dissenters so that they would not be hushed up 😂
I also connected fake accounts.
I've been chasing you for three days to tell you how much I don't care about you." 🤣🤣🤣
I told you not to write to me anymore.
That is, I connected it anyway. You swim shallow in brown slush. You'll drown in it, like the heroine of this series.
"Both stories are stories told by an unreliable narrator. In principle, in this regard, the final is open, and this is good." - well said.
" people with critical analytical thinking catch cognitive dissonance)" - and gullible people - think out the rest and teach the cons.
The whole image of Jonathan in the book was so childish and innocent, he somehow looked into Catherine's eyes when they were talking in the restaurant. He was embarrassed, like a child. Perhaps it was the mother's memories. No wonder she was talking about "Kylie", because Jonathan had posters of Kylie Minogue in his room. Perhaps this rather frank conversation between Catherine and Jonathon in the restaurant is the first harassment of the mother. At the first "sex with Catherine," she taught him how to satisfy her, guided every move. Maybe that's what his mother did to him. And it was not for nothing that he constantly secretly photographed his mother. As it turns out, he has a fetish for it.
Overall, I liked the series. The music, the picture, the actors - everything is very beautiful. Robert irritated with his stupidity, why let someone else's grandfather in to his child, who is in a serious condition and has not really come to his senses yet.
The ending was a little disappointing because of the feeling of understatement.
But it was interesting to watch. The actors are good, the husband is an asshole, the son is a weakling.... But I feel sorry for everyone 🥲I hope everything will work out for them 😁
- A lady who (as @Sqev said), until the last episode, is unable, due to her stupidity, to stop the collapse of her marriage, career, life, and just tell everyone the truth,
- An old psychopath who decided to ruin the heroine's life and KILL her son, simply because his son can't swim properly,
- Jonathan, who rushed to risk his life for an unknown boy the day after the rape.
And all this unprecedented causeless psychosis is just a sick invention of the screenwriter, who wanted to come up with something "steeply twisted", but it turned out to be meaningless and implausible. Many people write here about associating themselves with the characters, but there is no one to associate themselves with, they all commit inappropriate actions only in the name of plot development; no one here wants to empathize, because they all behave inhumanly and, rather, create some kind of sinister valley effect due to the unreality of what is happening.
I'm waiting for a wave of dislikes.
We come to you from fans of logic:
I don't argue with the rest, but
"And Sasha, his girlfriend, called him a drocher, my mother was not mistaken here. "
"And Catherine confirmed that he ejaculated without hands. "
So a wanker is someone who jerks off for ejaculation, I'm sorry - isn't that right?
If he ejaculated without hands, then is he not a wanker? Somehow it doesn't fit in this moment.
But what about the nocturnal emission, for example - it is also without hands and it turns out all the wankers? It's all strange.
And one more thing. Where do men get such thoughts that they will only look at them and immediately the girl should die of desire?! Why would Catherine want this guy? It was this situation with explicit scenes of coveted sex that seemed implausible to me
"Where do men get such thoughts that they will only look at them and immediately the girl should die of desire?! Why would Catherine want this guy? It was this situation with explicit scenes of coveted sex that seemed implausible to me."
And here we are again:
so the scenes of coveted sex and the fact that Catherine needed this guy are all a book version, and it's written by Nancy and Nancy is a woman.
It turns out that your question is actually this: "Where do women get such thoughts that they will only look at them and immediately the girl should die of desire?!"
Men once again have nothing to do with it - figure out your question to you without us in this case.
The women figured out the question themselves and turned out to be right! I admit it.
Here, the clinical psychologist stated above that Catherine had a crush on Jonathan - we can't help but believe it.
Then according to the application:
"Where do women get such thoughts that they will only look at them and immediately the girl should die of desire?!"
That's right - as soon as the first guy on the beach looked at Catherine, she immediately fell in love!
It turns out that women have all the right thoughts - everything seems to be happening.
Not a word about the series, the characters, the plot.
The comment is for deletion.
A cheap provocation, but good - the truth is more expensive.
How you call each other sophisticated (no) names - lovers of logic. The pain is right in the heart!
That is, are all those who insist on logic "lovers of logic"?
In this case, it turns out that all those who insist that there was violence are " lovers of violence" and "fans of the victim".
We'll settle on that.
Further on the topic:
It's an interesting remark, but why would Catherine come up with a murder story if the main thing is that she has already invented violence. Making up that she was looking the other way?
By the fact that she invented violence, she has already whitewashed everything else, she is already a victim and everything is possible for her. You can look in any direction and kill.(and an additional bonus - you don't have to be a cheater)
And you are lovers of violence and worshippers of the victim, you will justify her in everything and pick up the facts yourself that confirm her fiction, and leave the rest without attention.
So she doesn't need to invent any more - she has already invented what she needs.
Another question is that logic is used in court to determine reality.
But fans of violence and fans of the victim are not interested in logic and reality.
- Nancy's version is fiction, but this does not prove the veracity of Catherine's version, she could also have made it up.
- Catch the defender of rapists!
🤨😆
Yes - nasty Gamlet and nasty logic - how disgusting it is, damn it!
But Catherine is beautiful. Everything is clear here.
And ask yourself - is there anything that can make Catherine disgusting?
So she killed a rapist by inaction - well done, it would have been better if she had drowned or stabbed him with a knife, but it was so good.
(It's especially good that she killed him after he saved her son, otherwise it would have been inconvenient of course)
She killed Nancy's son and refused to meet with her, which led to Nancy's death - indirectly killed Nancy.
That's what she needs - a crazy old woman who also raised a rapist.
Two already.
Stephen almost killed Nicholas-there would have been a third, although I don't feel sorry for him - a slobber and a drug addict.
And then Stephen would have killed himself-that's where he's going.
There would have been four.
If four people had died, would Catherine still be worthy of admiration and justification of everything?
Is there any number of people, men and women, that Catherine should kill and then stop being a victim to whom everything is forgiven?
From the point of view of fans and fans of the victim, it seems that there is no.
And if you also imagine for a second that there was no violence - it has not been proven and there are no facts, and Catherine's story is fiction - then lovers of violence worship Catherine just like that!
No, you can't even think about it-no way! It is urgently necessary to shut up and constantly insult everyone who gives reason to think so!
Otherwise, the fans of the victim will be too disgusted with themselves!
What a nasty bastard logic is!
P.S. And if Catherine hadn't gone to the beach, but would have gone to the police with a jar and a photo, then no one would have died, and Jonathan would have gone to jail.
But who cares - boredom.
That's right: put, put the cons to those who are disgusted by themselves) here we will count them)
And I'm tired of people who don't discuss the series, but insult people with a different opinion just like that - let them be in another thread.
Thank you for being so concerned about me - it's nice.
Otherwise, others can only call you names.
Someone had already written, but Catherine was standing there. But she was in a different swimsuit and it was impossible to see from the back that it was her. And the fact that she screams does not indicate that it is her child, any normal person would shout "save me, there is a man in the water"
In general, because of the narrator's voice, I thought that "this turn" would be not only that Jonathan would turn out to be a rapist, but also that the whole revenge story that was shown to us after Catherine received the book would also turn out to be fiction and part of this book, because it was too successful everything worked out for the old man.
It is bad that the nurses who let in an absolutely leftist grandfather, who was not allowed to be there, during NON-visiting hours, did not suffer any punishment. What if he had killed Nicholas? What the hell was that all about?
It seems like I've wanted to for a long time, but he's so positive, and then I got the chance to pose as a victim who can't forgive him.
I am in awe of this semantic twist that she pulled off.
1. She talked about how a cruciform cut appeared on Jonathan's hands. This is a specially highlighted detail to show us where the truth is
2. Nancy definitely couldn't get over the loss of her son and tried to come up with an excuse for the tragedy, to find the culprit. Literally after the identification, when she learned that the mother of the rescued boy had left, she became angry. Catherine was a good candidate for the role of scapegoat
3. In the course of history, hints, but rather bold ones, show us that Nancy is very uncompromising, confident in her rightness, tough. I really believe that such a person could get some idea into his head and run around with it to the end
4. Apparently, something serious and scary happened between Jonathan and Sasha, if the girl immediately went home, told her parents, and they tried to deal with the guy's parents in this (scary?) situations. Even the fact of Jonathan's death did not touch Sasha in any way, she did not react in any way, and they were dating. This once again suggests Jonathan's remaining cruelty behind the scenes
5. In Nancy's book, her son is a cute teddy bear, incredibly naive and soft. It's like he's not 19 years old, but 14.
6. Catherine told Stephen everything only when she felt a real threat from him to her son
And so on: trying to forget and erase from memory all evidence of violence is an understandable impulse of the victim. Why keep evidence if the perpetrator is dead? There are no questions either, everything is natural.
Plottwistle may be expected, but it still struck a chord. A beautiful and terrifying story about victimblaming
7. There was also a memory of my grandfather at the beginning of episode 6, when the mother of Jonathan's girlfriend (Sasha) called them and said that they had "quarreled" and she suddenly left Italy from him. There were Nancy's phrases "don't blow them up", "they have to figure it out among themselves", "your daughter is clearly exaggerating" and after that ends the conversation and hits the phone (because she didn't believe it). It was clearly violence against Sasha + Your point 4, Sasha's mom's reaction to the call about Jonathan's death, did not come to the funeral. Everything is working out.
And immediately after Stephen's words, "Sasha's aunt did not die. That's not why she came home. The book is fiction, but it helped to release the truth, let it surface."
8. I would also add an episode of how the parents went to get their son's things, there were some pills on the bedside table in his room (obviously unresolved, since mom hid it in her backpack right away and said "I'll pack everything"). And the knife was accentuated there exactly as Catherine described it later, which is why Stephen believed it, too.
In general, if you look closely at the details, then everything is clear about who lied there and who told the truth.
Key dialogue:
- How could you not doubt?
- And you?...
The series is about the fact that you can not immediately consider as true what causes a strong emotional response, what you believe in with a run.
And it doesn't matter what really happened. The authors urge viewers to take a closer look at themselves. Why did you decide that this version is the truth? What is it about you that inclines you to her?
According to the series and Catherine's version: She decided to play along and that the better she did it, the sooner Jonathan would get what he wanted and leave her and Nicholas alone.
That's how well she managed to play, that these are the photos.
about happy photos - it was perfectly visible when this moment was shown: if you pause at the moments when she poses, then nothing is noticeable, and after a second she cries again
Cuaron is simply a master of staged shots, light filters and screen plans. All six episodes are visual splendor.
What I didn't like was the very directorial presentation of the plot and the director's acting out of a twenty-year-long story. In American TV series, and not only in fiction, it has recently become fashionable to manipulate the viewer, to take him on emotions. And then turn the situation completely 180 degrees with a subtext "you believed, and it's like everything really was ". And at the same time, do not insert any beacons and visual bells into the frame that would tell us something else. This is bad, very bad. This popular technique now can only say that both screenwriters and directors are very weak professionally nowadays.
I think that although the series turned out to be quite good, Cuaron did not cope with the task as a director. His talent was not enough to show the wormhole.
Cate Blanchett is an Australian, Kevin Klein is an American, Leila George is an Australian and further down the list are Korea, Pakistan.
Whoever pays for the girl, he dances her. Apple pays for the girl. The series was released on the Apple TV+ platform. This is an American streaming service.
Now do you understand what market the series was filmed for?
And there is not even any pronounced country here.
There are regional sections on netflix. Or were. I don't know how it is now. There is no such thing on Apple TV. But I could be wrong.
When Catherine tells Stephen her version of events and sees his doubt, she screams - Well, what can I do to make you believe? Will the results of the examination be enough for you?" So there was supposedly an examination, so there was a statement? And apparently, an investigation? Where did everything go? Why did Catherine destroy everything? Or maybe she didn't destroy it, maybe it didn't happen at all?
It seems to me that this is Cuaron's manipulation of the audience and the plot in the last series, his departure from the book, this is such a reaction to all these stories of rape and harassment that pop up after 20, 30 years. And no one can understand anything anymore and make out where the truth is and where lies and manipulations are. And people believe "rape victims" who play on emotions and present themselves as unhappy silent victims.
And so maybe the truth is somewhere in between. Kate did not revel in sex with an angel boy, as in his mother's version, but it is quite possible that she still showed some interest in him, met him, let him into the room (the detail about the fact that she just left the keys outside, and he found out which room she was in and came in seems to me the most improbable). And then she stopped controlling the situation and Jonathan did what he wanted (bdsm tendencies, etc.). Well, in such a scenario, it is more logical that he rushed to save her child.
And the fact that the boy still saw this whole nightmare seems to hint that it put some kind of imprint on him, even though he does not remember anything.
I am very glad that Catherine and her husband divorced after all, and did not forgive and everything ended on a pleasant note.
In the end, I even felt a little sorry for my grandfather. I didn't read the book, but I watched the ending for him in the comments that he couldn't live with all this and committed suicide. In my opinion, this is more realistic, because he did terrible things, hatred and revenge were his faithful companions, and then he just turned the page and decided to start all over again, without those he loved so much.
If this is a director's decision, so that the viewer then wonders if the version of the heroine Cate Blanchett is true, then this is already a visit to the territory of the series The Affair, where it was much more interesting to beat (in early seasons).
As I understood it: she really invited him to her place and they took pictures. But then he became aggressive and raped her.
The son saw it and now wants to get drunk.
And Jonathan's mom saw it all from the beginning. She knew that he was so terrible with women and probably it was her fault. I'll explain at the end.
The father loved the mother and agreed with her opinion about her son.
Did you notice that the book was written by the mother and she described her son's love affairs there? Love affairs with an older woman and the mother of a boy who looks very similar to him? And that the woman had directly seduced him? How was Jonotan timid, even though he wasn't timid with Sasha? Hmmm
I think the mother had an unhealthy relationship with her son and this resulted in domination over women.
And she knew it all.
Sasha's mother called her and said something, after which they stopped communicating.
Well, to whitewash her son, his complex image, she wrote that someone else was to blame, and her son was a darling and a charm.
Well, his father is a pure maniac.
The son saw the violence against his mother, was psychologically traumatized, but his psyche blocked the memories, separating him from his mother. Since then, he had felt rejection towards her, but did not understand why. Self-harm in the form of dependence and self-neglect, apparently, floated from there too.
Exactly. Therefore, it is very strange that she went to the beach at all covered in impressive bruises (since she took them off as evidence) and moral trauma. She lay down there (in a dangerous place for her and Nick, those where Jonathan could be) and fell asleep. But the most important thing. She's not afraid that Jonathan will come back and generally kill her or Nick at any moment. CARL, he threatened to kill your child and you, raped you for 3 hours at night, and you calmly go to the beach with the child instead of the police or instead grab the child under the armpits and take the first possible flight to London so that the child is safe. Along the way, she completely lacks self-preservation instincts (they did not turn on because of the normality of what happened). Or, since she is so relaxed, there is no state of injury and security threat, because she has nothing to worry about due to another scenario (lack of violence)
We see two subjective points of view, not the truth.
So the question is what did you read)
Первая версия. Лично я так понимаю, что вполне может быть та версия что была в книге. А Саше до мерзотного мог стать противен Джонатан, потому что она могла узнать об его инцесте с мамашей (парень любил фоткать маму, а мама смачно описывать как сын занимается сексом). И тогда Кетрин красиво выкрутилась. И все вокруг теперь до конца жизни ей будут пятки целовать. И ненавистный муж денег отвалит при разводе из чувства сострадания и вины. А так при разводе ей бы полный шиш остался наверняка, и всю жизнь жить с мамашей в одной кровати. Так как у мужа нет личных денег, всё оформлено на семейный фонд. Напомню, что отец сжигал не только вещи Джонатана, но и его матери. Возможно, что отец Джонатана откатил назад только из-за того, что понял, что готов убить человека, и уничтожить морально ещё несколько, тогда как его собственного сына никто не убивал. И вообще с ним всё в порядке было, умер случайно.
Вторая версия об изнасиловании. Тут всё понятно без пояснений. И над Сашей Джонатан поиздевался и над Кэтрин.
В общем, я так понимаю, ответа в сериале не дано: решайте сами. Для меня ответ упирается в основной вопрос: что было с Сашей. Ответа на этот вопрос в сериале нет. Всё что мы о ней знаем только со слов матери Джонатана. Другой информации - ноль.
И ещё одна деталь. Джонатан по-любому видел что ребёнок смотрит, как с его матерью занимаются сексом. И это для него было нормальным. Мать называла его "дрочером".
Для меня сериал на 3 из 5-ти. Во-первых не люблю туманные окончания. Во-вторых, событий на самом деле на 2 часа максимум, то есть на две серии. Что там было на целых семь растягивать - непонятно. Однако ясно что сериал будет хитом, так как тут много есть чего обсосать.
His mother, according to his father's recollections, could not stand Sasha, although he was rather neutral towards her. I dare say that the mother was jealous of her son, which is why she "whitewashed" him in this book, even though he had done something.
And the fact that the father believed Catherine so quickly makes it possible to understand that after her story the puzzle formed in his head, and his knowledge of his son and her story seemed more true to him than what his wife wrote, whom he blindly believed only because of his own feelings for her.
I think it's not so important what exactly happened to Sasha as what the reaction of the girl and her mother was to this.
Ещё посидела и подумала. Кетрин - одна из лучших журналисток в мире. то есть она может создавать достоверные версии событий. Когда она (после прочтения книги) сидит и составляет списки, которые ей помогут бороться с версией книги, она пишет "официант знает". Официант мог знать только книжную версию, сложно не заметить бомбически роскошную женщину, которая сидит и полвечера себя щупает посреди зала перед юнцом и пьёт с ним. В версии с насилием, Джонатан сидел и поглядывал на неё из другого конца зала в переполненном ресторане и туристический сезон. Официант вообще скорее всего не запомнил никого из них.
Ещё чего. Кетрин пишет что её "папа знает" и что он мог рассказать маме. Чего такое знает папа, чего не знает мама. Она типа всем пыталась рассказать, а никто не слушал. Так чего она переживает, что мать кому-то расскажет её ночную исповедь? И я считаю, что если б она рассказывала бы матери об изнасиловании, то та открыла бы глаза и обняла бы её и пожалела.
И самый смак! Поправление верха и низа бикини на пляже с почти полным оголением и высыпанием песка. Мать писала книгу в той последовательности в какой они были на фотоплёнке! У неё была сама плёнка. И Кетрин с наслаждением и эротично поправляла всё это напоказ на след. день после секса на переполненном пляже.
А в версии с изнасилованием в рассказе Кетрин передвинула этот момент на утро знакомства. И типа она случайно оголилась сверхмеры, и типа не видела что её фоткают. Бред. приличная женщина (как она себя позиционирует) на полном пляже до такой степени оголяться не будет. Если на это будет необходимость, сделает это либо в воде, либо в кабинке. И сам факт передвижки события...
Regarding the mother's story, I don't know how closely you looked, but her mother has dementia. In this state, it's a miracle that she even knows her daughter. It is quite possible that she could perceive her daughter's night story as the story of an outsider, so she did not react in a motherly way. I think Catherine told her everything not for any reaction, but because it was tearing her apart from the inside and she understood that there was no one else to talk, and at least her mother would not condemn and just listen. If he hears.
The bikini correction was BEFORE the rape. Because in Catherine's version, after the rape, she was in a different swimsuit, covered up.
She saw that she was being looked at and photographed after she corrected him. Anyone can move a bikini unsuccessfully absolutely and completely by accident, correcting it. I think at least half of them had something flying off or peeking out somewhere on the beach, it just didn't get on the pervert's camera. Again, at the wrong moment, the son who threw sand at her was more concerned. Moreover, it is not known what the order of the photos actually was. The mother watched the developed pictures, not the film. And in the book she outlined her fantasies, because, unlike Catherine, she was not there, but based solely on her unhealthy relationship with her son.
And anyway, what makes you think that she touched herself in the bar and even sat at the same table with Jonathan? All that is known is that they were in the bar at the same time. And everything else is bookish fantasies, as well as just pictures that may not reflect reality. It's like saying from a picture of a horse with wings that Pegasus exists.
Если б она не выдвинула версию с изнасилованием, то осталась бы без собственного дохода (увольнение), без денег мужа (развод), и единственное наследство от небогатой матери после её смерти (малюсенькая квартирка) делилось бы с её братом/сестрой или несколькими. Так как указывалась, что мама радуется видом какого внучка не от Кетрин.
Также указывалось, что друзья и семья мужа Кетрин указывали ему на её бездушность и беспринципность. А она ( и по её словам и по словам мужа), уклонялась от секса с ним. И лишь изредка делала это с неудовольствием. Также она сама рассказывала как легко было охамутать этого никакущего миллионерчика. То есть вышла замуж из-за денег его семьи. О её бездушности свидетельствует тот факт, как она суёт пальцы в стакан с чаем начальника, ещё до описываемых событий.
А в версии с изнасилованием, она говорит, что у них была любовь до небес и планирование второго ребёнка.
В общем, все действия Кетрин походят на адвокатскую тактику: какую историю можно выдать за возможную исходя из голых фактов. Первую мысль (подрыв доверия к свидетелю) - педофил, она отмела, за труднодоказуемостью. Вторая тактика "смещение акцента на то, кто был жертвой, а кто тираном", ей показалась более успешной.
She did not "put forward a rape theory," she told about the events in the first person to a man trying to ruin her life. It was his right to believe her or not. If you were watching, she was more concerned about her son's fate than her job or her husband. If she had been as cold-blooded as you describe her here, she would have screamed back from the very beginning. But she was silent and told only one person who might not believe her, but believed her because he doubted himself.
Her mother is not a beggar. She lived in her house in the suburbs of London, which quite suggests that they have enough money for basic needs.
You're confusing the narrator's words with Catherine's. The narrator's voice initially confused the stories. Honestly, I would like to see how, after such a physical and psychological trauma, you were happy to get into bed with anyone
It's even funny about my husband's family. They got married against the wishes of his parents, because she was not their circle. He, an insecure virgin, has always lived with doubts about his wife. And a little bit - he immediately believed everyone, but not her. And he managed the fund with unclean transactions. She doesn't talk about love to heaven, she talks about affection, about family planning, which was destroyed by rape. She treated her husband well and loved her son. The money issue was not particularly discussed there. I don't think she, being an award winner, would have lived on the street after the divorce.
Кэтрин в своей версии изнасилования, говорит, что наутро она была в множественных синяках и травмах, которые она сфотографировала на свой фотоаппарат. Поэтому Кэтрин передвинула события. И вообще как это возможно, чтобы тяжело избитая и изнасилованная женщина с явными синяками и травмами наутро пошла б с ребёнком прогуляться, пробежалась бы по магазинам, купила тяжёлую резиновую лодку, тащила её на себе на пляж, намазалась кремом и с наслаждением легла б загорать?
Нет. Она б надела широкополую шляпу, очки и закрытую одежду. Она бы съехала тут же из отеля, потому что насильник знает где она и может прийти названо, как в прошлый раз. Её бы трясло, она бы всего боялась, тряслась и шарахалась, запряталась бы в какую-нибудь норку, из которой не вылезала бы.
Думаю, что именно на это и расчёт Кэтрин: в эпоху #Me too жертве изнасилования сразу сто очков вперёд в общественном мнении. Учитывая, что каждую третью женщину насиловали, уже этих голосов в её защиту хватит. Именно они будут за неё горой так, что остальных голосов даже слышно не будет.
It's just easier for you to believe in the ravings of a crazy mother who had an unhealthy attraction to her son and fantasized about his sex life, but was not present at the scene, than in a woman's story about what happened to her. Although there is no direct evidence either there or there.
But Jonathan's father believed her, because he knew his son, but ignored the manifestations of cruelty because of his love for his wife. But I could, like you, roam around and shout that everything is a lie.
Сразу после просмотра 50/50 мнение было. Но чем дальше размышляю... Опять-таки мнения имеют право быть разными. Прямого ответа сценарий всё равно не даёт практически ни по какому вопросу. Потому мне сериал в общем-то не очень понравился: накидали разного говна на вентилятор, и как хотите разбирайтесь. Ответа всё равно нет.
Moreover, the bruises were most likely not on the face, as well as the injuries. The belly, the hips, what she covered with a closed swimsuit in her story.
And the police cannot force a person to open a case without the victim's desire, if she does not file a statement. Catherine said that after Jonathan's death, she destroyed everything and left as soon as possible to get away from it. Like his mother, she didn't say anything-what's the point of a dying woman telling this about her son?
There was a memory of my grandfather at the beginning of episode 6, when Sasha's mother called them and said that they had "quarreled" and she suddenly left Italy from him. There were Nancy's phrases "don't make a big deal out of a molehill," "they have to figure it out among themselves," "your daughter is clearly exaggerating," and after that she ends the conversation and hits the phone (because she didn't believe it). It was clearly violence against Sasha. And immediately after Stephen's words, "Sasha's aunt did not die. That's not why she came home. The book is fiction, but it helped to release the truth, let it surface."
+ Sasha's mom's reaction to the call about Jonathan's death, that they did not come to the funeral. Everything is working out.
That is, Sasha was the first victim of Jonathan.
I believe that Jonathan was not a saint - there are enough hooks in the film for this. And a mother's fantasies about how her son enters into a sexual life are abnormal, to put it mildly. The feeling that Nancy had serious problems with her head and an obvious fixation on her child. It also came to molestation - it's a big question, I don't want to dig into it, they don't give us an unambiguous answer either.
Grandfather is my favorite character. A man is carried away from a cunning sociopath "I will kill your family and destroy your life without looking up from a morning cup of tea " to a slave deception "I will first believe my wife's strange book, then I will believe the story of an outsider woman whom I hated in recent weeks, by the way, in the process I almost I will kill an innocent person, but these are the details. How and when did an English teacher acquire such skills? From the ability to ingratiate yourself with teenagers to impersonate an unhappy grandfather with the skills to penetrate into the chambers of a stranger?
As a result, I personally cannot put together a complete picture. No matter how much you spin it, it doesn't work. Why did Jonathan rush to save the drowning son of the woman he raped? Feeling guilty? The desire to become a hero? Yes, even the father was surprised that his son decided to do this. It means that the act is out of the ordinary and not peculiar to him. In general, the series is too controversial.
A scene that has already been written about a lot, why did Catherine make a list of people who might know about the events with Jonathan? Was she trying to build a line of defense or, conversely, was she trying to figure out how best to hide the ends? This scene is the best reflection of my problems with the series. There is a scene, but there is no clear interpretation of it. It was shot superbly, but behind the visual splendor I would like a complete story.
About the recordings: she could act automatically in a state of shock, i.e. her notes are just an attempt to cope with the situation in a way that is understandable and familiar to her.
For some reason, everyone is looking for a double bottom in this series. But he's not there. There's one unreliable narrator, Nancy, one story, and one true story, Catherine's story. To understand this, just imagine that you will know her story before the book appears in the plot and its plot begins. Conduct a thought experiment and monitor your attitude to the story. And it will immediately become clear to you.
Didn't Jonathan run past her when he rushed to save her? You can say that you didn't find out, but again guesses and guesses.
Catherine writes, who knows. The police and the waiter, she said, could not have known anything.
I've already written what I don't like - the details contradict my life experience. And I'm not the only one, that's why there are so many discussions and searches for a double bottom.
Once again: Catherine automatically starts throwing up versions. Her job is to check versions and leads.
And I already wrote, swap the stories and the double bottom will disappear.
The series is good — both the picture and the game, and the sounds, and small details (such as the ceiling painting in the version of a crazy mother and a raped woman)... but 7(!) episodes is a bit much. It could fit perfectly in 3-4.
But in general, of course, it's good.
And what kind of person, who after so many years together couldn't just talk, immediately kick out of the house and yell. Where is the dialogue, where is the trust, the family, only outside thoughts that he wanted Catherine to be better with him than with other men, and he hoped that this was so. And sit down to talk, what are the distance, what are the problems, what are the worries? No, don't do it, somehow. And then he throws out that she always has a headache when he wants to. It's obvious why she has a headache!
And it's terrible to be in such an environment where you are drowned, and your family and colleagues join in the public flogging and turn away.
How many men cheat? This is the norm for which girls have been trained since childhood. Has your wife cheated on you? What a whore, how dare you! Cancel everywhere!
Double standards are so double.
to be a hundred times better, the screenwriters try to describe the reaction of Catherine's environment more plausibly. for me, the stupidity of the characters always breaks the immersive - well, it's impossible to believe in such stupid behavior with absolutely dibil motivation. it could have been a wonderful dramatic thriller, but it turned out not to understand what.
most of all, I wanted to prescribe the whole series to my husband by his blunt face. no shadow of doubt, no reflection on what he saw. well, you never know what happened there, even if you follow the photos. Well, let's say your wife was offended that you left, ordered an erotic photo shoot to annoy. yes, even if she had cheated, it gives him the right to break up with her, take offense, but not to ruin her career and her whole life without proof, not to let some smelly grandfather to his sick son. in short, because of this, I don't even want to recommend this series to anyone, despite the fact that it has plenty of advantages.
And the seals, the seals are beautiful.
And I'm glad she didn't forgive her husband.
But I would have ended the series with Katherine grinning at the camera.
The actors were very good, it was shot perfectly, and it seems that the plot itself about the distorted story is not bad, but diving into the details, you realize that there are too many oddities and stupidities.
Thank you for the finale with the rejected husband and for the cute cats. I can't imagine how they were filmed, because they were in the frame for a long time, but they brought it to life so great))
For example, the husband goes to Italy, finds witnesses from the hotel and beach staff, and another version of what happened appears.
You can reveal the relationship with Sasha and not everything is so clear there - she, for example, offered MZHM, and he was categorically against it, hence the quarrel.
In general, the understatement and omissions of the first season open up a wide field of activity!
Have you been smoking?