s01e02 — A Bear on a Chain

Five years ago, I would have said, "wild cranberries," but today I will say that everything is quite plausible.

It's a little dark, but the genre is listed as a thriller and they handle it.
But there is no interest yet, it's boring.

If you think you're a "cranberry," go ahead and watch the cosmo movie "The Challenge" with a boost without a beak, don't torment yourself and us with whining.

No, well, this is Dumas, and in the version with Boyarsky, where Richelieu also writes love letters to Anna in the table. And then, damn, the "Man in the Iron Mask" is on the doorstep. We landed in the taiga, I think, "well, now they'll remember the story about how they fought off wolves," a bear comes, I start laughing wildly, if the KGB had also sent the bear's family to the GULAG, it would have been very good.
The typist is just hypercompetent, she puts microphones on herself, conducts interrogations, as if she would not turn out to be a double agent in the final.
The General Designer is a cosmologist, just fine. I got scared when he came to a lonely guy who was cooking a breaded chop with cucumber and sauerkraut.

Can you remind me how it was with Gagarin? Belikova said at the beginning that his heroism did not save him, and he did not remember it until the end of the episode.

Nraica

The story of the wedding was written off by Tereshkova and Adrian Nikolaev. I didn't know until I watched the episode. Awesome! I like the show more and more.

Why wasn't the bear wearing a hat with earflaps and a padded jacket? The disorder.

When Americans don't have enough imagination for a really interesting story, everything descends into the most banal totalitarianism and horror of repression, communist atrocities and sadistic KGB agents.

Everything is interesting to me. However, at the moment when the boss comes home to his subordinate and after a couple of minutes it turns out that the owner of the house had been wearing street shoes before, it certainly looks comical, given the Soviet time of the story.