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- s01e11 - Episode 11
s01e11 — Episode 11
| Runtime: | |
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| Release Date: | 29.08.2026 07:19 |
| Watched by: | 16131.2% |
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Discussion: Season 1, Episode 11 Join the Discussion
34The inn and Ongsa give out simply an exorbitant level of drama and chemistry. We are preparing handkerchiefs, an incredibly strong and glassy spectacle awaits us!
A real cry for help and love without a single word. I look at this moment and just cry, how strong and cruel it is. Scriptwriters, why are you doing this to us? I'm really looking forward to the episode.🙏🏻🔥
In this moment, all the fear of loss and all the power of promise is there... Every look screams how much it hurts, but this: *** "I will definitely come back"*** now keeps them both afloat.
My heart is just in pieces from how much tenderness and pain they put into those seconds. How do you live to see the finale and survive it?😢
This scene is the height of cruelty and tragedy. Job loses the rings, but not his allegiance. I roar along with the heroes.😭
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***"Pcbs... is that you?" *** — the question that came from the lips of Tinnacorn and each of us.
The footage of Tinnacorn timidly touching Phobe's face, checking to see if it was a dream, is just creepy. My heart skipped a beat, and then it started beating with triple force. I can't believe my eyes, but it's him!
The most long-awaited, most emotional moment that heals all past pain. It's finally easier to breathe! 🥺❤️
The scriptwriters and the director made an incredibly cruel move: they literally tore the heart out of their chest, made them cry and suffer insanely when they separated Phob and Tinnakorn, and then completely made them believe that Phob was no more. And then, turning everything around, they brought that tortured heart back and made it throb, finally showing us the happy guys.
It was unbearably painful to watch the boys being forcibly separated, and how Phobus was thinking about his prince with his last breath. It was obvious that the mental and moral pain for him at that moment was much stronger than the physical one.
The scenes with Phobe's mom and Tinnakorn became a real knife in the heart. Tinnakorn, sobbing and hugging a Phobe's tunic because his whole world has collapsed, a mother who has lost her son is the height of tragedy. I cried my eyes out with them, feeling this absolute emptiness.
A huge stone fell from my soul when it turned out that Phobos was alive! Like Tinnacorn, I couldn't believe my own eyes at first. But now they're finally happy. It is their happiness that is so tortured, suffered through eleven years of separation and pain, and absolutely deserved. My soul is incredibly happy for them.
As for the finale of the political line: I thought that Vasin's bloody uprising would not end well for him. He got what he deserved. But I'm sincerely sorry for Chathorn — he got involved on his own head. After all, if Chathorn had wanted to, he could have lived a normal, happy life, but now... It is noteworthy that I was not at all moved by Vasin's remorse when he apologized to Chathorn and admitted his abusive attitude towards him. Yes, it looked sincere this time, but it didn't work on me. Hugging Chathorn, Vasin completely forgot about Tinnakorn. He didn't even ask for his forgiveness for ruining his life for 11 years, strangling him with cruel principles and forcing him to step on his own happiness. But the fact that in the end he at least entrusted Tinnakorn to Phobe is already a huge step.
The project raises complex topics of debt, family and social pressure, abuse, and the price you sometimes have to pay for the right to just be with your loved one.
The visual side of the project and its incredible musical accompaniment deserve special admiration. The locations, costumes, lighting, and camera work create an amazing, expensive aesthetic that mesmerizes from the very first shots. And the music and official soundtracks (ost) are chosen so ingeniously that they literally control the emotions of the viewer. Each track hits exactly the target, intensifying the pain in tragic moments and giving wings in moments of happiness to the heroes. Melodies penetrate under the skin and sound in the head for a long time after the end credits.
The amazing acting, the incredible chemistry that was felt even through the screen, and the deep psychology of the characters made this lacorn unforgettable.
This is not just a beautiful tale about a prince and his bodyguard, but a powerful, mature drama that leaves a deep mark on the heart and makes you empathize with the characters as if their pain is your own. A true masterpiece that deserves every tear shed over it.
@Lamentia: as far as I understood, they somehow pulled it out, but the juicer is limitless
@tinkergo: yes, a whole series of ragebates?
much 🥺🥺
But it's good that we got a happy ending in the end, and even more. I'll miss you. The game turned out great.
There really is a lot of work done on every detail: retro cars, traditional villages, historical costumes, military men filling the streets, luxurious outfits and large-scale scenes in the palace - all this helps to convey the era reliably. There has never been a feeling of scenery, assembled just for the sake of a beautiful picture, against which the characters just walk. Except that the final episode summed it up: in the scenes where the characters run and roll on the ground, they manage to keep their perfectly patched styling ... at least their bangs were disheveled for the sake of decency.
But come on
Also, for me, an important detail is the presence of a full-fledged plot, and lakorn did not disappoint here either.
The story goes beyond a love story and allows you to look at Thailand's past through the lives of ordinary people. Important historical events are shown through their impact on society and people who themselves become part of the changes taking place.
In addition, it is especially pleasant to see the development of relationships outside the usual scenario, when a significant part of the story goes to the characters' attempts to sort out their own feelings, then comes a period of happiness, and the remaining difficulties appear closer to the finale and are resolved in one episode.
After the first episode, I was just voicing my desire to finally get a story in which a relationship really has to go through a struggle, and lakorn fulfilled this desire.
The characters quickly realize their true feelings and realize that their love story will not be simple. It will have to be fought for, and this tension persists throughout history. The family drama and the political situation of the time are involved in this struggle. The clash of different views and values becomes the main test, and historical events directly affect their lives and create circumstances in which love is constantly being tested for strength.
Overall, I liked it.
Lakorn got into many aspects that were important to me, and I didn't regret spending time on this story.
I'm not against the concept of a happy ending, but I'm already bored with the emotional swing scheme. I've been watching such shifters for too many years and I'm starting to feel like the creators are parasitizing my emotions. Especially when they get too carried away with the desire to squeeze tears out of the viewer and can't stop in time.
And then there's this coming back in a white tuxedo... which means I thought I wasn't coming back. If you were able to think, then it was worth taking this opportunity. If I were in Job's shoes, I wouldn't waste a minute, but I immediately found a way to let people who care about me know that I'm fine. And I certainly wouldn't take the time to dress up. I understand that someone important to me is going crazy there. But the creators needed a romantic shot.
Of course, a magical resurrection should be a reward for wasting my nerves, but I'm starting to get the uncomfortable feeling that my emotions are being devalued. Each ending like this only increases my skepticism, and it becomes more and more difficult to get emotionally involved in the plot when you know that in the end you will get a happy ending. I don't feel it as a reward for wasting my nerves. Rather, I feel the devaluation of my own experiences.
Although, when I saw Phob in a white tuxedo, I was surprised at first, because for a second the scene seemed to me to be a part of Thin's imagination. But no. Thailand is still not ripe for tragic endings and is still afraid to disappoint its audience.
I would accept the tragic ending as an honest outcome of their journey and with a clear conscience would give 5 stars for all this pain.
I was also ready to give five stars, but this ending from a box of cliches blurred the whole impression. And Thin, in my opinion, was crying all over lakorn, and making him suffer for another hour in the final episode is an act of cruelty incomprehensible to me. Job's death would break my heart, but war tends to end tragically: it hurts, but it's believable.
Well, or it could have been a simple ending, where after the military events they can't find a job, everyone loses hope, and then he still throws off their geolocation. Let Thin take care of him, let them show him how and where they will live now, and in the end you will stand in your white tuxedos against the background of flying petals for as long as your darling pleases. At least this way I can see the movement of history: it all started with a servant taking care of a prince, and ended with a thin man taking care of a Phobe. Two simple people without ranks and statuses
But an emotional meat grinder, so that later in the finale you get the solemn appearance of a man who, by his inaction, made everyone believe in his death, although any sane person in such a situation would prefer to make himself felt as soon as possible - well, this
It is clear that it would not be easy, because serious political issues, military actions, etc. are involved here. But something was very hard, at least for me.
I was glad that my father finally admitted his guilt before the Chat. When the father began to stroke his son's head, he initially tensed up, reflexively, afraid of receiving chapals, but in the end, perhaps, for the first time, he received such love from his father.
Tinnacorn is the poor guy of lakorn, as @HaiLouYin said, there hasn't been a single episode where he hasn't cried.
He's such a delicate flower on the outside, but strong on the inside. To suffer so many losses in life. I lost my grandmother, I was left without a father and a brother. But thank the holy spirits, at least Phobos stayed with him.
I also agree about the lacorns cliche with he, you always expect a positive outcome. But still, we had a great ride on the emotional swing here.
At the end of the episode, I was happy for Tina, he was finally smiling.
Which is according to the plot: difficult and interesting. A well-written story, the motivation of all the characters is clear in the end, all the lines are somehow closed. But I won't forgive the screenwriters for Grandma (
What you liked: that the feelings were marked from the very beginning, and I watched the struggle - with a sense of duty, with power, for their ideals... This is not new, but it was shown very deeply and well.
What I didn't like: I missed the 12th episode. The end turned out to be very eventful, including partially agreeing with the thoughts of the others about HAE. On the one hand, I really lived to the end, not getting too involved just because I knew about HE, and on the other hand, the whole story was about fighting for the right to be together and for a better future with a ton of tears, if it hadn't been for HE, I would have become depressed about hopelessness (
I really liked the acting, Pond is great as always, Inn and Ongsa are the Thai opening of this summer, I'd love to see their future projects, the guys are really good at chemistry) Although there are no smoking Asians found here, but there is still something to see ;)
Well, as a summary, if you look at it in one gulp, there's not enough time for analysis, as I looked at it, I changed my shoes on the go, exposed to vivid emotions, which in general I didn't like about myself. But in the end, there was a very clear opinion about each character - the script is good at this. I realized then that everything is there and everything is in its place, no matter how other comrades and circumstances might infuriate.
In general, I highly recommend watching it)
The chat in prison seemed to clear up, and yes, something happened that night))
Vasin and Chat had to lose absolutely everything in order to reach at least some understanding. Very tough, but effective.
I'm torn by a million feelings and a lot of thoughts in my head. But if I'm ever asked about a project recommendation, I'll recommend the Edge of the Horizon. There are no prickly emotional swings here, but there are such quiet ones that gently creep under the skin that there is no chance of getting out of here untouched.
I want to put Lakorn in my personal top. It was too good. InnOngsa, I'm waiting for you in the next project.
I'm in love, euphoria and generally in emotional promiscuity after watching.
I didn't watch lacorn on purpose, I waited for all the episodes, but in fact I couldn't watch it in one gulp just because of the constant tear squeezer.
What can I say, it turned out to be a beautiful story. Personally, HE pleased me. I always remain of the opinion that if I am forced to consume glass in bundles all the way, then at least it should not be in vain. At least everything should be fine in the end. And I'll look at the harsh realities of life without a happy ending outside of the series.
I can't say that lacorn is a solid five, because there are a lot of cliches and it was delayed in places, but in general the story is good, beautifully shot, and the actors are generally top.
I remember Ina and Tonton getting fucked in a Cruel Game and even getting a little upset when they were separated on different projects. But I'm so glad about it now! Ying and Ongsa look incredibly good together. And Taunton and the Boss in the Well are also giving out fire. That's for sure, everything that is done is for the best.
I'm unlikely to review this lacorn. I definitely won't take out this emotional swing one more time. But I'm glad I watched it, there will be something to remember. And the title song performed by Ongsa is gorgeous. I listen to it and it's like a kitten meowing in my ear.