Why do they have so many complaints about gays? I've lost count of how many times they've been mentioned in this series.
I also have such a dissonance during the course of the series. Martin's usual day: morning, breakfast with the children, where the kid will definitely grin and present something, in the end everyone still remains of their opinion; Martin comes to work, falls into a chair and wails how tired he is (from what?); his employees come with papers and say THEY NEED TO WORK IMPORTANT PEOPLE WILL COME, WE NEED THIS AND THAT, but Martin is so - oh, that's it, I'm tired, decide everything yourself. How is that even normal? For the president of the company? And then just (anyone) comes running and says, "MARTIN! THERE'S A LOT OF TRASH! THERE IS NO TIME TO EXPLAIN! THE CUTIE NEEDS TO BE SAVED!" And suddenly the forces appeared from somewhere, and here Martin rushes headlong to rescue a girl from trouble, whom he is "trying to forget with all his might." Ahahaha)))) Funny) And once again I understand that you should not look for seriousness in the plot, but damn. Sometimes idiocy is infuriating. Although it's necessary to try to twist the plot for 230 episodes, all the time traveling at the same receptions: here they overheard-they peeked and drew conclusions - they rushed; here we have love-hate - they rushed (the branch of Kiki and Constance is generally full of kringatina. What kind of undersexing is this anyway? kapets is simple); here we have stupid situations in which a Cutie got into and needs to be saved - rushed; here we have the machinations of nedaferists-relatives-close-friends - rushed))))) Oh, I can't)))
I also have such a dissonance during the course of the series. Martin's usual day: morning, breakfast with the children, where the kid will definitely grin and present something, in the end everyone still remains of their opinion; Martin comes to work, falls into a chair and wails how tired he is (from what?); his employees come with papers and say THEY NEED TO WORK IMPORTANT PEOPLE WILL COME, WE NEED THIS AND THAT, but Martin is so - oh, that's it, I'm tired, decide everything yourself. How is that even normal? For the president of the company? And then just (anyone) comes running and says, "MARTIN! THERE'S A LOT OF TRASH! THERE IS NO TIME TO EXPLAIN! THE CUTIE NEEDS TO BE SAVED!" And suddenly the forces appeared from somewhere, and here Martin rushes headlong to rescue a girl from trouble, whom he is "trying to forget with all his might." Ahahaha))))
Funny) And once again I understand that you should not look for seriousness in the plot, but damn. Sometimes idiocy is infuriating.
Although it's necessary to try to twist the plot for 230 episodes, all the time traveling at the same receptions: here they overheard-they peeked and drew conclusions - they rushed; here we have love-hate - they rushed (the branch of Kiki and Constance is generally full of kringatina. What kind of undersexing is this anyway? kapets is simple); here we have stupid situations in which a Cutie got into and needs to be saved - rushed; here we have the machinations of nedaferists-relatives-close-friends - rushed)))))
Oh, I can't)))