Description
A towering and fearless love story chronicling the lifelong relationship between Leonard Bernstein and Felicia Montealegre Cohn Bernstein. A love letter to life and art, Maestro at its core is an emotionally epic portrayal of family and love.
Oh, and how much smoking there is in this movie and everything is to the point... in every second scene, there is a cigarette in the frame. The camerawork is of the highest level. And a make-up artist!
Bradley did a great impersonation, especially the voice. And Carey Milligan is wonderful, of course
Among the advantages, I can single out generally good cinematography, excellent work by Mulligan, good work by Cooper (at the beginning it didn't seem quite great to me, but then it got better), and the fact that the entire (I may be mistaken) soundtrack of the film is woven into the film, the only time it played in the background, before the credits.
And so, I was not particularly interested in watching it, despite the fact that I adore the same slow Tap or the Anatomy of a Fall.
And from this film as a whole, it is difficult to understand why he is masetro.
From Bradley Cooper's desperate desire to win an Oscar, the result turned out to be very boring, pretentious and fake.
P.S. The only good, if I may say so, human, sad episode in the film was about his wife's illness.