За полчаса до весны

Anything can be tolerated, but the antics of Gleb Kalyuzhny are simply unbearable to watch. When you can't play, you replace subtle nuances with creepy facial expressions, as if you've had a stroke. And Gleb shows just such a game all the time. Well, why can't you play on nuances and more naturally?

The ending is great. They talked very well about the formation of Mulyavin, how he came to this format of music. It was naively shot in some places, but collectively it is worthy of attention.

The love line, of course, was significantly distorted. Mulyavin ran after Lyudmila Isupova (Asya), he proposed marriage, both when he was married for the first time and when he was married for the second time. She was dating Bortkiewicz. In general, a separate series).

"They did something in the Column. I don't remember, it's a foreign word." :)

There is a lot of confusion in this story, when compared with the memories of the participants. And it's unclear why the creators needed to change the story so much. And my wife did not give up any career for her husband, and even by this year she had been working with the Pesnyars for about five years, and Alya was not just a restaurant singer, but worked at Verasi for two years, was personally acquainted with the Pesnyars, and even performed with Bortkevich together. And then they got some cheap pop shit.