s02e07 — I'm Not Going Anywhere
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4.479
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| Duration: | 52 min. |
| Released: | 28.03.202428.03.2024 15:00 |
| Watched by: | 5 07925.31% |
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and in general, before you do something, it would be nice to try to make a simple animation yourself.;
2) Donald's dialogue on the roof is one of the best moments of the season. IMHO
3) Anisa's criticism of capitalism came out almost convincing, Mark could really calmly establish order, but decides to play the good boy.
>why the dictatorship?
>force
>by force to achieve
okay
my heart would stop if someone wrapped an arm around my neck, which can crush steel, not that fragile flesh...
There is a cool reference about saving effort and time for animation, etl constantly noticed in animated series when they can just show one picture for 20 seconds, or a hero from the back so that they don't draw mouth animation :)
Well, the next episode is the final one, and judging by the beginning of this series, it seems that we are waiting for an almost three-year break again:(
The second best moment, self-irony with animation.)
I would like headphones like gg's, wiltrumitka beats him with such force, but he works!)
My favorite example: in the anime SSSS.Gridman, there was no movement for the opening half minute, only sounds from the schoolyard creating an atmosphere — the series was generally full of static, but it also created the feeling of a Sundance movie. And in "The Melancholy of Haruhi Suzumiya" there is an even cooler scene where the character sits alone in a room for several minutes and only occasionally turns the pages of a book — a scene also based on sounds, conversations and screams coming from the school corridor. Cinema and animation are audio—visual arts. And the last thing I would think about is how much effort the animators saved in these examples.
It even seems to me that some examples of "Invulnerable" work too head-on, at the same time emphasizing the shortcomings of the series: the extras are too obviously standing still, and right now such fragments are often covered with three-dimensional models of lower quality, albeit somewhat out of style, but so that there is movement. As if in a joke, it was possible to approach more sophisticated: to show people standing in line to the author, to take a special angle for this. Well, so that it looks great in static.
The meta-joke from the comic seems to me more ambivalent (check out the picture first). On the one hand, it's still the same (self)The irony is about cutting corners and simplifying the work for the artist. On the other hand, repetitive frames are really a cool technique that can easily reduce the pace of narration (in McCloud's "Understanding of comics": "space on the page = time"), give pauses, and even stop time altogether. And sometimes repeating frames can have a powerful effect on the reader (I have an example, but only one place under the picture). And it's a shame for this duality. It's a shame for the animators, who deserve great respect even in the most "low-budget" scenes.