Overview
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

| Release Date: | |
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| Country: | US |
| Genre: | Drama |
| Production Companies: | DreamWorks Pictures, Jinks/Cohen Company |
| Watched by: | 6 272 of 1 007 182 |
| Runtime: |































apparently, the film was waiting in the wings. and he's very cool.
There's also about family values at the end. The girl generally seems to be in transition, does not appreciate her parents at all.
4.5 (somehow he didn't even hook me)
- I need a father who would be a role model for me, not some horny nerd who would cum in his pants every time I bring home a school friend. He's such a loser, someone has to put him out of his misery!
There was a little discussion about Woody Allen's figure on LK&PG today, and that's why I didn't approach American Beauty in the same mood I originally had. Anyway, I've heard a lot of controversial things about this movie, not to mention what was going on around Kevin Spacey a few years ago. And if I spent the first half of the film with a constant upward movement of my eyebrows, then later I even somehow got into what was happening and it turned out to be much more pleasant for me than expected. It's worth approaching this film by omitting all the prejudices and turning off the redflag counter, but you shouldn't forget about them either.
Of course, it was fun to watch, given the cultural background and the number of references referring to him and some of his scenes (the same Madagascar made some noise because of the associations with him). The very phenomenon of reverse reference, when you understand where those numerous references originate from and you sit like Rick Dalton, repeatedly pointing at the screen with thoughts: So that's where it comes from.
And yet the film is ambiguous. I understand what thoughts and statements he carries with him, and at first you feel rather puzzled by them, but I repeat, the second half of the film turns your conclusions around, allowing you to get into these ideas and charming you with the beauty of the statement, not to mention the beauty of the shooting. There are a lot of beautiful scenes and frames here, and I don't even mean THOSE VERY scenes and frames. It's more like a demonstration that even the smallest moments in life can bring warmth to the soul and the joy of existence. But at the same time, they can also make a destructive contribution, the benefits of which are difficult to detect, and indeed not really necessary.
That imaginary normality doesn't always make life better, and you should always reconsider it in order to learn how to live in a new way, in order to finally love life and yourself. Unfortunately, almost all the characters in this story realized this either too late, or distorted this understanding and caused irreparable harm to their soul. However, someone on the contrary seems to have finally achieved their personal happiness.
But speaking of this movie, it's impossible not to mention how uncomfortable it can be. And the notorious forbidden love, and stalking, and homophobia and hedonism. Raising all this to the absolute and allowing yourself to do this, it is difficult to remain human, even considering yourself normal. Even if you were just walking towards your own American dream.
This film is not so much about beauty, no matter how subjective it has always been, as about the ability to see beauty in oneself, in others, in the most charming moment and the dance of the little things of life.
And it seems that Lester Nygaard from Bemidji no longer seems to me as rotten a person as he seemed before. But at least it became clear where his cultural roots came from.