Endeavour

God, I was so afraid for Fred! I thought he was going to be killed:((Thank God everything worked out.
And when the three of them got out of the car to defend Morse, they were like the three Musketeers :))
And it was very symbolic how Bright was saved by the hated advertisement with the pelican :))
A wonderful, very touching ending.

From the very beginning of the episode, I was worried about Bright; after talking to my superiors and their attempts to manipulate him through his terminally ill wife, and how he stopped it in one fell swoop, I was already shaking - so when the superintendent was saved by a joyfully screaming "Pelikaaan!" a bunch of kids, I burst into tears with relief. Damn, Bright was so hopeless, I was so afraid for him, and help came from nowhere they didn't expect — viral advertising saved him)

The arrival of the Bright Fairy Strange trio to help Morse was suddenly reminiscent of the appearance of Jim Hunt and the team at the beginning of Ashes to Ashes o_O
And then Bright, full of sincere pride and dignity.: "Sergeant Jago may be influential among the patrol guards or in the UGRO, but he has no power over the traffic police" — such a powerful scene that I even applauded... Bright always reminded me of a nail in his cap — he is a nail, but he is absolutely inflexible; I adore him and the Lesser who plays this role.

And how it contrasts with the previous season! — this one ends on an optimistic note for the entire department, and the fact that Morse enters the house in which he will live his whole life — now all that remains is to get that Jaguar. It's so good.

Perhaps not everyone will agree with me, but I am glad that the series, which takes place in the 60s, is following the so-called progressive path. In two episodes, they have already raised the issues of prostitution and violence against women, British imperialism and the plundering of Egyptian heritage, migration and general sexism (often using the example of Truelove). Unlike, for example, "Life on Mars," they don't have a character to contrast the narrow-minded views of an entire era with, so there are just decent people in Endeavour and not really.

This, of course, is not the main advantage, but it is a pleasant addition to interesting cases, amazing relationships between the characters and just a great atmosphere (both the picture and the music). The fifth season is already underway, and I still can't get enough of how beautifully this series was shot.

P.S. Since the first season, I want Morse and Joan to be together. Considering what we've already been shown for a little over four seasons, and knowing what kind of character will become in "Inspector Morse," do you think I should put aside my hopes for such an outcome?)

My daughter's behavior kills me, why is she doing this to her parents?

I remember in the pilot episode when Morse confessed his love to the guilty miss. I thought I was seeing an extraordinarily sensual moment from something I'd seen before. But it turned out that the "marry me" scene would just rip my heart to shreds. I don't know what kind of Sean Evans is in life, but he plays with such suffering, such pain that sometimes I get lost in the reality of what is happening. He's great. It will be so painful for me to say goodbye to his hero. She went to cry.