Description
Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.
The first and second are gorgeous perky cowboys, and then the mood changes dramatically and will not return to these sunny adventures anymore, the third is sad, but about the cinema, the fourth is even more contemplative and life-affirming (and entirely, as I understand it, referential). The fifth begins after the viewer has already been driven along the emotional roller coaster enough. It seems that this is the one the authors are most interested in, but both times it gave me the impression of such an anecdote that they say it will be if you push romantic literature and the harsh truth of life. Yes, Roskomnadzor will work. In short, I don't quite understand her.
Well, the final episode is almost like a farewell of the brothers. It's very strong, and it's hard to find the right words for it. Existentialism, in. He probably is, yes.