s01e01 — First, the Weather Changed
My rating
4.269
MyShows(1 415)
| Duration: | 66 min. |
| Released: | 17.05.202018.05.2020 04:00 |
| Watched by: | 19 33768.49% |
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Jennifer is a beauty🤩
And very quickly they sawed off the Salamanca, it's a pity.
We were pleased with Grandfather Ivan (Salamanca from BB and VS) and Marta from the Americans, as if they saw old friends.
strictly speaking, the tall moustache Stephen Ogg is also from BCS, he was in two series
, although now I think how stupid it is on the part of the "creators" of the train not to take care of the selection of candidates of all professions necessary for existence.
Well, this is, of course, if the initial orientation was towards utopia, and not as usual.)
I can just imagine how these savages break free and fuck up the entire fragile ecosystem of the train, killing a third of the passengers along the way (who also have families here, as one of the rebels cried) and devouring everything they get to. And then they sadly die together with the rest, because for SOME reason everything has stopped working, bearing fruit and in general. Ramin.
And it seems to be clear that keeping people in a pen is a shitty and immoral practice (although they are uninvited passengers and broke into the train by force, but okay, let's put it down, they saved their lives there in a panic (as, indeed, the passengers of the train)), and the BUND had to be arranged sooner or later, but what well, why does it not work out from the word at all to sympathize with the oppressed? Rather, you empathize with those who honestly bought a ticket. Strange. Are the main oppressed heroes supposed to evoke empathy? So far, the impression is as if unfamiliar dudes burst into my house and said, "we're going to live here now. On the same rights as you. Because because. WE ARE PEOPLE AND WE HAVE THE RIGHT." And in such a situation, we can only thank the owners for feeding, watering, and so on. In general, everything is kind of muddy. If the series continues like this, then it will be a disappointment in the inability of the director and screenwriter to stage scenes so that the unfortunate-oppressed-ragamuffins would like to somehow sympathize.
By the way, this topic is just revealed in the film.
I agree with the second paragraph. I would like to have more sympathy for the characters somehow. So far, I have more sympathy for "Mr." Wilford.
I don't understand where empathy for those who bought a ticket can come from? There are just rich people there, it's not even the fact that they are useful within the framework of the train, they just managed to earn money before the apocalypse. What right does this give them to hold other people as slaves? Where is there at least something human in this? The really useful ones are busy with work, but within the framework of the train they are just the middle class.
Actually, that's what the series is about. Instead of being human and helping those who got on the train, trying to survive, the top is behaving like the last scum. Our current realities are squeezed into the framework of the train.
Therefore, I fully agree with Khanberbatch's comment..
Smoke was clearly coming from the submarine in the ice. Did anyone survive outside the train?
It was intuitively felt that there was no real Mr. Wilford. I'm looking at the characters, Connelly's character is impressive, and the actress plays great!
The crude script is poorly developed characters, for example, an African-American with dreadlocks with the principles of pacifism (a certain Bob Marley) who is a former police detective, is very unlikely, the storyline itself is very illogical a group of people sneaks into a rabbit under a shootout in one carriage, on this train they are considered marginals who are treated bestially starved, kept isolated and they cannot give rights under the pretext that this will destroy the existing eco-train system, but for some reason no one exterminates them.
Filming was very much saved on camera work, but at some points it feels like shooting two thousandth years
5/10
Perhaps there are still some shifts.
The first series turned out to be mediocre, somehow crumpled, but there is a lot to grow, I hope it will be more interesting further.
P.S. I assume that the search for the killer is just an excuse, but not the main plot-forming line.
and where are the soldiers constantly if the series has already said about last rebellion, and for 6 years was definitely more
or is this ecosystem so that they kill each other
one detective on the whole train?
specifically a caricature of rich men in colorful outfits look funny
in General, all terms of idiots and some with no empathy I do not want
I agree, so far the most pleasant character is Connelly's heroine.
Judging by the smoke from the submarine, there are still survivors in the world. Probably a very early start for the second season.
I didn't think about it when watching the movie, but: why not build a smaller looped track for the constant passage of the train in a circle? So that it all goes on a flat, good terrain and so that the cycle of the route is, for example, one day. This would remove the dangers associated with the changing landscape in the mountains, etc. Of course, the upper class would be bored to look at the same landscape, but safety is above all. Theoretically, it would even be possible to leave repair crews on the tracks and pick them up after the repairs were completed (well, while the temperature still allowed).
It's too bad that the series is a prequel to the film, because now we know that whatever it was, by the time of the film, nothing will change for the better on the train. Well, unless the upper and lower classes switch places. But this is unlikely, it would have been mentioned in the film.
I wish someone based on Hugh Howie's "Bunker" would make a TV series.
My question is, why are they even going somewhere by train?
I didn't watch the movie, but there were questions about the series:
- Energy. And why are they moving at all? And not just moving, but fast, constantly for 6+ years, pulling 1001 wagons? Where do they get so much energy from in the "self-isolation mode"? Not to mention domestic consumption.
- Food. It also raises big questions. It was said that a little more than a hundred wagons with "hydroponics", i.e. one wagon with plants for about nine others, including cattle, which also need to be fed.
- There are still a lot of smaller questions (for example, about a still working smartphone), but for now I would like to deal with these.
Thank you for supporting the topic about important questions.
It's better this way: seven pies and one candle! (c) Carlson
My point is that in such a scenario with renewable food, they will not succeed, just like Frekken Bok, "get into this little box." (c) He is the same
detective? for a hundred thousand episodes? Well, this ...
the main character does not pull at all, he did not cause any emotions.
The only interesting twist from Coneli.
the twist of this comment is better than the twist in the series itself
I really didn't know that this was a prequel, because of this, it's not clear why the series is at all. In the film, they lived in the same conditions.
Did the show feature a young Chris Evans? After all, after 11 years, as I understand it, gg will be from the film.
About the desire to reproduce. As a society, these shanks have a problem, because they are dying out. That's the whole point. Of course, there are some of them who just want a child. But everything is subjective here. In wartime, children were also born, although the times were still those.
Well, apparently there is an opportunity to somehow move into better cars. It sounds even better than fair. After all, they broke into someone else's property. I don't understand why they are demanding something.
The rich are ordinary. Not caricatured. If someone has enough money for a ticket, it does not mean that this person is good or bad. They just didn't show the best part.
In the film, the intrigue with the main one was revealed only towards the end, as far as I remember. Therefore, it was possible to perceive him as a kind of villain. But here it's Coneli, and in this episode she was very cool. He does 100 things, monitors everything, handles everything. At the same time, she has not yet staged some kind of totalitarianism with the genocide of the shanks.
Dubbing Enjoy watching
A ridiculous twist with a murder investigation... In general, everything is ridiculous. Most of the actors are like from a 00x sitcom. Two blondes, one whose hand was chipping off, the second who is also a cop, just like from My beautiful babysitter x) both visually and by the skill of the "game".
It's not clear what kind of wind brought Jennifer Connelly here, it seems like she hasn't been playing so much lately... I thought I'd look at it for her sake, but no. Alas.
By the way, I really like the film, I've watched it several times, it's intense and spectacular, and here - pf...
A red-haired dude who watches people in symbiosis is some kind of creep.
The main character is far from detective in type and feelings, the multicultural mix of the train tail salad is like a stereotypical cranberry, and not those who want to empathize. So far, Connelly has only an interesting line. Let's see what happens next!
It moves, as I understand it, on a perpetual motion machine
Sting's daughter is not like that)
I WONDER WHAT THE FUCK TO GIVE BIRTH AND REPRODUCE IN SUCH CONDITIONS? IS THERE SOMETHING I DON'T UNDERSTAND ABOUT THIS? FUCK HER KIDS WHEN THEY CAN BARELY FIND FOOD?🤦🏿♂️
THE SEATS IN THE CARRIAGE ARE NOT RUBBER AND THE FACT THAT THEY WILL MULTIPLY WILL NOT MAKE IT BETTER. PZDC.
In the beginning, in order to show us visually how it all started, we decided to tell what's what in the form of a cartoon and a voice on the background - A BIG FAT MINUS BECAUSE OF THIS.
But in general there is nothing to say yet, I will try the second series. It seems like we tried, but it doesn't catch
Включили мою любимую сцену из комикса про повесившего старика, что сразу плюс.
Ну и да, момент с поеданием супа с хлебом понравился, сыграно было хорошо.
If you close your eyes to the details like "who is servicing the road if the train does not stop", the Aquarium on the train and so on, the storyline is interesting.
But he is constantly haunted by the thought "what? ..."
It is not thoughtful and unrealistic.
There is such a thing as suspension of disbelief. A must-have piece for viewing any work of art, let alone a fantastic one. Or will you be in a series about elves or superheroes: "It doesn't happen like that, it's unreal!"
I didn't have high hopes, because I was used to not building expectations so as not to be disappointed.
But here I was waiting not only for an interesting idea of dystopia, but also, it seems, a detective story!
Class inequality, closed space... It should be good.
What should I do?
The first episode is pretty good. In general, I usually do not dig into the genre of fiction. I'm ready to turn a blind eye to shoals, so I'm not really picking on them yet. And I perfectly understand the heroes, who no longer care how to die, as long as they don't die like starving rats because of power and wealth, so they desperately try to do something before they die. I probably would have done the same thing.
I personally like the story of the investigation, I love detective stories.
And here's the ending... I'd like to find out who's in charge of the train later, with more intrigue... but okay, so far the four, let's go further)
Well, fuck it. The planet is frozen. Minus 100. This is where logic and common sense end. Next, only stupid illogical shit like a train with 1001 cars, running for 7 years. Drugs. Wagons — districts: night, Chinese and all in this spirit.
And fuck, you're just watching and there's an irresistible and frantic stream of questions. And the most important thing is: where the fuck do they get it all? Reagents for drugs. Bullets. Food. Clothes. WATER!!!!! How can a train with one locomotive pull 1001 wagons? Where do the batteries in the flashlights come from? Pasta in the handles? Flour??? Where the fuck are flour noodles from? Bitch, where the fuck do you get all this on the train?
The whole shoot boils down to a dumb detective on pussy in narrow corridors. What the fuck is this last carriage with homeless people? Why not unhook it at all?
Fuck yeah. What the fuck is a train???…
The graphic novel itself is very atmospheric and the film turned out great, the actors are certainly stronger there, except that only Connelly is good here, but I hope the rest will open up.
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